"Nature has established her sympathetic concordants from the birth of the neutral centres of the planets. This is gravity; therefore gravity is fixed, inherent. There is no flight of gravity. The difference in the condition of the sympathetic nerve centres, and the variations in the chord aggregation of the masses, as established in the man or woman at birth, constitutes the molecular condition of the individual. The molecular state of animals, vegetables, and minerals, depends upon the aggregation of their chord centres. It is impossible to take two coins from one die the same in its molecular aggregation. The mere picking up of a coin and replacing it causes billions of molecules to be lost. This produces a change in the chord of mass of the coin. As this fact has only been developed by persistent progressive research, it is quite easy to comprehend the nature of the difficulties that lie in the way of perfecting devices for the guidance of artificers and mechanics, whereby they can bring a proper vibratory action into play to induce positive sympathetic transmission. In order to transmit my knowledge by demonstration it will be necessary to have much more perfect instruments than those crude devices which I first constructed for my researches. One of my perfected instruments shows to the eye, in the molecular effects produced by a certain order of vibration, when the chord of harmony is established between two neutral centres. Another, when connected with the sympathizer, denotes accurately, by the colour of a certain sound or combination of sounds the number of vibrations that are necessary to induce certain effects of mechanical combinations." [Vibratory Physics - The Connecting Link between Mind and Matter]
"No such thing as discord exists in the molecule. Discordance results from chords producing differentiation and may be equated by the proper chord of harmony. Every gaseous molecule is a resonator to any and all vibrations, whether concordant or discordant. That which we term discord exists in sound itself, not in matter." [Snell Manuscript - the book, DISCORD - Snell]
Here on the keyboard we see, nearest to the front, the great 3-times-3 chord of the full genesis of the scale from F1 to F64. When this chord is struck by the notched lath represented in front of the keyboard, the whole harmony of the key is heard at once. Behind this great chord are placed, to the left the subdominant, tonic, and dominant chords of the minor. D F A, A E C, E G B; and to the right the subdominant, tonic, and dominant chords of the major, F A C, C E G, G B D. When the notched lath is shifted from F to D, the minor third below F, and the 3-times-3 minor is struck down in the same way as the major, the whole harmony is heard; and the complete contrast of effect between major and minor harmony can be fully pronounced to the ear by this means. Behind these six diatonic chords, major and minor, on the part of the keyboard nearest to the black keys, are the three chromatic chords in their four-foldness, in both major and minor form. The center one shows the diatonic germ of the chromatic chord, with its supplement of G# on the one hand completing its minor form, and its supplement of A♭ on the other hand completing its major form. A great deal of teaching may be illustrated by this plate.
chord of equation
cosmological equation of state
equation of forces