The attraction of gravitation and the repulsion of radiation is nature's simple method of distribution and redistribution of all masses, so that each mass will find its proper position. [See Universal Heart Beat]
It is not proper to conceive either of these apparently opposite forces as two forces.
The south wind and the north wind are not two winds. They are the same wind blowing in opposite directions.
It is more correct to say that gravitation and radiation are processes.
The unequal divisions of the two opposites totaled together constitute an equilibrium.
The chemist uses these processes in every action and reaction.
What happens? The hydrogen falls toward the higher potential of the oxygen of the iron which is sufficiently expanded by the high temperature to absorb the hydrogen, and the hot iron is sufficiently expanded to release the oxygen.
- and it is balanced between the two forces. If the effects of notes or chords depended solely on their ratios, then the effect of the subdominant, tonic, and dominant would have been alike, for these chords have exactly the same ratios. The centrifugal force of the notes of the dominant chord would take if away from the tonic chord; but Nature, in her skill to build and mix, has in the octave scale placed the middle of the dominant B under the root of the tonic C, and the top of the dominant D under the middle of the tonic E; so that these two rising notes are inevitably resolved into the tonic chord. The gravitating tendencies of the notes of the subdominant would take it also away from the tonic; but in the octave scale Nature has placed the middle of the subdominant A above the top of the tonic G, and the root of the subdominant F above the middle of the tonic E; so that these two falling notes also are inevitably resolved into the tonic chord. In this way two notes resolve to the center of the tonic, D upwards and F downwards; one to the top, A to G, and one to the root, B to C. Nature has thus placed the notes which have upward tendencies under the notes having downward tendencies; she has also related them by proximity, the distance from the one to the other being always either a semitone or the small tone of the ratio 9:10. [Scientific Basis and Build of Music, page 95]
Figure 3.24 - Non-synchronized Voiding at Plane of Inertia is Regenerative
Genero-Radiative Concept - Part 2
Genero-Radiative Concept - Part 3
Genero-Radiative Concept - Part 4
Law of Assimilation
law of generation
5.7 - Generation of Mass