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motive power

Power that causes or initiates motion. See Spirit

Keely
"If all cosmical action is cyclical, matter, when existing free in the ether, must ultimately tend to dissolve into pure ether again, for, if the law of creation is as a cycle, in which, after development and as its fruit, the last term gives the first, then has he grounds for his conjecture that complication in structure is necessary to the segregation of nervous matter, and the construction of a "myo-neuro-cerebral system" and that ether and matter, after developing a molecular economy, as the mother and nurse of a soul or monad of a higher order than the merely material element, through or by this organism, complete the cycle of the economy of material nature, and eventually touch upon the spiritual world again and contribute to it. This true protoplasm, the ether, Keely claims to ... liberate by vibratory machinery as the medium of a motive power, which he calls "sympathetic negative attraction." [Snell Manuscript - The Book, page 2]

Keely announced in 1888 that he had proved the uselessness of building engines to employ the ether as a motive power, which could only be used as a medium for the power which he had discovered, namely a condition of sympathetic vibration associated both positively and negatively with the polar stream. The revolving globe was never created to be the "source of power" and Keely never affirmed that he could produce with it "an indefinite amount of horse power without current expense." [Snell Manuscript - The Book, page 3]

"The mystic motive power of life is sympathy, without which life is, indeed, not worth living." [Vera Vita the Philosophy of Sympathy]


Hughes
General remarks on the method of harmonies developing on all kinds of instruments, including the human voice
—Much paradox, but yet the scheme will admit of clear demonstration
—A musical note compared to a machine, the motive power not of our creation
—The imperfection of keyed instruments, from some notes acting two parts, attuned to the ideal of harmony within us
Macfarren quoted on the echoing power of a cathedral attuning the Amen
—Why music as an art precedes painting
—Philosophers and mathematicians have only studied music to a certain point
—Every key-note a nucleus, including the past, the present, and the future; no finality in any ultimate
—The late Sir John Herschel's views on the musical gamut alluded to
—The imperfection of keyed instruments adapts them to our present powers
—The laws will be seen to develope the twelve major and the twelve minor keys in unbroken sequence and in harmonious ratio; to gain them in geometric order [as] keyed instrument should be circular, the seven octaves interlacing in tones a lower and a higher series, . 15 [Harmonies of Tones and Colours, Table of Contents1 - Harmonies]

Helmholtz's experiments on developing colours shown to agree with the scheme
—The sounds of the Falls of Niagara are in triplets or trinities
—The Arabian system divides tones into thirds
—Two trinities springing from unity apparently the germ of never-ending developments in tones and colours
—Inequality of the equinoctial points; is the want of equilibrium the motive power of the entire universe?
—The double tones of keyed instruments, the meetings by fifths, the major and minor keys, so agree with the development of colours, that a correct eye would detect errors in a piece of coloured music
Numbers not entered upon, but develope by the same laws
Bass notes omitted in order to simplify the scheme, 18 [Harmonies of Tones and Colours, Table of Contents2 - Harmonies]

There is much paradox, and the scheme differs so much from any hitherto published on the subject, that I am aware that, if any link can be found to be wanting in the chain, the defect will immediately be seized upon. I believe, however, that it will be found to admit of clear demonstration. Anyone who has studied the subject knows the difficulties that arise on all sides. In the problem before us, we have to reduce large fields of thought to certain elementary truths. In my endeavour to do this, I have been entirely dependent upon the discovery of the laws of Nature, as my ear is not musical enough to assist me in the matter. "All mysteries are either truths concealing deeper truths, or errors concealing deeper errors," and thus, as the mysteries unfold, truth or error will show itself in a gradually clearer light. The great mystery of music lies in its infinite resources; it teems with subtle elements and strange analogies. A musical note may be compared to a machine: we touch the spring and set the machine in motion, but the complex machinery exists beforehand, quite independent of our will; the motive power is not of our creation, and the laws on which its operation depends are superior to our control. The complex work of harmony is governed by the laws which are originated by the Creator; every note performs what He has willed, and in tracing these laws let us not be indifferent about their Author, but ever bear in mind that the source or fountain of the life and activity of harmonies arises from the Power who created the machine, and who knows how it will act. Let us also remember that we understand this machine but partially, and govern it but imperfectly, as indeed the finite can only, in a small measure, grasp the Infinite; and in any [Harmonies of Tones and Colours, The Method of Development or Creation of Harmonies1, page 15]

The inequality of the equinoctial points is a well-known fact. It will be seen how apparent this is in the developments of harmonies. From the moment that trinities depart from unity, the balance is unequal, and the repeated endeavours after closer union cause a perpetual restlessness. May not this want of equilibrium be the life or motive power of the entire universe, with its continuous struggle after concord, even to oneness? "Closer and closer union is the soul of perfect harmony." In tracing harmonies of tones and colours, the double tones of keyed instruments will be seen to correspond with the intermediate tints and shades of colours. The twelve notes, scales, and chords in the major and minor series, the meetings by fifths, &c., all agree so exactly in their mode of development, that if a piece of music is written correctly in colours with the intermediate tints and shades, the experienced musician can, as a rule, detect errors more quickly and surely with the eye than the ear, and the correct eye, even of a non-musical person, may detect technical errors. Although the arithmetical relation has been most useful in gaining the laws, it is not here entered upon; but numbers equally meet all the intricacies both of tones and colours. The bass notes have been omitted, in order to simplify the scheme. [Harmonies of Tones and Colours, The Arabian System of Music, page 21]


Cayce
"Only those who seek become aware of that which IS the motivative force of any condition, phase or stage of development in the spiritual, the mental or the material." Cayce (2012-1)

Q-4. What precautions should be taken to counteract danger periods mentioned?

A-4. "every individual has what may be termed (from the material plane) its own guardian angel, or influence. Love and its effects guards this entity. Depend upon the motive force in love's influence." Cayce (2670-3)

See Also


Apergy - Power Without Cost
Can Will Power Run Motors
Electrical Power Accumulators
Electrical Transmission of Power - 82280
Exchanging Time for Power at Center or North
Figure 4.2 - Russell Directions of Power Accumulation and Dispersion
Figure 7.8 - Gravity is the Life Sex and Power Principle
Figure 12.01 - Russells 4 Power Centered Scale
Figure 18.05 - Two Power States of Mind Force
Integrating Power at Center or North
Mind
Mind Force
Power
Power Centered
Power of Beat Harmonics
Power of God
Power vs Energy
Self Empowerment
Sound Power
The New Power
Thought
Vera Vita the Philosophy of Sympathy
Volition
1.23 - Power of Harmonics through Summation Tones
3.04 - Power Accumulation via Fibonacci-like Patterns
9.17 - Fulcrums of Power
15.06 - Power of Dissociated Water
16.26 - Magnetism is Liberated Latent Power in Iron

Created by Dale Pond. Last Modification: Wednesday February 17, 2021 05:05:43 MST by Dale Pond.