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rate of vibration

Keely

NOTATION CPS
Keynote Molecular Chord 620
First Octave Keynote Atomic Chord 630
Second Octave Keynote Etheric Chord 12,000
Third Octave Heat 14,000
Vibro-Atomic Lowest Molecular Vibration 20,000
Modern Ultrasonic Jewelry Cleaner 42,000
Harmonic Thirds Disintegration of Water 42,800
Transmission of Odor in Molecules 220,000
Sympathetic Negative 1st InterAtomic Lowest 300,000
Full Harmonic Chord 1st InterAtomic Highest 780,000
Full Harmonic Chord Ninths 1,620,000
Highest Molecular Vibration 100,000,000
Harmonic thirds Highest InterMolecular 300,000,000
Enharmonic sixths Atmospheric 519,655,633
Highest produced in air Atomic Vibration 900,000,000
Diatonic ninths Highest etheric 8,100,000,000
Dominant etheric sixths Highest Interetheric 24,300,000,000
Interetheric ninths Full Ninths 156,057,552,198,220,000

Russell

LIGHT DOES NOT TRAVEL


The speed with which light presumably travels is 186,400 miles per second. The distance between stars is so great that the speed of light is computed as light years, for the distance computed by lesser units of time would yield figures so great that they would be meaningless.

Light only seems to travel. It is but one more of the countless illusions caused by wave motion. Waves of the ocean seem to traverse the ocean but they only appear to do so, for waves are pistons in the universal engines, and pistons operate up and down. Wave pistons of light, or of the ocean, operate radially and spirally inward and outward, toward and away from gravity.

Waves of light do not travel. They reproduce each other from wave field to wave field of space. The planes of zero curvature which bound all wave fields act as mirrors to reflect light from one field into another. This sets up an appearance of light as traveling, which is pure illusion.

The sunlight we feel upon our bodies is not actual light from the sun. What actually is happening is that the sun is reproducing its own condition on the earth by extending the reproductions out through cold space into ever enlarging wave fields until those reproductions begin to converge again toward our center of gravity into ever smaller wave fields. The heat we feel and the light we see are dependent entirely upon the ability of the wave fields to reproduce the light and heat, and that ability is conditioned upon the amount of moisture in the atmosphere.

If there were no moisture in the atmosphere, our bodies would carbonize from the heat thus reproduced. One cannot consistently think of that heat as direct rays of the sun, for that same sunlight was intensely cold during its reproduced journey through the immensely expanded wave fields of space between the sun and earth.

The light and heat which appear to come from the star or sun have never left the star or sun.

That which man sees as light and feels as heat are the reproduced counterparts of the light and heat which are its cause.
The rate of vibration in a wave field depends upon its volume. Vibration in a wave field means the pulse of interchange between its compressed core and the space surrounding that core. A slow vibration in a large wave field would cool one's body, or even freeze it, while fast pulsing interchange in extremely small wave fields could burn one's body.

A lens which multiplies light and heat toward a focal point which sets paper on fire merely compresses larger wave fields into smaller ones. The rate of vibration increases for the same reason that the planets nearest the sun move much faster in their small orbits than those which are far away from the sun. Kepler 's law covering the speeds of planets will apply to rates of vibration in wave fields as appropriately as with the movements in the solar system. [Walter Russell, The Secret of Light, pages 169-171]


Ramsay
are always when they have returned to the side from which they were started. The Pendulographer, also, when writing the beautiful pictures which the musical ratios make when a pen is placed under the control of the pendulums, always finds his figure to begin again when the pendulums have finished their period, and have come for a fresh start to the side from which the period began. This confirms our author's definition of an oscillation of a pendulum. Fig. 3 is an illustration of the correct definition of a Musical Vibration, as also given in this work. Although the definition of an oscillation is not identical with that of a vibration, yet on account of their movement in the same ratios the one can be employed in illustration of the other as we have here done. Fig. 4 is a uniform rod suspended from the end as a pendulum; it will oscillate, of course, at a certain speed according to its length. In such a pendulum there are three centers related in an interesting way to the subject of Music in its three chords - subdominant, tonic, and dominant, which roots are F, C, and G. The center of gravity in the middle of the rod at 2, suspended at which the rod has no motion, corresponds to F, the root of the subdominant, in which there is the maximum of musical gravity. The center of oscillation at 3, which is one-third of the length of the rod from the end, is like the root of the tonic whose number is 3 in the genesis of the scale from F1. In this point of suspension the oscillations are the same as when suspended from the end at 1. The point at 9 is at a ninth from the center of oscillation. Our author discovered that, if suspended at this point, the pendulum had its highest rate of speed. Approaching the end, or approaching the center of oscillation from this point, the rate of speed decreases. Exactly at one-ninth from the center of oscillation, or two-ninths from the end, is this center of velocity, as Ramsay designated it; and it corresponds in some sort also to the root of the dominant G, which is 9 in the genesis of the scale from F1; its rate of vibration is nine times that of F1. The dominant chord is the one in which is the maximum of levity and motion in music. [Scientific Basis and Build of Music, page 105]


Christ Returns - Speaks His Truth
"Visible things are but a manifestation of specific frequencies of vibration in consciousness which produces a 'SHIMMER OF MOTES OR PARTICLES' giving an appearance of solid 'matter'.
Each visible substance possesses its own unique vibrational frequency. A change in the rate of vibration produces a change in the appearance of 'matter'. As consciousness energies change so do the appearances of 'matter' change." [Christ Returns - Speaks His Truth, Letter 3, page 19]

See Also


convert frequency to wavelength
convert wavelength to Frequency
Frequency Modulation
Frequency Response
number
Oscillation
rate of change
Reciprocal
Scale of the Forces in Octaves
Vibration
9.1 - Propagation Function and Rates
9.12 - Velocity of Sound and its Propagation Rate are Proportional

Created by Dale Pond. Last Modification: Sunday October 17, 2021 04:11:35 MDT by Dale Pond.