Reciprocating Proportionality

The underlying law of Creation is RHYTHMIC BALANCED INTERCHANGE in all transactions in Nature. It is the one principle upon which the continuity of the universe depends. Likewise, it is the one principle upon which the continuity of man's transactions, his health and happiness depend. It is the manifestation of God's two opposing desires in all processes of creation.

BALANCE is the principle of unity, of oneness. In it is the stability which lies in CAUSE. BALANCE is the foundation of the universe.

BALANCED INTERCHANGE simulates oneness by interchange between pairs of opposites. It is the principle of equal giving between all moving pairs of unbalanced opposites which constitute this dual electric universe. In it is the instability of EFFECT. Instability is forever seeking to find stability. It can never find it, but it can simulate it by balancing its instability through equality of interchange.

RHYTHMIC BALANCED INTERCHANGE is the principle of continuity of EFFECT. Balanced interchange between opposites repeats simulaton of stability, and rhythmic balanced interchange continues that repetition. Russell, The Secret of Light, page 106-107

The degree to which a vibrating or oscillating system is either one polarity or the other can be pictured or expressed in relative and accumulative numbers. Using the + sign to indicate power accumulating (syntropic) quantities and using a - sign to indicate dispersive (entropic) quantities. Russell used his Scale of Locked Potentials to measure degrees of polarity and this author believed Keely sometimes used his mysterious thirds, sixths and ninths as part of his referencing method based on proportion or parts of a whole. [see Modes of Vibration and Three Laws of Being]

Whatever interval is sharpened above the tone of the open string, divide the string into the number of parts expressed by the larger number of the ratio of the interval, and operate in that part of the string expressed by the smaller number of it. For example, if we want to get the major third, which is in the ratio of 4:5, divide the string into five parts and operate on four. The lengths are inversely proportional to the vibrations. [Scientific Basis and Build of Music, page 100]

See Also

Conjugate Variables
Dynaspheric Force
Figure 3.10 - Temperature Accumulates in the North and Cools in the South Reciprocally
Figure 12.13 - Some Multi-Dimensional as Inverse and Direct Reciprocal Relationships
Figure 13.14 - Equilibrium as Reciprocal Forces
Law of Assimilation
Law of Compensation and Equilibrium
law of etheric compensation and restoration
Multiplicative inverse
Reciprocating Duality
Universal Ratios
3.12 - Reciprocating Duality
3.13 - Reciprocals and Proportions of Motions and Substance
6.1 - Reciprocal Radiations
7.3 - Law of Love - Reciprocal Interchange of State on Multiple Subdivisions
7.6 - Reciprocal Disintegration and Creation
7.7 - Reciprocal States of Matter and Energy
12.00 - Reciprocating Proportionality

Created by admin. Last Modification: Thursday December 17, 2020 03:53:55 MST by Dale Pond.