limited. 3-Space, materiality, Newtonian, Maya.

"On this subject Mr. Keely writes: - "Every disease that the physical organism is subject to has its connective link in the cerebral domain; where it unerringly telegraphs, as it were, its molecular differentiations, through the spinal dura mater or physical sympathetic transmitter, and vice versa back again. The sympathetic communication, as between the physical and mental forces, shows up truthfully the pure conditions that govern the celestial and terrestrial link of sympathy, as between the finite and the Infinite in planetary suspension." [Vibratory Physics - The Connecting Link between Mind and Matter]

It is fundamentally seen in the very Polarity of Thought. We cannot conceive the idea of the me apart from the idea of the not me; nor the idea of the finite [Scientific Basis and Build of Music, page 41]

save in polarity with the idea of the infinite. Victor Cousin, in exhibiting the primary elements of the human consciousness, shows that there are two dualities. Let a man turn his attention in upon himself, he will find, first of all, the me and the not me as a dual conception. Apart from all details of information about the me or the not me, different persons know, some more, some less, about either or about the two, every infant, even in the very first moment of contact, is conscious of the me and the not me as an inevitable dual conception. But both of these are found in the limitation they impose on each other; and lo! there springs up here another idea, the idea of the limited - the finite; but this cannot be conceived apart from the simultaneous conception of the infinite; the finite has no meaning save as the pole or dual of the infinite. Here, then, is duality or polarity among the primary contents of the consciousness. And this but the beginning of the polarity of thought. [Scientific Basis and Build of Music, page 42]

There is much paradox, and the scheme differs so much from any hitherto published on the subject, that I am aware that, if any link can be found to be wanting in the chain, the defect will immediately be seized upon. I believe, however, that it will be found to admit of clear demonstration. Anyone who has studied the subject knows the difficulties that arise on all sides. In the problem before us, we have to reduce large fields of thought to certain elementary truths. In my endeavour to do this, I have been entirely dependent upon the discovery of the laws of Nature, as my ear is not musical enough to assist me in the matter. "All mysteries are either truths concealing deeper truths, or errors concealing deeper errors," and thus, as the mysteries unfold, truth or error will show itself in a gradually clearer light. The great mystery of music lies in its infinite resources; it teems with subtle elements and strange analogies. A musical note may be compared to a machine: we touch the spring and set the machine in motion, but the complex machinery exists beforehand, quite independent of our will; the motive power is not of our creation, and the laws on which its operation depends are superior to our control. The complex work of harmony is governed by the laws which are originated by the Creator; every note performs what He has willed, and in tracing these laws let us not be indifferent about their Author, but ever bear in mind that the source or fountain of the life and activity of harmonies arises from the Power who created the machine, and who knows how it will act. Let us also remember that we understand this machine but partially, and govern it but imperfectly, as indeed the finite can only, in a small measure, grasp the Infinite; and in any [Harmonies of Tones and Colours, The Method of Development or Creation of Harmonies1, page 15]

See Also


Created by Dale Pond. Last Modification: Thursday February 11, 2021 04:50:45 MST by Dale Pond.