Sample Equation (see Energy)

"In this system (Sympathetic Vibratory Physics), force and energy are classified as opposites, working in antagonism to each other: Force as positive power which initiates aggregative motion, and resists separative motion, in three postules, of ponderable matter in the etheric medium;" Energy as negative power, which initiates separative motion, or disintegration, and resists aggregative motion, in three postules of ponderable matter, also of the etheric medium." [Bloomfield-Moore, What Electricity Is - Bloomfield Moore]

"All motion is thought, and all force is mind force." [Keely, Keely and His Discoveries, pg 252]


The peculiar conditions as associated with the gaseous elements of which water is composed, as regards the differential volume and gravity of its gases, make it a ready and fit subject of vibratory research. In submitting water to the influence of vibratory transmission, even on simple thirds, the high action induced on the hydrogen as contrasted with the one on the oxygen (under the same vibratory stream) causes the antagonism between these elements that induces dissociation. The differential antagonistic range of motion, so favoring the antagonistic thirds as to become thoroughly repellant. The gaseous element thus induced and registered, shows thousands of times much greater force as regards tenuity and volume than that induced by the chemical disintegration of heat, on the same medium. [Snell Manuscript - The Book, page 4]

"All the forces of nature", writes Keely, "proceed from the one governing force; the source of all life, of all energy. These sympathetic flows, or streams of force, each consists of three currents, harmonic, enharmonic and dominant; this classification governing all orders of positive and negative radiation. The sympathetic flow, called "Animal Magnetism", is the transmittive link of sympathy in the fourth, or interatomic, subdivision of matter. It is the most intricate of problems to treat philosophically; isolated as it is from all approach, by any of the prescribed rules, in "the orthodox scheme of physics". It turns upon the interchangeable subdivision of interatomic acting agency, or the force of the mind. The action of this etheric flow, in substances of all kinds, is according to the character of the molecular interferences which exist in the volume of their atomic groupings. These interferences proceed from some description of atomic chemical nature, which tend to vary the uniformity of structure in the atomic triplets of each molecule. If these groupings were absolutely uniform, there would be but one substance in nature, and all beings inhabiting this globe would be simultaneously impressed with the same feelings and actuated by the same desires; but nature has produced unlimited variety. Science, as yet, has not made so much as an introductory attempt to solve this problem of "the mind flow", but has left it with the hosts of impostors, who always beset any field that trenches on the laud of marvel." [Keely, The Connecting Link Between Mind and Matter - Keelys Progress - Part 2]

Mr. Keely gives a few introductory words concerning the necessary graduating of his instruments, for effecting conditions necessary to ensure perfect sympathetic transmission which serve to show the difficulties... attendant upon getting his machines under control and equate the differentiation in molecular masses, requiring greater skill than in researching the force of a sunbeam. He writes: "The differentiation in the molecular metallic masses, or grouping, is brought about in their manipulations in manufacturing them for commercial uses; in the forging of a piece of metal, the drawing of a length of wire, and in casting a molten mass of any form. [Snell Manuscript - The Book, GRADUATION OF MACHINES, page 5]

"Science will in time classify the important modifications of the one force in nature as sympathetic streams, each stream composed of triple flows. Keely maintains that the static condition which the magnetic needle assumes when undisturbed by any extraneous force outside of its own sympathetic one, proves conclusively that the power of the dominant third, of the triple combination of the magnetic terrestrial envelope, is the controlling one of this sympathetic triplet, and the one towards which all the others coordinate. All the dominant conditions of nature represent the focal centers towards which like surrounding ones become sympathetically subservient. The rapid rotation of the magnetic needle of a compass shown in his experiments rests entirely on the alternating of the dominant alone, effected by a triple condition of vibration that is antagonistic to its harmonious flow as associated with its other attendants. A rapid change of polarity is induced and rapid rotation necessarily follows. [Snell Manuscript - The Book, DISTURBANCE OF MAGNETIC NEEDLE, page 8]

"In America, we have Buchanan and many others investigating in this field; and Dr. Bowne, the orthodox Dean of the Boston University, in his answer to Herbert Spencer, answering the question, "What is Force?" tells us: "Not gravitation, nor electricity, nor chemical affinity, but will, is the typical idea of force. Self-determination, volition is the essence of the only causation we know. Will is the sum-total of the dynamic idea: it either stands for that or nothing. Now science professes itself unable to interpret nature without this metaphysical idea of power. The experiments made by Professor Barker and others, which are said to establish the identity of heat and mental force, really prove only a correlation between heat and the nervous action which attends thinking. Nervous action and heat correlate, but the real point is to prove that nervous action and mind force correlate. This has never been done." [Vibratory Physics - The Connecting Link between Mind and Matter]

"It is conceded by those most conversant with the nature of Keely's discoveries that he must either create force, or liberate latent energy. As Omnipotence alone creates, it follows that Science must be wrong in two of her most fundamental laws; one relating to the indivisibility of the atom; the other to the dissipation of energy in molecular aggregation. This, Keely establishes in the one experiment of disintegration of water, releasing from three drops the latent energy carried, during and from the time of molecular aggregation, and showing a pressure of fifteen tons to the square inch. Therefore, ought it not to be conceded that it is not "a waste of time and thought " to give attention to Keely's theories, and to investigate from the standpoint of vibratory physics, instead of setting limits to the operations of Nature and the power of the Almighty from the narrow platform of mechanical physics?" [True Science]

"lower effect than the fifth; the seventh, B, has a higher effect than the sixth; but the eighth, C, has a lower effect than the seventh. If the effects of notes or chords depended wholly on the mathematical primes by which they are measured and located, or the ratios inherent in them, then the effects of the tonic, subdominant, and dominant chords would have been alike, for these chords are measured by exactly the same primes, and have exactly the same ratios. It is the position of the tonic chord which gives it its importance and not any special primes by which it is produced, nor any special ratios inherent in it. Notes by the power of 2 have a pure unmixed and invariable character. Notes by the first, second, and third powers of 3 have different degrees of centrifugal force; and the character of the notes produced by the first power of 5 depends on the character of the notes from which they are derived. The final character of notes and chords is determined by the amount of force which they have acquired from the way in which they have been derived, and from their position in the system. And no matter where these notes may be afterwards placed, like chemical elements, they never lose their original forces and tendencies. What Tyndal says of the inorganic chemical elements of the brain is true of the inorganic notes of music, "They are all dead as grains of shot." It is the organic state which gives the notes and chords their gravities and (levity|levities, and these two tendencies, the one upward and the other downward, constitute the vital principle of music. It is true that the mathematical operation is required to give birth and life to music, and that the mathematical system gives the knowledge of causes down to the law of gravitation, yet the artistic effects are fully realised from the tempered system deriving its organic harmony from this vital principle of music. The centrifugal tendencies of the notes of the subdominant, are too strong to be at all disturbed by the system being tempered. The enormous power of these chords corrects the effect which might otherwise arise from tempering, as the enormous power of the sun corrects the perturbations of the planets." [Scientific Basis and Build of Music, page 29]

3 - In the third sphere, vibrating things, molecules, atoms, etc. gaseous, liquid, or solid have tensions and forces far beyond the requirements of music, and far above the audible region where musical sounds have been located by the Great Numberer. The multiplication of forces there, and their augmentation derived from sympathy, of which sympathy we have faint illustrations in the region of [Scientific Basis and Build of Music, page 86]

musical vibrations in both acute and grave harmonics, generate a concentration of mighty action, an ever-outgoing of Nature's own power, so that she, by her own laws of vibratory motion, can reproduce and perpetually maintain outgoing power of action; and, again, play in perfect harmony her grand fugue with these tremendous all-resolving forces in that high and hidden and silent region in which Mr. Keely is experimenting. [Scientific Basis and Build of Music, page 87]

"The organic structure of music is formed by the three ratios of 1:2, 1:3, and 1:5, from the laws of quantities and motions; but as it is only the ratio of 1:2 that has a pure, unmixed, invariable character, and as the notes produced by the first, second, and third powers of THREE have different degrees of centrifugal force, and the character of the notes produced by the first power of FIVE depends on the character of the notes from which they are derived, so the final character of the notes and chords is determined by the amount of force which they have acquired from the way in which they have been derived, and from their position in the system; and no matter how these notes may be afterwards placed, like chemical elements, they never lose their original force. [Scientific Basis and Build of Music, page 95]

Hughes of action is the great law, and the same force that excites sensation with the auditory nerve lies at the bottom of sensation with organs of vision. When I say my plan, I talk in the old groove, and there are difficulties to be smoothed, but in a way that might be much grumbled over. One very curious thing is plain: your system meets many of the cases on which our present theorists stumble so awfully. I saw this from the first time I had the pleasure of considering it with you, and on this account never relished the idea of giving it up; and the more thought bestowed on it led to its applicability to the more ancient forms of melody—the little tunes of the old world in the East. These are said to be independent of harmony, but your system is perfect harmony. The latest theorists in Paris are all at war with the old theory, and there is now a petition lying before the governing powers of the Paris Academy of Music, praying for a total change in the teaching of harmony in that metropolis; and this memorial has been signed by all the rising celebrities in the musical world there. I really believe the best mode, after all, is the series of six tones—the two trinities; and the law of 'to and fro' is impregnable. That is all right. I should like that term to get into vogue, for it is much more plain and clear than what we call the inverse and reverse, or counterchange." "The grave, or rather extraordinary result of your system is, that so much, very much of it tallies with what may be termed the commonly unknown relatives of the tones. You offer affinities which are termed abstruse, and, although admitted, are accepted without demonstration. Why you should be able to explain the much-quarrelled-over connections is beyond my comprehension, and if I could discover the key, the result would be most important for the well-being of music. With this view your system always interests me. I suspect it lies in that wonderful adaptability of the order of numbers. With the artificial system, music is confined to a few single harmonical tones—none of which can ever be used without alteration—which we gently coax the ear into receiving." "Your system runs up the shortest way, and I find it of advantage in composing." [Harmonies of Tones and Colours, Extracts from Dr. Gauntlett's Letters2, page 49]

Christ Returns - Speaks His Truth
"After the Big Bang, the Father-Mother Creative Process was divided into two different energies, continually working apart and together, independent yet mutually constrained to work together having individual characteristics or 'natures' - and different functions. Therefore, their work load was/is different yet indivisible." [Christ Returns - Speaks His Truth, Letter 5, page 23]

See Also

Creative Force
Creative Forces
equation of forces
Father Forces
Latent Force
Laws of Being
Magnetic Light of Mind
Magnetic Mind-Light
Magnetic White Light of Mind
Mind and Matter
Mind and Mind-thought universe
Mind and motion universe
Mind as Flow or Stream
Mind centers motion
Mind Consciousness
mind flow
Mind Force - a Reproducible Effect
Mind Force
Mind Force
Natural Forces
Radial Forces
Scale of the Forces in Octaves
Table of Forces
1.1 - Mind is deemed a force
1.19 - Matter Evolves from Mind
1.4 - Etheric Mind Force in Healing

Created by Dale Pond. Last Modification: Tuesday April 6, 2021 04:14:41 MDT by Dale Pond.