The Neutral Center Tones are the same as Russell's mid-tones generated between the 4 and 3 tones. This is the zone of hyper-sex-activity or hyper-polar-activity wherein regeneration is initiated (mutual voiding). This intense action generates overtones (mid-tones) of increasing discord. This process is explained in Keely's Law of Cycles:
"Coherent aggregates harmonically united constitute centers of vibration bearing relation to the fundamental pitch not multiples of the harmonic pitch, and the production of secondary unions between themselves generate pitches that are discords, either in their unisons, or overtones with the original pitch; from Harmony is generated discord, the inevitable cause of perpetual transformation." Keely, 1894
"All motion of thinking Mind is born in the maximum high speed of the universal constant of energy. It runs the gamut of periodic and opposing deceleration and acceleration in six full tones, one double tone, and a master tone, to each of ten lowering octaves, and a variable number of mid-tones in each of the last four octaves." The Universal One, Book 1, Chapter 2
"They are the seven tones of an octave, and there are ten octaves of seven tones each. In the last four octaves are many mid-tones, each one registering its own state of motion." The Universal One, Book 2, Chapter 5
"Mid-tones begin in the seventh octave. In the ninth octave the struggle to hold advancing positions forces the construction of new pressure walls in many split tonal positions. In the tenth octave there is such a multitude of split tonal pressure walls that only the conspicuous ones are herein tabulated." The Universal One, page 98.
"In these octaves the accumulation of energy into higher potentials causes such intense centrifugal and centripetal opposition, as it reaches its maximum crest of each octave wave, that additional smaller vortices are formed which prevent the ratio of unit increase from being totaled into the fourth tones of these octaves, as they are in carbon and silicon of the lower octaves. The result is that ten mid-tones form in each of these two octaves, all of which are metals on the + side and metaloids on the - side of 4++. These mid-tones are irregular in all of their dimensions but their totals added together make the constant of the double tone to which they owe their existence and from which they subtract their separate, disorderly dimensions. Neither cobalt nor rhodium can attain their proper hardness, nor true cube form of crystallization, nor melting point, nor plane, nor valence, nor any other dimensions because of these intruders." The Universal One, page 93.
"This element is the tonal mate to gold. Added together - they make one mid-unit constant."
"There must be two unknown elements here instead of one."
"Potential energy has its limitations in this finite universe. From the first octave constant to this ninth one the constant of energy has been accumulating exactly as the little mountain stream accumulates behind the dam until the limit of capacity is reached. Then the exact constant of first cause in the mountain stream flows over the dam."
"There must be one more mid-tone here as a unit constant of samarium."
"The last three tones of the tenth octave constant are the overlapping negative reactions of the first octave. The cycle ends between 1003+ and 1003-, therefore 1004+ equals 104+ and the end of the cosmic attempt to accumulate power and the beginning of another cycle. All effects of motion are repeative."
"We can exemplify, however, by having you open the damper pedal of your piano and strike any one note hard. If you do this you will also hear every other octave note, above and below it, sounding in their own frequencies. One of these notes will dominate over all of the others, however, and that is the mid-tone of all the octaves. That mid-tone is the crest of the universal wave. All effects of Nature reach a wave-crest. They must, or perish, as the 9th octave perishes through inability to create a wave-crest by the uniting of balanced pairs. Carbon is the mid-tone of all the elemental octaves." [Atomic Suicide, Chapter 11 - The Material Nucleus of the Atom, part 2 of 3]
Affinity to Neutral Center Compound Interetheric Consciousness Etheric Elements Figure 2.13 - Swirling Vortex around Neutral Centering Shaft Figure 9.1 - Sympathy Connecting Neutral Centers Figure 9.3 - Some Neutral Center Dynamics Figure 9.4 - Radiation and Absorption interactions with Neutral Center Figure 13.01a - Countless Spinning Stars about their common Neutral Center Figure 13.02c - Dynasphere Neutral Center Figure 13.03a - Showing receptive concussion of Positive and Negative forces at the Neutral Center Figure 13.10 - Convergence of Syntropic Forces Figure 14.01 - Overtones Developed Musically Showing Up as Isotopes along the Vertical Axis of this Chart Figure 15.04 - Gravity Generates Matter about Neutral Centers First Cause Integrating Power at Center or North Law of Cycles Mind Overtone Overtone series Subdivision Wolf Tone 9.16 - Neutral Center Dynamics 12.06 - Mid-Tones and Neutral Centers 13.07 - Keelys Original Dynaspheric Neutral Center Concept 13.08 - Atlins Neutral Center Structure and Dynamics 3.16 - Neutral Centers as Points of Action