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Scientific Basis and Build of Music

Scientific Basis and Build of Music

Front Cover (click to enlarge)
by Dougald Carmichael Ramsay

Scientific Basis and Build of Music - Index

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Table of Contents

Ramsay - Title Page
Ramsay - Dedication
3 Ramsay - He telleth the number of the stars.
7 Ramsay - Brief Memoir of
8 Ramsay - Ramsay and Euler - Discovery of the Law of Duality
9 Ramsay - Ramsay's Lectures in Glasgow - Colin Brown
10 Ramsay - Ramsay as a Teacher of the Art of Music
11 Ramsay - CHAPTER I - INTRODUCTORY
12 Ramsay - Wrong Starting-points and their Results
13 Ramsay - A Wrong Method - Sedley Taylor's Scales
14 Ramsay - The Sharp and the Flat - Pendulum Illustration of Ratios
15 Ramsay - Pendulum Illustrations of Ratios
16 Ramsay - Nature's Grand Fugue - The System of Musical Vibrations
17 Ramsay - The Great Chord of Chords, the Three-in-One17
18 Ramsay - The Great Chord of Chords, the Three-in-One18
19 Ramsay - The Protoplasm of Music
20 Ramsay - The Marshalling of the Host of the Lower Heavens20
21 Ramsay - The Marshalling of the Host of the Lower Heavens21
22 Ramsay - CHAPTER II - DEFINITION OF A MUSICAL VIBRATION
23 Ramsay - The New Way of Reckoning a Vibration
24 Ramsay - The Equal Times of Abating Vibrations
25 Ramsay - The New Way of Reckoning a Pendulum Oscillation
26 Ramsay - CHAPTER III - THE SYSTEM OF MUSICAL SOUNDS
27 Ramsay - The Centripetal and Centrifugal Character of Notes
28 Ramsay - The Musical Effect of Notes
29 Ramsay - The Dominance of the Law of Position
30 Ramsay - The Closed System of the Twelve Keys
31 Ramsay - Nature's Inverse Process for the Minor Genesis
32 Ramsay - The Two D's - The Rah and the Ray
33 Ramsay - CHAPTER IV - THE FUNDAMENTAL LAWS OF MUSIC
34 Ramsay - The Liberty of Inspiration - The Law of the Ear
35 Ramsay - The Chromatic Scale Nature's own Offspring
36 Ramsay - Nature refuses Man's Dictation
37 Ramsay - The Vital Principle of Music
38 Ramsay - Music's Seal - The Number Three
39 Ramsay - The Horizon of the Musical World
40 Ramsay - The Joint Pleasure of Ear and Intellect in Music
41 Ramsay - CHAPTER V - THE LAW OF DUALITY
42 Ramsay - Duality in Polarity of Thought
43 Ramsay - Duality in the Genesis of Music's Scales
44 Ramsay - Duality in Quantities of Strings and Vibrations
45 Ramsay - Symmetry an Expression of Duality
46 Ramsay - Duality as in the Greek Modes
47 Ramsay - The Genesis of the Chromatic Scale
48 Ramsay - Materials of the Chromatic System
49 Ramsay - The Maintenance of Continuity
50 Ramsay - CHAPTER VI - TREATISE ON THE CHROMATIC SYSTEM
51 Ramsay - The Chromatic Chord a Universal Joint for Resolution
52 Ramsay - The Diatonic Germ of the Chromatic Chord
53 Ramsay - Three Chromatic Chords
54 Ramsay - How the Diatonic Germ becomes a 4-Note Chord
55 Ramsay - The Outlook of the Janus-faced D
56 Ramsay - The Chromatic Chord and the Keyboard
57 Ramsay - The Chromatic System, like the Diatonic, Threefold
58 Ramsay - CHAPTER VII - NOTES
59 Ramsay - The Perspective of Partials or Harmonics
60 Ramsay - The Nature and Origin of Difference Sounds
61 Ramsay - Contrasting Effects of Music Sounds
62 Ramsay - The New Notes of New Keys and their Service
63 Ramsay - The Close of the Key-System
64 Ramsay - CHAPTER VIII - SCALES
65 Ramsay - Facility of Modulation even in the Natural Scale
66 Ramsay - The Solid Octave in the Genetic Scale
67 Ramsay - The Minor a lateral outgrowth of the Major
68 Ramsay - The Law of Position
69 Ramsay - The Chromatic Scale not of Mathematical Genesis
70 Ramsay - CHAPTER IX - CHORDS
71 Ramsay - The interesting nature of Compound Chords
72 Ramsay - The Limit to Compounding of Chords
73 Ramsay - No Compounding of Chromatic Chords
74 Ramsay - CHAPTER X - BRIEF DESULTORY MEMORANDA
75 Ramsay - Rationale of the Limit of Musical Mathematical Primes
76 Ramsay - A Musical Key like a Balance-beam, not a Pillar
77 Ramsay - A fourth Fifth inadmissible in a Key
78 Ramsay - The Ear does not create, but simply discerns Music's Truth
79 Ramsay - The Octave Scale a Compound one the Fifth the Natural Scale
80 Ramsay - What Mathematical-intonation loses by Keyboard tempering
81 Ramsay - The Mystery of Duality
82 Ramsay - Music's Center of Gravity
83 Ramsay - Evolution of Advancing Scales
84 Ramsay - Various Effects of Position of Notes in Chords
85 Ramsay - Ramsay's Violin Varnish
86 Ramsay - The Octave Scale like Sensation and Reflection
87 Ramsay - Ramsay's interest in Keely's researches
88 Ramsay - The deep-seatedness of Duality in Music
89 Ramsay - The 13th Mathematical Scale an abnormality
90 Ramsay - The Natural Way of the Genesis Major and Minor
91 Ramsay - Tendencies of the Notes form Proximity and Affinity
92 Ramsay - Music belongs to the Nature of Things
93 Ramsay - The Gap in the Key for Modulation to a New Key
94 Ramsay - Ramsay's Style of Teaching by Epistles
95 Ramsay - Ramsay's Letter-lessons1
96 Ramsay - Ramsay's Letter-lessons2
97 Ramsay - Ramsay's Letter-lessons3
98 Ramsay - Ramsay's Letter-lessons4
99 Ramsay - Ramsay's Letter-lessons5
100 Ramsay - Violin Fingering
101 Ramsay - From Diatonic to Chromatic
102 Ramsay - EXPLANATION OF PLATES
103 Ramsay - The "Three" Primes and their Genetic Operations
104 Ramsay - The "Ten" Chords of Music
105 Ramsay - The "Three" Centers in a Uniform Pendulum
106 Ramsay - The "Three" Fifths which constitute the Scale
107 Ramsay - Euler's Errors in producing the Chromatic Scale
108 Ramsay - Various Musical Orthography for Uniform Musical Essence
109 Ramsay - The # and the b between two notes overlap
110 Ramsay - The Evolution of the Twelve Scales a thing of Life
111 Ramsay - Ramsay's Extension of the Harmonics to "Six" Octaves
112 Ramsay - The beautiful method of Chord-resolution
113 Ramsay - The interesting variety of Thirds
114 Ramsay - The Shifting Key with its unaltered form
115 Ramsay - The Chromatic a "System" as truly as the Diatonic
116 Ramsay - The immense variety of Chromatic Resolutions
117 Ramsay - The Distinctive Note of Major and Minor
118 Ramsay - Nature's imperious law of "Twelve" for Scales
119 Ramsay - Mysterious Depth of Duality of Music
120 Ramsay - The usefulness of the Comma-measurement
121 Ramsay - Duality as a Test-agent in Composition
122 Ramsay - The Science of Music
123 Ramsay - BLANK PAGE
124 Ramsay - Bible quote in Greek
125 Ramsay - PLATE I - Nature's Grand Fugue
126 Ramsay - PLATE II - The Genesis
127 Ramsay - PLATE III - The Keyboard and the Chords of Harmony
128 Ramsay - PLATE IV - Oscillation and Vibration
129 Ramsay - PLATE V - Proximate and Differential Oscillations
130 Ramsay - PLATE VI - The Area of a Key
131 Ramsay - PLATE VII - The 24 Keys and their Chords
132 Ramsay - PLATE VIII - The Mathematical Table of Majors and Minors and their Ratio Numbers
133 Ramsay - PLATE IX - Classification of Intervals
134 Ramsay - PLATE X - Growth-like Continuity of Chords and Keys
135 Ramsay - PLATE XI - Diatonic Resolutions Simple and Compound
136 Ramsay - PLATE XII - The Major and Minor Scales
137 Ramsay - PLATE XIII - The Vertebral Column of the Musical Scale
138 Ramsay - PLATE XIV - A Modulation
139 Ramsay - PLATE XV - The Chromatic Chord
140 Ramsay - PLATE XVI - System of the Three Primitive Chromatic Chords
141 Ramsay - PLATE XVII - Chromatic Resolutions Major
142 Ramsay - PLATE XVIII - Chromatic Resolutions Minor
143 Ramsay - PLATE XIX - Chromatic Resolutions
144 Ramsay - PLATE XX - Chromatic Resolutions
145 Ramsay - PLATE XXI - The 24 Scales with their Signatures in
146 Ramsay - PLATE XXII - Mathematical Table of the Twelve Major Scales and their relative Minors
147 Ramsay - PLATE XXIII - The Mathematical and Tempered Scales
148 Ramsay - PLATE XXIV - Vibrations of the Major are the String-lengths for the Minor
149 Ramsay - PLATE XXV - Major harmonized
150 Ramsay - PLATE XXVI - Chromatic Resolutions
151 Ramsay - PLATE XXVII - The Mathematical Scale of Thirty two notes in Commas, Sharps and Flats
152 Ramsay - PLATE XXVIII - The Two Modes Notes Pendulums
153 Ramsay - PLATE XXIX - Illustrations of the operations of DUALITY in various spheres
154 Ramsay - PLATE XXX - Vibration Ratios and Pendulum Proportions
155 Scientific Basis and Build of Music - Index

See Also


1.21 - It Really Is a Musical Universe
11.04 - Nature Dances to a Natural Music Scale
11.22 - Reciprocality of Dimensions and Music Intervals
19.05 - Excerpts from original Articles about Keelys Globe Motor or Musical Sphere
Etheric Liberator used with Atlin the Musical Dynasphere
Fibonacci is Music
Figure 1.12 - Naturally Occurring Frequencies Modes and Music Interval Relations
Kepler Music of the Spheres
Laws of Music
music note or sound colors
music theory
Music
Musical Dynasphere
musical progression
musical scale
Musical Triplet
Part 11 - SVP Music Model
Part 19 - Musical Dynasphere - Historical
Part 20 - Musical Dynasphere - Current Research
Periodic Table Set to Music
Ramsay on Keely
Scientific Basis and Build of Music - Index
System of Musical Sounds
Music of the Spheres

Created by Dale Pond. Last Modification: Wednesday September 23, 2020 05:02:20 MDT by Dale Pond.