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nucleus

Trefil, James S.
"The heavy positively charged center of the atom, composed of protons and neutrons." [Trefil, James S.; From Atoms to Quarks - An Introduction to the Strange World of Particle Physics; Charles Scribner's Sons, New York, 1980]


Russell
"The impossibility of a centering nucleus in the atom is because of the fact that the atom is not pulled together from the inside, it is compressed together from the outside. This is one more example of the deceptions which motion practices upon those who look upon reflected effects with their outer-senses instead of upon the cause of those effects with the inner-Mind." [Atomic Suicide, page 105]

"The nucleus of every atom is Mind-energy." [Atomic Suicide, page 191]

"You can plainly see, by this homely description, that there is no process of Nature which allows for material nuclei in its atoms. The nucleus for all atomic structure is the Magnetic Light of its Creator's Mind. Likewise, the energy for the construction of atoms is in that centering Magnetic Light.'' It is the invisible Light which centers the visible light. It is the energy of God's Omnipotence which centers its simulation of energy by motion." [Atomic Suicide, page 204]


Hughes
General remarks on the method of harmonies developing on all kinds of instruments, including the human voice
—Much paradox, but yet the scheme will admit of clear demonstration
—A musical note compared to a machine, the motive power not of our creation
—The imperfection of keyed instruments, from some notes acting two parts, attuned to the ideal of harmony within us
Macfarren quoted on the echoing power of a cathedral attuning the Amen
—Why music as an art precedes painting
—Philosophers and mathematicians have only studied music to a certain point
—Every key-note a nucleus, including the past, the present, and the future; no finality in any ultimate
—The late Sir John Herschel's views on the musical gamut alluded to
—The imperfection of keyed instruments adapts them to our present powers
—The laws will be seen to develope the twelve major and the twelve minor keys in unbroken sequence and in harmonious ratio; to gain them in geometric order [as] keyed instrument should be circular, the seven octaves interlacing in tones a lower and a higher series, . 15 [Harmonies of Tones and Colours, Table of Contents1 - Harmonies]

"Music, pure, natural, and harmonical, in the true and evident sense of the term, is the division of any keynote, or starting-point, into it's integral and ultimate parts, and the descending divisions will always answer to the ascending, having reference to the general whole. The essence and mystery in the development of harmonies consists in the fact that every keynote, or unit, is a nucleus including the past, the present, and the future, having in itself an inherent power, with a tendency to expand and contract. In the natural system, as each series rises, its contents expand and fall back to the original limit from any point ascending or descending; we cannot perceive finality in any ultimate; every tone is related to higher and lower tones; and must be part of an organized whole." - [F. J. Hughes, Harmonies of Tones and Colours - Developed by Evolution, page 16. See Overtone Series]

Of course, true Art cannot be opposed to Nature, although all the rules of the musician are not the facts of Nature. Music, pure, natural, and harmonical, in the true and evident sense of the term, is the division of any key-note, or starting-point, into its integral and ultimate parts, and the descending divisions will always answer to the ascending, having reference to a general whole. The essence and mystery in the development of harmonies consist in the fact that every key-note, or unit, is a nucleus including the past, the present, and the future, having in itself an inherent power, with a tendency to expand and contract. In the natural system, as each series rises, its contents expand and fall back to the original limit from any point ascending or descending; we cannot perceive finality in any ultimate; every tone is related to higher and lower tones, and must be a part of an organised whole. It is well known how deeply the late Sir John Herschel studied this subject; and it was his opinion that there was some principle in the science of music which had yet to be discovered.[Harmonies of Tones and Colours, The Method of Development or Creation of Harmonies2, page 16]

See Also


Affinity to Neutral Center
Atom
Center
Centralization
Figure 11.01 - Octave composed of Equal Thirds and Triads
Keynote
Neutral Center
No particles in nucleus - Russell
nucleus of the atom
3.16 - Neutral Centers as Points of Action
9.7 - Neutral or Focal Centers
9.16 - Neutral Center Dynamics
9.18 - Atoms as Sympathetic Centers
9.19 - Centers of Force
9.20 - Center and Periphery
9.21 - Dynamic Centers
9.22 - Multiple Excited Centers
10.07 - Centers of Mutual Attraction
12.06 - Mid-Tones and Neutral Centers
13.07 - Keelys Original Dynaspheric Neutral Center Concept
13.08 - Atlins Neutral Center Structure and Dynamics

Created by Dale Pond. Last Modification: Friday February 12, 2021 03:21:32 MST by Dale Pond.