"The power of attractive vibration of the solar forces is the great coincident towards which the terrestrial-magnetic-sympathetic flows (sympathetic flow) is diverted. This force is the celestial current that makes up the prime third of the triple association. It also induces aqueous disintegration and thermal concentration, the two prime conductors towards this coincident chord of sympathy with itself. Without this aqueous disintegration there would be no connective link between the celestial and terrestrial. There would exist nothing but a condition of luminous radiation on the order of the aurora - a reaching out for the concordant without any sympathetic diversion to create unstable equilibrium of terrestrial magnetism. In fact under such a condition, the absence of the sun on one side, or the absence of water on the other, the magnetic or electric force would remain in a stable state of equilibrium, or the highest order of the chaotic. Disturbance of equilibrium and sympathetic equation constitute the dual power that governs all the varied forms of life and motion which exist terrestrially, of which the electric or magnetic is the prime mover and regulator. All electrical action, no matter of what character, has its sympathetic birth by the intervention of that current of the triune flow, which I call the Dominant, with the polar harmonic current; all sympathetic flows being composed of three currents. They become associative one with the other only near the junction of terrestrial interference. The great vacuous field which exists between the planetary ranges holds this portion of the etheric flow free of all antagonism, molecularly or otherwise, till the associative point is reached; so wonderfully planned by the Great Creator, for instant electric evolution and assimilation with terrestrial centres of attraction. I call this intervention, atomic intermolecular and molecular density. The combination of the action of the triune sympathetic celestial stream with the same intervening medium induces heat and light as the resultant of these corpuscular confliction with sympathetic celestial and terrestrial focalized centres of neutral radiation. I do not recognize Electricity, nor light, nor heat as coming from the sun. These conditions, according to my theories, emanate from atomic and interatomic interference on induced molecular vibration, by sympathetic etheric vibration, the celestial attractive being the prime mover. In my estimation this is not at all phenomenal; it is only phenomenal as far as the knowledge of its action in mechanical physics is concerned. Physicists have been working in the wrong direction to lead them to associate themselves with Nature's sympathetic evolution. The expression "Electricity attracts at a distance" is as bad as, if not worse than, the microbe of the magnet." James Clerk Maxwell seems, when theorizing on sound transmission by an atmospheric medium, not to have taken into consideration the philosophy attending the phenomena of the origination of electric streams in celestial space. Light is one of the prominent evolved mediums in electric action, and is evolved by corpuscular bombardment induced by sympathetic streams acting between the neutral centres of planetary masses, all of which are under a condition of unstable equilibrium. These unstable conditions were born in them, and were thus designed by the Architect of Creation in order to perpetuate the connective link between the dispersing positive and the attractive negative. The action that induces this link I call sympathetic planetary oscillation." [Bloomfield-Moore, Keely and His Discoveries]
"In reply to the question, "What do you include in the polar forces?" Keely answers, "Magnetism, electricity, and gravital sympathy; each stream composed of three currents, or triune streams, which make up the governing conditions of the controlling medium of the universe: the infinite ninths that I am now endeavouring to graduate to a sympathetic mechanical combination, will, if I succeed, close my researches in sympathetic physics, and complete my system. These sympathetic streams from celestial spaces, percussing on the dense atmospheric environment of our earth, by their infinite velocities, wrest from their atomic confinement the latent energies which we call heat and light." Keely, Appendix II
"What is light and heat, and how are they evolved? and why are they so intensely perceptible as emanating from the solar world?
"Light and heat, considered theoretically, belong to the highest orders of the phenomenal. They can only be accounted for by the velocity of sympathetic streams, as interchangeable to and from centres of negative and attractive focalization. In considering the velocity of vibration, as associated with the projection of a ray of light, to be at least one hundred thousand billions per second, it is easy to account for the origin and demonstration of these two elements by the action of celestial sympathetic streams.
1st. Light and heat are not evolved until the force of the vibratory sympathetic stream, from the neutral center of the sun, comes into atomic percussive action against the molecular atmosphere or envelope of our planet. The visibility of the planets can only be accounted for in this way, some in a great degree, some in less. Innumerable thousands, it may be, remain invisible to us by not having the conditions surrounding them, and associated with them, which favour the atomic and molecular antagonistic friction necessary to make them visible. The velocity of a steel ball passing through the atmospheric envelope, at a speed of thousands of billions times less than an etheric sympathetic stream, would be dissipated into vapour in an indefinite period of a second of time. Light and heat, in a certain sense, are one and the same; light giving heat, and heat giving light. The whole mystery, as associated with their evolution, is explained by the bombardment of the sympathetic etheric stream on the dense portion of the molecular, in seeking the sympathetic concordant neutral center of the planetary mass that surrounds the point of focalization.
"The positive and negative interchange of this true sympathetic stream keeps intact the magnetic force of the polar envelope of the earth; making it, as it were, a great magnet of itself. The fact of this magnetic force being universally present, on and in our planet, proves the immensurable speed and power of etheric sympathetic interchange. Thus it is that, from the velocity of these sympathetic rays, the earth's standard of heat and light is evolved and kept in balance. This interchange of sympathetic radiation, between the solar world and its system of planets, equates the sympathetic volume by the reception of the full amount expended on sympathetic distribution; thus showing the never-ending restoration of equilibrium by the same medium that disturbs it during intermittent sympathetic action. There are very many facts in vibratory physics which prove that the volume of heat, supposed by many to emanate from the sun, if concentrated upon a centre of the volume represented by the sun, would give enough focal force, if projected upon the system of planets that is under its control, to vaporize then in one month's time. A ray of heat one billion times greater than the whole volume of the sun represents could not pass through the dark vacuous boundaries which lie between us and the sun without being neutralized and absorbed." [Vibratory Physics - The Connecting Link between Mind and Matter]
Light as it comes from the great solar reservoir, writes Dr. Pancoast, is a unit - not seven rays, but one sunbeam. Though it contains the dual attributes (the active and passive, the positive and negative, the polar force and the chemical function) they are so exactly equilibrated, so perfectly in harmony, that they form absolutely a unit; their unity being slightly affected by contact with our terrestrial atmosphere, which extracts from them in transitu a small amount of chemical blue, and a portion of calorific energy, but being substantially maintained until in actual contact with the earth and earthly objects, when the beam is interrupted, and its rays distributed, in order to permit each principle of virtue to perform its part in nature's vast laboratory. The prism has not changed the light, nor its united and separate nature and attributes. It has only shown us that the great unit has seven members, so to speak, working in perfect harmony, obediently to the laws of "The Supreme." This one fact of the unity of light utterly suppresses the waves, or undulations, of modern scientists. A sunbeam cannot come in seven parts upon seven sets of waves. The impulse and tension theory of the old philosophy justifies itself, if the justification of a theory consists in its competence to account for actual phenomena; but the secrets and mysteries of nature regarding the essence of light, and its great work in creation and, providence, must be studied elsewhere." (See "Blue and Red Light," by Dr. Pancoast.) [Bloomfield-Moore, What Electricity Is...]
"Clerk Maxwell seems, when theorizing on sound transmission by an atmospheric medium, not to have taken into consideration the philosophy attending the phenomena of the origination of electric streams in celestial space. Light is one of the prominent evolved mediums in electric action, and is evolved by corpuscular bombardment induced by sympathetic streams acting between the neutral centres of planetary masses, all of which are under a condition of unstable equilibrium. These unstable conditions were born in them, and were thus designed by the Architect of Creation in order to perpetuate the connective link between the dispersing positive and the attractive negative. The action that induces this link I call sympathetic planetary oscillation." [Vibratory Physics - The Connecting Link between Mind and Matter]
"Fichte writes: "The will is the living principle of the world of spirit as motion is of the world of sense." Newton said that this subtle ether interpenetrates all matter and is concealed in their substance, through the strength and activity of which, bodies attract each other and adhere together when brought in contact, annihilating distance, as if objects might touch each other. Through this "life spirit" light also flows, is refracted and reflected and bodies are warmed. Pythagoras viewed this as a divine luminous principle or substance which permeates all things and at the same time contains all things. They called it the astral light. The Germans call it the "Welgeist". [Snell Manuscript - The Book, page 2]
S. Zolver Preston, in his "Physics of the Ether" says: "A quantity of matter only 1 gram and of the normal velocity of the ether, or a wave of light encloses a state of energy represented by 1,000,000,000 foot tons. Or the mass of a grain contains an energy sufficient to project a weight of 100 tons to a height of 1.9 miles." [Snell Manuscript - The Book, page 3]
The action of Nature's sympathetic flows regulates the differential oscillatory range of motion of the planetary masses as regards their approach toward and recession from each other. These flows may also be compared to the flow of the magnet which permeates the field, existing between the molecules themselves, sensitising the combined neutral centres of the molecules without disturbing, in the least, the visible molecular mass itself. In the planetary masses - balanced as it were in the scales of universal space, floating like soap-bubbles in a field of atmospheric air, the concentration of these sympathetic streams evolves the universal power which moves them in their oscillating range of motion to and from each other. This sympathetic triple stream focalises and defocalises on the neutrals of all such masses polarising and depolarising, positive and negative action, planetary rotation, etc., etc.. It is thus that all the conditions governing light, heat, life, vegetation, motion, are all derived from the velocity of the positive and negative interchange of celestial sympathy with the terrestrial.
Every harmonious condition of Nature's evolutions is governed by one incontrovertible law; that of concordant assimilative harmony. This concordant key is the ruling one over all the antagonistic, negative, discordant ones; the one that diverts the disturbance of sympathetic equilibrium to one general concentrative centre for redistribution. Harmony concentrates, Harmony distributes. The focalising point of concordant sympathetic concentration is the percussive electric field, where the velocity of its sympathetic streams rebounds with a power that throws them far out into universal space; and so far beyond their equative centre of equilibrium, as to bring them in sympathy with the universal attraction of the combined neutral centres of all planetary masses. KEELY. [True Science]
"The same soul element that was previously in the air has now entered the light which embraces us from morning to evening. This was made possible through the fact that the Christ has united Himself with the earth. Thus, also from the soul-spiritual aspect, air and light underwent a change in the course of the Earth evolution." [Rudolf Steiner, The Mission of the Archangel Michael, lectures in 1918-1919, Anthroposophic Press 1961, p. 106]
" what exists up in the sky is not merely the physical sun, but... with the sun's warmth and light etheric beings stream down to earth" [Rudolf Steiner, Nature Spirits, lectures in 1908-1924, Rudolf Steiner Press 1995, p. 169]
"I am the light, and it is the music. Light fills my six senses - I see, hear, feel, smell, touch and think. Thinking, for me, is the sixth sense. The light rays are printed notes. One lightning can be the whole sonata; a thousand lightning the show. For this concert I have created a ball lightning, which can be heard on the icy peaks of the Himalayas. [Nikola Tesla, source wanted]
""I consider this extremely important," said Mr. Tesla. "Light cannot be anything else but a longitudinal disturbance in the ether, involving alternate compressions and rarefactions. In other words, light can be nothing else than a sound wave in the ether." [source wanted]
What is Light?
From the Angelic Realm
"Light is the aspect of experience in which certain forms of Energy flow freely, with little or no impedance. Light may come in the form of physical Light, spiritual Light, emotional Light or mental Light. It provides a balance to the Dark.
"Light is often considered to be an emotional and spiritual messenger. Also be aware that there is another side to Light. The Angel that fell took with him something of value; the promise and appearance of Light - but not Light. His name, Lucifer, means 'Carrier of Light'.
"Always insist upon the real thing and you will be Blessed and walking in the Light." [Dawn Stranges, 07/27/2011]
The only Truth is Love. It has many faces, and sometimes it is confusing when one attempts to discern Love and its expressions in one’s life. Such confusion can be dispelled through the power of the Good Heart. Your Heart is naturally good. The energy which surrounds you, swirling in response to your outlook, emotions, actions, thoughts, dreams and illusions, filters the Love that comes from you and that which comes to you. Your quest for Truth must begin with the Beauty of the Self. That is the Good Heart. The Good Heart is one that sees itself as a Center to and from which blessings flow in abundance. If this picture is desired, the heart will open to accommodate its full power of Love, bringing peace to the Self and others. We stand by to assist your unfolding, and the clarification of your beauty and Light. [Jesus, Good Heart]
"Light, as man knows light, is but an unstable simulation of the real light of the Universal One. Man's concept of light is luminosity, an illusion of the universal light of inertia, sustained in its appearance as an illusion of light by the pressures generated through motion. The inner mind of ecstatic man knows the real light and that he is One with light. He is not deceived by its illusion." [Russell see Figure 14.05 - The Dominant is the Light of the Mind of Diety]
"God is Light. God is Love.
God's creating universe is founded on Love. It is creating with Light.
''The principle of love is desire to give. God gives love by extending His Light. God's love is a mirror of Light which reflects His giving of love by the regiving of love.
The law of love is rhythmic balanced interchange between all givings and regivings.
The symbol of love is the wave of dual light which gives and regives equally and rhythmically. This is a dual electric wave universe of interchanging light.'' (Fig. 1)
God's Love is everywhere; His Light is everywhere. There is naught but good in God's omniscient universe. Evil is a product of man's thinking.
God extends His love, His power and His knowing, radially, from zero points of omnipresent stillness to other zero points in the measure of His desire to give form to His imag-
inings. The intensity of desire extended from centering points of rest to extended points of rest determines the dimension of desire. (Fig. 2)" [Russell, The Secret of Light, PART III: Omnipresence The Universe of Being Postulates and Diagrams]
"In the beginning: God moved and said, 'Let there be light,' and there was light; not the light of the sun, but rather that of which, through which, in which, every soul had, has, and ever has its being. For in truth ye live and move and have thy being in Him (Acts 17:28)." Cayce (5246-1) [see Celestial Radiation]
"What is Light? That from which, through which, in which may be found all things, out of which all things come. Thus the first of everything which may be visible in earth, in heaven and in space is of that Light, IS that Light." Cayce (2533-8) [see Celestial Radiation]
"The light moves on in time, in space, and upon that skein between same are the records written by each soul in its activity through eternity; through its awareness... not only in matter but in thought." Cayce (815-2)
Speed of Light
A Rule of Thumb says the higher the density of a propagating medium the higher the velocity of propagation of sound (or other disturbance) through it. If a medium composed of interetheric substance has a near infinite density sound would propagate through it nearly instantly. As it is a given there are MANY Etheric (quantum) and interetheric (subquantum) substances much finer than light or a media composed of photons then we can see the velocity of light is nowhere near any limit on vibratory wave propagation rates or velocities. Dale Pond
Christ Returns - Speaks His Truth
"All of this realization lifted me to the heights of rapture, elation and sublime ecstasy, so that I was scarcely able to bear it. I felt my body must dissolve with the expansion of Power within me. I was irradiated with LIGHT and could see IT all around me illuminating the desert scene." [Christ Returns - Speaks His Truth, Letter 1, page 16]
"I was shown the following vivid vision.
First of all, I saw a new-born babe as 'light', a life-form of 'Creative Power'.
As the baby grew into childhood, then manhood, I saw the pure LIGHT of the 'Creative Power' gradually dimmed and then obscured altogether in him, by a dense wrapping of chains and thongs.
I questioned the meaning of the vision and there came to my mind a clear understanding which may be expressed in the following words:
'From birth to death - people believe and insist that their five senses of sight, hearing, touch, smell and taste, correctly predicate the 'reality' of themselves and the universe around them.
Therefore, because they draw their mind power direct from Divine 'Creative Power', it is done to them according to their beliefs. [Christ Returns - Speaks His Truth, Letter 1, page 17]
"Each thong represents a person's habitual thoughts, responses to people and events, prejudices, hates, animosities, anxieties, sorrows, all of which bind him down and shut out the Light from his inner vision drawn from the 'Creative Power'. Thus he enters into darkness but does not know it. He believes he is growing up and becoming mature in the ways of the world which will enable him to forge ahead and make 'good' - become successful - the aim of most people on earth.
In fact, the more mature he becomes and versed in worldly ways, the more densely do his chains and thongs imprison him within the grip of the twin IMPULSES of 'Bonding-Rejection'.
Furthermore, each chain is forged out of selfish and deceitful desires, greed, aggression, violence and rape. These chains hang heavy around him and burden the psyche, which is the 'creative consciousness power' deep within him. Chain and thong will bind him tighter with every passing year until he realizes what he is doing to himself and sincerely repents each thong and chain and makes due restitution to others whom he has harmed." [Christ Returns - Speaks His Truth, Letter 1, page 17]
"As many of you are aware, you are entering a new phase of world history, during the course of which it will be realised that no longer is the great divide between the wealthy and the poor.
The great divide will be in consciousness. The divide will be between those who have been able to find entrance into the higher spiritual consciousness and radiate love and acceptance equally to all - friends and foes - and who make it their goal to radiate Divine Consciousness into every facet of their daily lives - and those who remain encased within their ego-drives, seeking domination of the weak. They may appear to succeed for a while - but eventually they will fail and their suffering in their self-created darkness will be great.
These Letters will be the means of your moving out of darkness into LIGHT." [Christ Returns - Speaks His Truth, Letter 4, page 22]
The mathematical scales, if followed out regardless of other laws which rule in music, would read like a chapter in Astronomy. They would lead us on like the cycles of the moon, for example. In 19 years we have 235 moons; but the moon by that time is an hour and a-half fast. In 16 such cycles, or about 300 years, the moon is about a day fast; this, of course, is speaking roughly. This is the way seemingly through all the astronomical realm of creation. And had we only the mathematical ratios used in generating the notes of the scale as the sole law of music, we should be led off in the same way. And were we to follow up into the inaudible region of vibrations, we should possibly find ourselves where light, and heat, and chemical elective motions and electric currents are playing their unheard harmonies; or into the seemingly still region of solid substances, where an almost infinite tremor of vibrations is balancing the ultimate elements of the world. Music in this case would seem like some passing meteor coming in from among the silent oscillations of the planetary bodies of the solar system, and flashing past with its charming sound effects, and leaving us again to pass into the higher silence of those subtle vibrations to which we have referred, having no infolding upon itself, no systematic limit, no horizon. But music is not such a passing thing. Between the high silence of these intense vibrations, and the low silence of oscillating pendulums and revolving planets, God has constituted an audible sphere of vibrations, in which is placed a definite limit of systematic sounds; seven octaves are carried like a measuring line round twelve fifths; and motion and rest unite in placing a horizon for the musical world, and music comes [Scientific Basis and Build of Music, page 39]
On colours developing by the same laws as musical harmonies
—The physical properties of light and darkness briefly considered
—If the laws are correctly gained, harmonics of tones and of colours will agree
—Quotation from a lecture by Professor W. F. Barrett on the order of sonorous and luminous wave-lengths
—Fountain of musical harmonics, E root of B; in colours yellow and ultra-violet, being tints and shades of white and black
—All harmonics of sound and colour condense into a primo springing from the fountain
—Multequivalency of tones and colours
—Wünsch's views nearly one hundred years ago
—Clerk Maxwell's, Lord Rayleigh's, and [Harmonies of Tones and Colours, Table of Contents1 - Harmonies]
Reflections on the scheme
—Our present powers are as darkness groping after light
—A quotation from Milton compared with the scheme
—Major and minor chords respond to our feeling
—Milton had a glimpse of the laws of Evolution
—Evade the belief of the development of trinities from unity and the scheme falls into ruin, . . . . . . 43 [Harmonies of Tones and Colours, Table of Contents4 - Harmonies]
ALTHOUGH I am confident that the foundation on which I have been building is firm, and will never fail, I also feel that there are probably errors in raising the superstructure. "Truthful deductions must ultimately harmonise; like light, they will shine by their own effulgence." "If, however, we determine that we will not receive any truth against which objections can be raised, we shall remain in a state of universal scepticism, for against truths of every description objections have been and may be suggested." Appearances are often contrary to facts— "the straight stick looks crooked in the tide." And the question has always to be decided, whether the objections neutralise the positive evidences in favour of the truth of any assertion. [Harmonies of Tones and Colours, General Remarks on Harmonies of Tones and Colours, page 12]
Here we see why music, as a science, takes the priority of painting; for if music is good, it is perfected by natural laws which cause its tones to melt into each other in the most delicate gradations, while the painter who endeavours to represent the exquisite variations of tints and lights in the living landscape is dependent entirely upon his own resources. The early writers on music were philosophers and mathematicians on the broad basis of general science, not on that of music only. Mathematicians, for the most part, have only studied the subject of musical sounds up to a certain point, and have then left it. The musician must take the chromatic scale—not as it exists in Nature, for that offered by the mathematician, without the ordinary compensations of conventional theory, is of no use to the practical musician. [Harmonies of Tones and Colours, The Method of Development or Creation of Harmonies2, page 16]
WE know not for how many ages colours have been developing. "In the beginning, darkness was upon the face of the deep." The physical properties of light are probably the deepest and most interesting studies in physical science. I only touch upon light as the acting energy or life, causing, in its struggles with darkness, not only the varieties of colour around us, but the colour even of light itself, as colours arise from rays of light exercising different influences. [Harmonies of Tones and Colours, On Colours as Developed by the same Laws as Musical Harmonies1, page 18]
The primitive laws of any science should be capable of succinct statement, but in combination with others they become more complex and delicate, and error is proved if in the developments they do not echo each other. If, therefore, musical harmonies are correctly gained, the same laws will develope harmonies of colour, and will agree with the colours of the rainbow, the circle of which is divided by the horizon. All who are interested in the laws which regulate these two sciences will doubtless know the interesting lectures delivered by W. F. Barrett (Professor of Experimental Physics in the Royal College of Science, Dublin), and the article written by him and published in the Quarterly Journal of Science, January, 1870, entitled "Light and Sound; an examination of their reputed analogy, showing the oneness of colour and music as a physical basis." I will quote shortly from the latter for the benefit of those who may not have met with it. "The question arises, Has all this æsthetic oneness of colour and music any physical foundation, over and above the general analogy we have so far traced between light and sound? We believe the following considerations will show, not only that it has some foundation, but that the analogy is far more wonderful than has hitherto been [Harmonies of Tones and Colours, On Colours as Developed by the same Laws as Musical Harmonies1, page 18]
"Comparing wave-lengths of light with wave-lengths of sound—not, of course, their actual lengths, but the ratio of one to the other—the following remarkable correspondence at once comes out:—Assuming the note C to correspond to the colour red, then we find that D exactly corresponds to orange, E to yellow, and F to green. Blue and indigo, being difficult to localise, or even distinguish in the spectrum, they are put together; their mean exactly corresponds to the note G: violet would then correspond to the ratio given by the note A. The colours having now ceased, the ideal position of B and the upper C are calculated from the musical ratio." [Harmonies of Tones and Colours, On Colours as Developed by the same Laws as Musical Harmonies2, page 19]
Harmonies of Tones and Colours, Diagram IX - The Minor Keynote A and Its Six Notes, page 34a]
With our present powers the darkness of ignorance is ever groping after the light of knowledge. If the field is so vast when we merely attempt to harmonise the laws which regulate the visible creation, it widens indefinitely when we attempt to harmonise, by the same laws, Creation with the Scriptures. "God is light," and with His Holy Spirit for our teacher, every line of His word instructs us; "like the ocean, the word remains essentially the same, while the light never plays upon its surface without deepening and varying its hues." [Harmonies of Tones and Colours, Reflections on the Scheme1, page 43]
C red rises
from the fountain key-note which contains in itself all tones. "Him first," the Son of God proceeding from the Almighty, and yet in Himself the Trinity in Unity. E, yellow or light. E is the root of B, ultra indigo, or black. "Him midst," the Almighty Father, the Fountain of life, light gradually rising and dispelling darkness. G, blue, "Him last," the Holy Spirit, proceeding from the Father and the Son, Trinity in Unity. The Son of God and the Holy Spirit are the complemental working pair throughout the universe; each containing "the seven spirits of life." Red and blue contain all colours in each. C and G are a complemental pair, C rising from the fountain key-note which contains in itself all tones, and C and G combine all tones in each. In Chapter III. it is explained that all varieties of tones and colours may be condensed into this pair, rising from and falling again into the fountain. [Harmonies of Tones and Colours, Reflections on the Scheme2, page 44]
"Science and Revelation are mutually, though gradually, clearing each other; but as a little warmth of the rising sun only calls up the very mists which are to be dissipated by its more powerful shining, so a vague and chilling popular unbelief is to be dispelled, not by withholding knowledge, but by shedding abroad all possible light. Christianity has one most dangerous mental foe, and that is ignorance." Ignorance is the parent of Atheism; but we should carefully distinguish between "sinful doubt" and candid inquiry, the former of which generally arises from a too great love of, and belief in, our own mental powers. [Harmonies of Tones and Colours, Reflections on the Scheme3, page 45]
1867.—"Your plan of eliciting facts from Scripture (altogether new) interests me exceedingly." "To make out the scheme of harmonical parallel proper for the elucidation of your system, it will, if possible, run all true with the harmony of colour, and this has never yet been done, except in a way which has been met with serious objections. When I commenced the examination of your theory, I spent five days at the British Museum, and collated about forty volumes." "I am very glad to hear you have a probability of harmonising numbers by the same laws as light and sound." "What you call rest, I call the appearance and disappearance of a harmonical cycle." "Your series of fifths is quite correct." [Harmonies of Tones and Colours, Extracts from Dr. Gauntlett's Letters1, page 48]
If, as I believe, the Natural Sciences throughout Creation develope by Trinities, how silently, yet how strikingly, may we trace the wonders of Redeeming Love. "Wisdom hath builded her house; she hath hewn out her seven pillars."— Prov. ix. I. We strikingly see in the development of harmonies the type of 2 Cor. iii. 18, as each key rises from darkness to light, or, descending, falls from light to darkness.
F. J. Hughes
SANDOWN, ISLE OF WIGHT,
February, 1885 [Harmonies of Tones and Colours, Supplementary Remarks, page 54]
Fine Tuning Light Frequencies
celestial luminous the one substance
Celestial Sympathetic Radiation
Compound Interetheric substance of Mind
Electricity from Light
Figure 14.05 - The Dominant is the Light of the Mind of Diety
Language of Light
LIGHT - Snell
Light Created from Vacuum
Light of Mind
Light Rings formed at 90 Degrees to Magnetic Center Line
Luminiferous Ether the one substance
speed of light
4.11 - Matter is Centralized Condensed and Differentiated Light
7B.09 - Luminiferous Ether or Light