"On the one hand Keely talks about musical intervals - on the other hand he mixes in references to the orders of matter and energy, volume and divisions of chords. Which is which and when? To me, the above does NOT refer solely to musical chords. I've said this before. But instead represents a wider view of order, dynamics and structure. For instance if we view the nine strings of the CEG chord as three sets of three vibrating on 1, 2 and 3 octaves we get the possibility of the first third of the WHOLE NINE STRING CHORD being octave one, the second third being octave two and the third third as octave three of this nine string chord. The nine string chord is seen to be composed by thirds of the whole. These represent the molecular, atomic and etheric realms or levels of the matter and energy scheme being three major thirds of the whole of nature. Therefore the first third is the enharmonic (earthy earth; i.e.; terrestrial) the second represents the harmonic sixths (Russell's fulcrum?), and the third third represents the infinite ninths (celestial). Rotation is the result of a conflict between the first third (terrestrial) and the third third or ninths (celestial) as given above. I've included below quotes from Keely on his rotating sphere. If you've read Russell you will see DIRECT correlations between the two men expressing the SAME concept of rotation occuring in this manner - and ONLY in this manner. If you have not read Russell you may not see this. This being the case the CEG chord is the centralizing chord to the center while the BfDG chord is the dispersive chord - each chord representing the in and out FLOWING STREAMS to and from the center. Keep in mind the dynasphere represents a faithful micro/macrocosm of the universal forces. The 24 resonators, tuned to musical thirds, placed in eight triplets around the Ring of Resonation are coincident to each of the three-sided corners of the cube of celestial dispersion realm while the second ring of resonation inside the sphere are tuned to Bf keynote of the earth or spherizing element in nature." [Dale Pond See Dynasphere, clustered thirds]

"The number 3 is the creative power in music, producing fifths, but it is under the control of the Octave prime - the number 2. It is the supreme octave which forms a boundary by making twelve fifths and seven octaves unite in one note. Within this horizon lies the musical system in its threefoldness - major (sharped), minor (flatted) and chromatic (accented)." [from, The Scientific Basis and Build of Music]

"The sexless Father-Mother Creator is One. His extended sex-conditioned, male and female bodies are the completion of His Trinity.

Rest and action are three. Space and matter are three. Equilibrium and motion are three. Dimensions and pressures are three. The heartbeat of the universe, and yours, are three. Likewise, its breathings and yours, its temperatures and yours, and all things else of the universe, and you, are three." [Russell, Atomic Suicide, Chapter 5 - Prelude - The Transormation of Man]

"The swinging of the pendulum is three, as the spectrum and the fulcrum and lever, also, are three.

"The cathode is one - but its extended pairs of anodes in the electric current of man, and of space, adds up to three.

"Silence is one - but sound springs from silence when its divided moving pair collide - so sound is three, and its vibrations in sequences of rest and action, are also three.

"God is ONE in all CAUSE - but in all EFFECT He is three. And all that are three are nine - for all that are three are multiplied by three in this visible cube dominated universe of three dimensions." [Atomic Suicide, Chapter 5, Prelude, The Transformation of Man, part 1 of 2]

See Also

Clustered Thirds
Divine Trinity
Dynaspheric Force
Figure 2.10 - Triple Dual Vectors - In Rotary Motion
Figure 4.1 - Triple Cardinal Directions Vectors or Dimensions
Figure 4.13 - Triplet Originations and Centralizations of Matter
Figure 4.14 - Feynmans Triplet Structures of the Proton and Neutron
Figure 4.3 - Single Mode Electric Vector Generating Circular Motion also Shown within Triple Vectors
Figure 4.4 - Triple Vectors in Orthogonal Motions
Figure 4.6 - Triple Vectors in Motion on Triple Planes
Figure 4.7 - Triple Planes and Polar Vectors of Motion
Figure 4.8 - Triple Polar Rotations In and Out
Figure 6.14 - Triple Three Cubes
Figure 6.4 - Triple Interior Planes
Figure 6.5 - Triple Planes - May Underlay some Sacred Geometry or Religious Concepts
Figure 6.6 - Russells Multiple Views of Tripleness
Figure 7.3 - Step 3 - Sphere Forms Orthogonally Triple Compressing Shell Layers
Figure 7.6 - Keelys Triune Morphology
Figure 7B.05 - Triplet Forming a Unity
Figure 7B.06 - Rotating Triplets Animation
Figure 7B.09 - Feynmans Triplet Structure of Photon
Figure 7B.15 - Triple Planes relative to Center
Figure 9.8 - Triple Centers
Figure 13.08 - Triple Streams of Electricity
Figure 14.03 - A section from one of Keelys charts showing his generous use of Triplets
Figure 14.12 - Triple Equations to Represent a Single Sympathetic Event
Figure 16.09 - Triple Streams of Electricity
Rhythmic Balanced Interchange
Table 12.01 - The Divine Trinity
Table 13.02 - Vibratory and Oscillatory Triple Force Functions
Three Main Parts of a Wave
three phases of action
Triplet Attraction
Triplet Rotation
Wave Field
1.11 - Ultimate Constituents of Matter
4.1 - Triple Vectors
4.2 - Triple Vectors and Rotation
4.5 - Triple Rotary or Vortex Motions
4.9 - Triple Contractive Motions
7B.02 - Three Forces in Harmony
7B.04 - Triplets Form Larger Units of Unity
7B.05 - Rotating Triplets
12.07 - Keelys Thirds Sixths and Ninths
13.06 - Triple Currents of Electricity
13.11 - Triple Currents and Streams
14.35 - Teslas 3 6 and 9
14.35.1 - Keely 3 6 and 9
14.36 - Triple Equations
15.18 - Keelys Process for Liberating Ether from Water multiple mentions in this article
16.29 - Triple Currents of Electricity
Page last modified on Sunday 12 of February, 2017 12:16:30 MST

Search For a Wiki Page

Last-Visited Pages