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Pitch

Keely
"Pitch is the relative frequency of vibration." Keely

A relative frequency within context of other frequencies.

Ramsay
among the Greeks on account of having symmetry in itself. The primitive scale was doubtless that which is the model of all major music; and our minor model is its dual, as Ramsay has shown, which in its genesis indicates the duality of all the rest of the notes, although it is not probable that the Greeks saw the musical elements in this light. It is remarkable and significant that in their modes the Greeks did not lift up the scale of Nature into different pitches, preserving its model form as we do in our twelve major scales, but keeping the model form at one pitch they built up their symmetrical tetrachords, allowing the larger and lesser tones of the primitive scale to arrange themselves in every variety of place, as we have shown in the table of tetrachord modes above. Without seeing the genetic origin of music's duality they were led to arrange the modes by symmetry, which is one of the phases of duality. Symmetry is duality in practice. It may not always be apparent how symmetry originates in Nature; but in music, the art of the ear, duality emerges in the genesis of the minor scale; in the true mathematical build of the major on the root of the major subdominant F, and the true relation of the minor to it in the inverse genesis descending from the top of the minor dominant B. [Scientific Basis and Build of Music, page 46]

W. H. Stone
"The comparison of pitch should not be limited to a few treble instruments, but should begin with drums and double-basses, and so proceed upwards. The process, lastly, should not be carried on by compelling all to tune up to the sharpest, but by bringing the sharper instruments slightly down to a medium pitch; this would obviate the constant need for cutting instruments to pieces which is now felt, and prevent the steady tendency to sharpen, which is ruining our voices, and rendering much classical music impossible to all but singers of rare and exceptional organization.” [W. H. Stone; Excerpt from The Scientific Basis of Music 1878]

See Also


04 - On the Pitch of Musical Sounds
Chord
Color
cycles per second
electric pitch
Frequency
Hertz
Interval
Law of Atomic Pitch
Law of Harmonic Pitch
Law of Pitch of Atomic Oscillation
Law of Variation of Atomic Pitch by Electricity and Magnetism
Law of Variation of Atomic Pitch by Rad-energy
Law of Variation of Atomic Pitch by Temperature
Law of Variation of Pitch of Atomic Oscillation by Pressure
Laws of Being
music note or sound colors
Music
Note
Part 08 - What Vibration Is. - Part 1
Part 09 - What Vibration Is. - Part 2
Part 11 - SVP Music Model
Pitch
Progressive Evolution
Scale
Signature
Sound
Square Law
Tone
12.40 - Color
12.42 - Tone
8.22 - Law of Harmonic Pitch

Created by Dale Pond. Last Modification: Monday October 19, 2020 07:04:23 MDT by Dale Pond.