Loading...
 

harp

noun: a musical instrument consisting of a row of strings stretched over a large upright frame. Someone who plays a harp is called a harpist.
noun: a chordophone that has a triangular frame consisting of a sounding board and a pillar and a curved neck; the strings stretched between the neck and the soundbox are plucked with the fingers
noun: a small rectangular free-reed instrument having a row of free reeds set back in air holes and played by blowing into the desired hole

Keely
"The normal brain is like a harp of many strings strung to perfect harmony. The transmitting conditions being perfect, are ready, at any impulse, to induce pure sympathetic assimilation. The different strings represent the different ventricles and convolutions. The differentiations of any one from its true setting is fatal, to a certain degree, to the harmony of the whole combination. If the sympathetic condition of any physical organism carries a positive flow of 80 per cent on its whole combination, and a negative one of 20 per cent, it is the medium of perfect assimilation to one of the same ratio, if it is distributed under the same conditions to the mass of the other. If two masses of metal, of any shape whatever, are brought under perfect assimilation, to one another, their unition, when brought into contact, will be instant.'' [Keely and His Discoveries, Chapter 7]


Russell
The formless zero universe is divided into four pairs of cubes and four pairs of spheres which are concentrically placed within each other. These four pairs of cube-spheres constitute one tonal octave of the universal harp. These tonal octaves are eight in number by appear to be nine for the first half of the ninth octave is the last half of the first. [Geometry and Mathematics of Octave Waves]


Ramsay
"To say that I was surprised at what Mr. Keely has discovered would be saying very little indeed ... It would appear that there are three different spheres in which the laws of motion operate.
1 - The first is the one in which Nature plays her grand fugue on the silent harp of Pendulums. In one period of Nature's grand fugue, as illustrated by pendulums, there are 19 ratios in 25 circles of oscillations ranging over 6 octaves; but all in silence. [Scientific Basis and Build of Music, page 86]

2 - In the second sphere the tension of strings and other elastic bodies imbues them with forces operating upon the elastic air, producing vibrations quick enough to awaken sounds for the human ear. Here Nature plays on her tuneful harp the same grand fugue; from which everything in music is derived. [Scientific Basis and Build of Music, page 86]


Fig. 1 - The pendulums in this illustration are suspended from points determined by the division of the Octave into Commas; the comma-measured chords of the Major key being S, 9, 8, 9, 5; T, 9, 8, 5, 9; D, 8, 9, 5, 9. The pendulums suspended from these points are tuned, as to length, to swing the mathematical ratios of the Diatonic scale. The longest pendulum is F, the chords being properly arranged with the subdominant, tonic, and dominant, the lowest, center, and upper chords respectively. Although in "Nature's Grand Fugue" there are 25 pendulums engaged, as will be seen by reference to it, yet for the area of a single key 13 pendulums, as here set forth, are all that are required. It will not fail to be observed that thus arranged, according to the law of the genesis of the scale, they form a beautiful curve, probably the curve of a falling projectile. It is an exceedingly interesting sight to watch the unfailing coincidences of the pendulums perfectly tuned, when started in pairs such as F4, A5, and C6; or started all together and seen in their manifold manner of working. The eye is then treated to a sight, in this solemn silent harp, of the order in which the vibrations of sounding instruments play their sweet coincidences on the drum of the delighted ear; and these two "art senses," the eye and the ear, keep good company. Fig. 2 is an illustration of the correct definition of a Pendulum Oscillation, as defined in this work. In watching the swinging pendulums, it will be observed that the coincidences [Scientific Basis and Build of Music, page 104]


Hughes

CHAPTER XV.
DIAGRAM XII.—THE CHORDS OF THE TWELVE MINOR KEYS.

"No development can help anything which does not have corrective causes working with it; some power must shape the growth, and work correctively by laws impressed and authority maintained. The law of progress must be operated upon and moulded by guiding forces. That which acts, lives; and the universe lives as much by its soul as we do by ours."

"And what if all of animated nature
Be but organic harps diversely formed,
That tremble into thought as o'er them sweeps,
Plastic and vast, one intellectual breeze,
At once the soul of each and God of all?"—Coleridge.

"In all things, in all natures, in the stars
Of azure heaven, the unenduring clouds,
In flower and tree, in every pebbly stone
That paves the brooks, the stationary rocks,
The moving waters, and the invisible air,
. . . . From link to link
It circulates, the soul of all the worlds."—Coleridge.
[Harmonies of Tones and Colours, Diagram XII - The Chords of the Twelve Minor Keys, page 37a]


See Also


Cosmic harp
E Sharp 3rd Octave
Sympathetic Harp
1.3 - Brain Strung as a Harp

Created by admin. Last Modification: Monday March 22, 2021 03:54:14 MDT by Dale Pond.