noun: the act of producing or multiplying by syntropic of assimilative process

"Some of our men of science once settled the problem of the origin of life to their own satisfaction, only to learn that "speculation is not science", for a substance which, when dissolved, crystallizes as gypsum, cannot produce vital force; and it is like groping among the bones of a graveyard to look for spontaneous generation in a shining heap of jelly on the floor of the sea." [True Science]

"The CREATED universe of matter is the result of concentration of Mind upon the idea of form and then the generation of power by diverting low potential into centripetal vortices in order to hold the idea of Mind into the appearance of form until form disappears through mental decentration" [Figure 12.11 - Russells Locked Potential Full Ten Octave Gamut]

"Every effect in Nature is divided into pairs of opposition. Each one of each pair is the reverse of the other. Each one is like a mirror reflecting the other. Nature is like unto a clock with two hands which bend away from each other in opposite directions but equal potentials. If one hand multiplies potential the other simultaneously multiplies it equally. Nature will not allow her balance to be disturbed. Each polarized hand moves away from the other from zero to four. Each then reverses its polarity from a charging body to a discharging one. Generation also reverses and becomes radiation. Heating bodies cool. Living bodies die. Solids become gases and dissolve. Fast motion slows until it ceases." [Atomic Suicide, page 288]

Now we come to a remarkable arrangement of Nature. The minor does not grow in the same way out of this third chord's top. Two features come before us: first the minor chord grows out of the major, but it is taken not from the top but from the middle, from a rib out of his side. B, the middle of the major dominant chord; B, the last-born of the major genesis; B is the point of departure in the outgrowth of the minor mode. The feminine is a lateral growth from the masculine. Another feature: it grows downward, like a drooping ash or willow. Its first generated chord is its dominant, and its last is its subdominant. Its middle chord, like the middle one of the major, is its tonic. Still further, it is generated by division, not multiplication; B45 is divided by 3 and by 5 for the root and middle of this highest chord, E and G. E15 is divided by 3 and 5 for the root and middle of the tonic chord, A and C. A5 is divided by 3 and 5 for the root and middle of the lowest chord, D and F. Thus we have the whole generation of the elements of music, six generations of harmony, like the six days of creation. Up to this point the whole process and aspect is inverse; growing from a middle; growing downward; growing by division;- while the major is growing from the top; growing upward; growing by multiplication. But here the inverse aspect ends. The generating primes of the major are 3 and 5; 3 and 5 are also the generating primes of the minor. In this essential phase of their creation their comparison is direct, not inverse. [Scientific Basis and Build of Music, page 67]

The diagram begins with C, the third space of the treble clef, as being more convenient to write than C, the lowest note in the bass clef. The life of musical sounds rising from a hidden fountain of life is shown by the chasms of keyed instruments between B and C, and E and F; their great use will be strikingly manifest as the developments proceed. The fundamental key-note C and its root F rise from the chasms. B, the twelfth key-note, and E, its root, sound the octave higher of the fountain B. The generation of harmonies is by one law a simple mode of difference. Each major major key-note and its tones embrace the eighteen tones of keyed instruments which all lie in order for use. The power and extent of each are complete in itself, rising and developing, not from any inherent property in matter, but from the life communicated to matter. In the whole process of harmony there are limits, and yet it is illimitable. Its laws compel each key-note to follow certain rules within certain bounds; each separate key-note, being the fountain of its own system, has its own point of rest, and series after series rise and enlarge, or fall and diminish infinitely. [Harmonies of Tones and Colours, Diagram I - The Eighteen Tones of Keyed Instruments, page 22a]

See Also

Figure 5.8 - Initiatory Generation of Mass via Interpenetrating Vortices
Figure 5.9 - Initiatory Generation of Mass and Sphericity
Figure 5.10 - Introductory Degeneration of Mass via Interpenetrating Vortices
generating note
generating root
Law of Generation
Principle of Regeneration
5.7 - Generation of Mass
5.8 - Degeneration of Mass
13.13 - Principle of Regeneration

Created by Dale Pond. Last Modification: Saturday February 20, 2021 03:31:13 MST by Dale Pond.