Loading...
 

Laws

Nature's Laws
(courtesy [anonymous])
"Up to 1888 Keely was still pursuing the wrong line of research, still trying to construct an engine which could hold the ether in "a rotating circle of etheric force," still ignorant of the impossibility of ever reaching commercial success on that line. It was the end of the year before he could be brought to entirely abandon his "perfect engine" and to confine himself to researches, which he had been pursuing in connection with his repeated failures on the commercial line, to gain more knowledge of the laws which govern the operation of the force." [JOHN ERNST WORRELL KEELY]

Mrs. F. Hughes writing "Tones and Colors", advances theories of her own, which correspond with Keely's. "I firmly believe that exactly the same laws as those which develop sound keep the heavenly bodies in their order. You can even trace the poles in sound." [JOHN ERNST WORRELL KEELY]

Cayce
"Know in thyself that there are immutable laws, and the universe about thyself is directed by laws set in motion from the beginning." [Cayce (1549-1)]

"All knowledge is to be used in the manner that will give help and assistance to others, and the desire is that the laws of the Creator be manifested in the physical world." [Cayce (254-17)]

"Rather, then, than the stars ruling the life, the life should rule the stars - for man was created a little bit higher than all the rest of the whole universe, and is capable of harnessing, directing, enforcing, the laws of the universe." [Cayce (5-2)]

What are "laws of physics"? Looking at Newton's laws of motion for instance it can be seen these are not really laws at all. They are mathematical descriptions of sensed motion, phenomena. The same applies to most other "laws". These are descriptions of effects and say little if anything about cause, the how and why of the sense perceived motion. In SVP we are interested mostly in the causative forces, principles and laws.

Christ Returns - Speaks His Truth
"I 'saw' that these 'principles' and 'characteristics', clearly observable in the process of creation, were set, invariable LAWS governing all of existence." [Christ Returns - Speaks His Truth, Letter 1, page 13]

“We may brave human laws, but we cannot resist natural ones.” [Jules Verne, 20,000 Leagues Under the Sea]

Ramsay
grave harmonic, while all the other intervals have, shows that the natural laws are not confined to one style of working.
When the major scale has been generated, with its three chords, the subdominant, tonic, and dominant, by the primary mathematical ratios, it consists of forms and orders which in themselves are adapted to give outgrowth to other forms and orders by the law of duality and other laws. All the elements, orders, combinations, and progressions in music are the products of natural laws. The law of Ratio gives quantities, form, and organic structure. The law of Duality gives symmetry, producing the minor mode in response to the major in all that belongs to it. The laws of Permutations and Combinations give orders and rhythms to the elements. The law of Affinity gives continuity; continuity gives unity; and unity gives the sweetness of harmony. The law of Position gives the notes and chords their specific levities and gravities; and these two tendencies, the one upward and the other downward, constitute the vital principle of music. This is the spiritual constitution of music which the Peter Bell mathematicians have failed to discern: [Scientific Basis and Build of Music, page 37]

The mathematical scales, if followed out regardless of other laws which rule in music, would read like a chapter in Astronomy. They would lead us on like the cycles of the moon, for example. In 19 years we have 235 moons; but the moon by that time is an hour and a-half fast. In 16 such cycles, or about 300 years, the moon is about a day fast; this, of course, is speaking roughly. This is the way seemingly through all the astronomical realm of creation. And had we only the mathematical ratios used in generating the notes of the scale as the sole law of music, we should be led off in the same way. And were we to follow up into the inaudible region of vibrations, we should possibly find ourselves where light, and heat, and chemical elective motions and electric currents are playing their unheard harmonies; or into the seemingly still region of solid substances, where an almost infinite tremor of vibrations is balancing the ultimate elements of the world. Music in this case would seem like some passing meteor coming in from among the silent oscillations of the planetary bodies of the solar system, and flashing past with its charming sound effects, and leaving us again to pass into the higher silence of those subtle vibrations to which we have referred, having no infolding upon itself, no systematic limit, no horizon. But music is not such a passing thing. Between the high silence of these intense vibrations, and the low silence of oscillating pendulums and revolving planets, God has constituted an audible sphere of vibrations, in which is placed a definite limit of systematic sounds; seven octaves are carried like a measuring line round twelve fifths; and motion and rest unite in placing a horizon for the musical world, and music comes [Scientific Basis and Build of Music, page 39]

It runs in all the polarities of Nature. Music, as belonging to Nature - as one of the things which the Great Numberer hath created - is under this Law of Duality as well as that of mathematical ratios and other laws. The Law of Duality in music gives the major and minor systems. As the major is derived from certain primes in ratios ascending, and the minor from the same primes in the same ratios descending, they are inversely related; and these diatonic scales have in the responding parts exactly the same quantities. But as multiplying by 3 three times gives the framework of the major system in the ascending genesis, and dividing by 3 three times gives the framework of the minor system in the descending genesis. They are in this view also directly related. The Law of Duality in music emerges into view from the genesis [Scientific Basis and Build of Music, page 42]

Helmholtz falls into a mistake when he says- "The system of scales and modes, and all the network of harmony founded on them, do not seem to rest on any immutable laws of Nature, but are due to the aesthetical principle which is constantly subject to change, according to the progressive development of taste." It is true, indeed, that the ear is the last judge; but the ear is to judge something which it does not create, but simply judges. Nature is the maker of music in its scales and modes. The styles of composition may vary with successive generations, and in the different nations of men; but the scientific basis of music is another thing. It is a thing, belonging to the aesthetic element of our being and our environment; it is under the idea of the beautiful, rather than the idea of the useful or the just; but all these various aspects of our relation to creation have their laws which underlie whatever changes may be fashionable at any period in our practice. If the clang-farbe of a musical tone, that is, its quality or timbre, depends on the number and comparative strength of the partial tones or harmonics of which it is composed, and this is considered to be the great discovery of Helmholtz, it cannot be that the scales and modes are at the caprice of the fickle and varied taste of times and individuals, for these partials are under Nature's mathematical usages, and quite beyond any taste for man's to change. It is these very partials or harmonics brought fully into view as a system, and they lead us back and back till they have brought us to the great all-prevading law of gravitation; it is these very partials, which clothe as an audible halo every musical sound, which constitute the musical system of sounds. [Scientific Basis and Build of Music, page 78]

Various Laws within the svpwiki - not a comprehensive list

See Also


Compendium L
Laws of Music
laws of the universe
Principles
The Universal One Principles

Created by Dale Pond. Last Modification: Sunday November 22, 2020 04:51:35 MST by Dale Pond.