Sometime in the summer of 2002 a method was developed to calculate intervals as though they themselves were discrete and equal quantities. From this it was seen that two Seconds should and ought to always equal a Third and two Thirds equal a Fifth and two Fifths equal a Ninth. From that humble beginning an entirely new scale was developed, piece by elegant piece, until it was not only clearly harmonic but also perfectly encompassed Walter Russellâ€™s Scale of Locked Potentials. As his scale is a reflection or recording of natural phenomena this new scale also reflects or records natural phenomena - the naturally occuring overtone series as found in many (but not all) vibrating bodies. This scale is then a natural music scale developed from naturally occuring phenomena instead of the hodge-podge patchwork of classic scales developed from the intellect for the ego, body, religious and political agenda and pocket book.
11.02 - Attributes of the Scale of Infinite Ninths
11.03 - Development of the Scale of Infinite Ninths
11.11 - Explanations of the Scale of Infinite Ninths
Ponds Original Notes on the Scale of Infinite Ninths