The assembling of separate molecular entities into any aggregate, especially of oppositely charged free ions into ion pairs or larger and not necessarily well-defined clusters of ions held together by electrostatic attraction. The term signifies the reverse of dissociation, but is not commonly used for the formation of definite adducts by colligation or coordination.
[Source: PAC, 1994, 66, 1077 (Glossary of terms used in physical organic chemistry, IUPAC Recommendations 1994) on page 1086; http://goldbook.iupac.org/A00472.html]

[8] Fatty matter. In its association with what Viktor Schauberger calls 'sweet matter', a creative, formative substance, this relates to compounds principally containing carbon C and hydrogen H (carbohydrates - CH) and all the elements under the collective term 'carbone' or 'mother-substances'. In this regard, despite its general 'neutrality' as a carrier substance (like a woman with child), H is more inclined to the feminine than the masculine. — Ed. [The Energy Evolution - Harnessing Free Energy from Nature, The Life-Current in Air and Water]

In the opposite case, annihilating fire and its cohorts, including toxic gases, are created, which in association with the debilitating temperature-forms from which rigor mortis develops, foster the proliferation of bacteria. [The Energy Evolution - Harnessing Free Energy from Nature, The Life-Current in Air and Water]

After vibrations the next thing is musical notes, the sounds produced by the vibrations falling into the ear. Sounds arise in association. There are no bare simple sounds in music; it is a thing full of the play of sympathy. Such a thing as a simple solitary sound would be felt as a strange thing in our ears, accustomed as we are to hear affiliated sounds only. These affiliated sounds, called "harmonics," or "partials" as they have also been called, because they are the parts of which the sound is made up, are like perspective in vision. In perspective the objects lying in the line of sight, seem smaller and smaller, and more dim and indefinite as they stretch away into the distance; while nearer objects and those in the foreground are apparently larger, and are more clearly seen. This is the way of a musical sound; one of its component elements, the fundamental partial, being, as it were, in the foreground to the ear, is large and pronounced; while the other elements are less distinctly heard, and are fainter and fainter as they recede into the musical distance in the perspective of the ear. Few have any idea of the number of these weaker partials of a musical sound. Tyndal's illustrations in his very instructive work on Sound show a string spontaneously divided into twenty segments, all vibrating separately, being divided by still nodes along its length; and a vibrating string will keep thus [Scientific Basis and Build of Music, page 58]

See Also

09 - Chart Defining the different Chord Associations
14 - Chart with Symbols Defining the relative Simple and Compound Sympathetic Association
Higgs boson
Law of Sympathetic Association
Sympathetic Association
vector boson
14.18 - Law of Sympathetic Association
15.15.05 - Progressive Association

Created by Dale Pond. Last Modification: Thursday August 4, 2022 04:51:59 MDT by Dale Pond.