SVP Universal Cosmology

A Rosetta Stone for the New Science Paradigm

Version 2.3

Section Parts and Addenda
Part 00 - Executive Summary
Part 01 - Overall General View
Part 02 - Origin of Polar States
Part 03 - Polarity Creates Rotating Vortex
Part 04 - Rotation on Three Planes
Part 05 - Three Rotating Planes Become Spheres
Part 06 - Formation of Cubes
Part 07A - Origin and Formation of Matter
Part 07B - Origin and Formation of Matter
Part 08 - What Vibration Is. - Part 1
Part 09 - What Vibration Is. - Part 2
Part 10 - What Sympathy Is
Part 11 - SVP Music Model
Part 12 - Russell's Locked Potentials
Part 13 - Rotation from Vibration/Oscillation
Part 14 - Keely's Mysterious Thirds, Sixths and Ninths
Part 15 - Dissociating Water Acoustically
Part 16 - Electricity and Magnetism
Part 17 - Gravity
Part 18 - Mind as an Engineerable Force
Part 19 - Musical Dynasphere - Historical

Part 20 - Musical Dynasphere - Current Research
- - - - - - - - - - - -Addenda - - - - - - - - - - - -
01 - Bjerknes Effect
02 - Chart of Locked Potentials
03 - Ether
04 - Origin of Matter
05 - Indig Numbers
06 - One Phase of Keely's Discoveries...
07 - Pond's Original Notes on the Scale of Infinite Ninths
08 - Laws of Being
09 - Table of the Elements
10 - Keely's Forty Laws
11 - Russell's Laws and Principles
12 - What Electricity Is.
13 - Puharich, Water Dissociation via AC
14 - As a Man Thinketh
15 - Genero-Radiative Concept
16 - The Action of Force is Spiro-Vortex
17 - Russell's Optic Dynamo-Generator
18 - Etheric Vibratory Scale
96 - Index of ebooks
97 - Disclaimer
98 - Footnotes
99 - Compendium and Definitions


"A truth's initial commotion is directly proportional to how deeply the lie was believed. It wasn't the world being round that agitated people, but that the world wasn't flat. When a well-packaged web of lies has been sold gradually to the masses over generations, the truth will seem utterly preposterous and its speaker a raving lunatic."
~~~Dresden James

[updated 06/02/09]

Delta Spectrum Research
921 Santa Fe Avenue
La Junta, Colorado 81050
720-249-2731
©Dale Pond, 2007, 2008, 2009

Copyright Notice

All text, photos, graphics, artwork and other material part of the SVP Cosmology documents are copyrighted and may not be published, broadcast, rewritten or redistributed without permission.

SVP text, photo, graphic, audio and/or video material shall not be published, broadcast, rewritten for broadcast or publication or redistributed directly or indirectly in any medium. Neither these SVP materials nor any portion thereof may be stored in a computer except for personal and non-commercial use. SVP, Dale Pond, PSI or DSR will not be held liable for any delays, inaccuracies, errors or omissions therefrom or in the transmission or delivery of all or any part thereof or for any damages arising from any of the foregoing.

If you have any questions regarding copyright or use of these materials, contact Dale Pond at the Pond Science Institute by email at dalesvp@centurytel.net, by telephone at 720-249-2731 or by mail at 921 Santa Fe Avenue, La Junta, Colorado 81050 and we will address your concerns
.

Part 12 - Russell's Locked Potentials

12.00 - Reciprocating Proportionality
12.01 - Scale of Locked Potentials
         Figure 12.01 - 4++ Power Centered Scale
         Figure 12.02 - 0 Inertia Centered Scale
         Figure 12.03 - Scale Showing Relations of Light, Color and Tones (color added)
12.02 - Universal Energy Unit, Constant or Impulse
         Figure 12.04 - Locked Potential Points, Relations and Descriptions
12.03 - The scale divisions correspond to Keely's three-way division of currents
12.04 - Locked Potentials and the Square Law
         Table 12.01 - Indig Numbers - The Divine Trinity
Locked Potentials - Phases of a Wave, Color and Elements

         Figure 12.05 - Russell's Cosmic Clock (color added)
12.05 - Three Main Parts of a Wave
12.06 - Mid-Tones and Neutral Centers
12.07 - Keely's Thirds, Sixths and Ninths
         Figure 12.06 - Mind Centers and Controls Motion (colors added)
12.08 - The PLUS side
         Figure 12.07 - Plane of Inertia showing Focalizing Action (colored notation added)
12.09 - The MINUS side
12.10 - Keely's Musical Constructs of Increasing and Decreasing Vibratory States
         Figure 12.08 - Plane of Inertia (center lens) shown as an Optical or Focalizing Function
12.11 - Eighteen Attributes or Dimensions
12.12 - Length (Distance, Radius)
12.13 - Breadth (Area, Square)
12.14 - Breadth (Area, Circle)
12.15 - Thickness (Volume, Cubic)
12.16 - Thickness - (Volume, Sphere)
         Figure 12.09 - Dimensions and Their Relationships
         Table 12.02 - Length, Area & Volume Math
         Table 12.02.01 - Wavelengths and Frequencies - Octave Relations of Russell's Indig Number System
12.17 - Note about Octave Relationships in Russell's System
         Figure 12.10 - Russell's Locked Potential Wave as Function of Multiple Octaves
12.18 - Multiple Octave Progression
         Figure 12.11 - Russell's Locked Potential Full Ten Octave Gamut
12.19 - Fibonacci Relationships
12.20 - PHI
12.21 - Fibonacci Whole Numbers v. Irrational Decimal near Equivalents
12.22 - The Continuing PI Rant
         Figure 12.12 - Russell's Multiple Octave Waves as Fibonacci Spirals
         Figure 12.13 - Some Multi-Dimensional as Inverse and Direct Reciprocal Relationships
12.23 - Time (orbit period)
12.24 - Time (spin period)
12.25 - sex (Polarity, Polarization, Duality, dipole, bias)
12.26 - pressures
12.27 - potentials
12.28 - temperature (heat and cold)
12.29 - Origin and Nature of Heat
         Figure 12.14 - Space Walk photos showing no stars in the background
12.30 - Thermal Radiation and Thermal Vacuum or Cold
12.31 - Heat Generated Through Resistance to Compression
12.32 - ionization
12.33 - crystallization
12.34 - valence
12.35 - End of The Electron Theory
         Figure 12.15 - Angles of Incidence of Sympathetic Streams
12.36 - Angles of Incident of Etheric Sympathetic Streams
12.37 - axial rotation (planet or particle spin)
12.38 - orbital revolution (planet or particle revolution of orbit)
12.39 - mass (weight)
12.40 - color
12.41 - plane (degree above or below plane of ecliptic of primary)
12.42 - tone (sound, musical tones)
12.43 - ecliptic (above or below plane of ecliptic of primary)


Russell's Scale of Locked Potentials


12.00 - Reciprocating Proportionality - "The underlying law of Creation is RHYTHMIC BALANCED INTERCHANGE in all transactions in Nature. It is the one principle upon which the continuity of the universe depends. Likewise, it is the one principle upon which the continuity of man's transactions, his health and happiness depend. It is the manifestation of God's two opposing desires in all processes of creation.

BALANCE is the principle of unity, of oneness. In it is the stability which lies in CAUSE. BALANCE is the foundation of the universe.

BALANCED INTERCHANGE simulates oneness by interchange between pairs of opposites. It is the principle of equal giving between all moving pairs of unbalanced opposites which constitute this dual electric universe. In it is the instability of EFFECT. Instability is forever seeking to find stability. It can never find it, but it can simulate it by balancing its instability through equality of interchange.

RHYTHMIC BALANCED INTERCHANGE is the principle of continuity of EFFECT. Balanced interchange between opposites repeats simulaton of stability, and rhythmic balanced interchange continues that repetition." [Russell, The Secret of Light, page 106-107]

The degree to which a vibrating or oscillating system is either one polarity or the other can be pictured or expressed in relative and accumulative numbers. Using the + sign to indicate power accumulating (syntropic) quantities and using a - sign to indicate dispersive (entropic) quantities. Russell used his Scale of Locked Potentials to measure degrees of polarity and this author believed Keely sometimes used his mysterious thirds, sixths and ninths as part of his referencing method based on proportion or parts of a whole. Also see Law of Assimilation.

12.01 - Scale of Locked Potentials - Walter Russell, in his book The Universal One, presents a scale of devolving and evolving characteristics, parameters and powers. He called this scale The Scale of Locked Potentials. The orderliness and periodicity of this scale can be viewed in two main ways: Power Centered and Zero Centered.

Numeric Scale of Locked Potentials
Figure 12.01 - 4++ Power Centered Scale

Zero Inertia Centered Scale

Figure 12.02 - 0 Inertia Centered Scale
(courtesy University of Science and Philosophy)


Scale Showing Relations of Light, Color and Tones.


Figure 12.03 - Scale Showing Relations of Light, Color and Tones (color added)
(courtesy University of Science and Philosophy)

12.02 - Universal Energy Unit, Constant or Impulse - "Time marks the periods between events. Man divides his time by the periodicities of this planet's revolution around the sun and subdivides it by its rotation upon its axis. These periods are again divided to act as man's necessary time dimensions. The Universal One divides His time by the periodicities of His inhalations and exhalations, which together make one universal constant of energy, and subdivides it into four exactly equal unit constants of energy. These periodicities, and tonal and mid-tonal subdivisions, measure the dimensions of His idea in the illusion of form, space, time, sex, temperature and other periodicities.

Energy accumulates during genero-active inhalation by rising potential, and is dissipated during the radio-active exhalation by lowering potential. The periodicities of inhalation and exhalation in all mass are absolute." [Russell, The Universal One]


Figure 12.04 - Locked Potential Points, Relations and Descriptions
Showing structure, correspondences and relationships of Locked Potentials.
(courtesy University of Science and Philosophy)

12.03 - The scale divisions correspond to Keely's three-way division of currents - We can see both Russell and Keely adhered to the concept of concentrating and decentrating forces.

"Charging systems are positive systems. Positive systems are male systems. Male systems are 1+, 2+ and 3+. Discharging systems are negative systems. Negative systems are female systems. Female systems are 1-, 2- and 3-. Number four is equally a charging system and a discharging system. It is male-female." [Russell]


"These threefold relations may be expressed with regard to their results as,

    I. Assimilative
    II. Individualizing
    III. Dominant or Resultant

"From these three actions are derived the three fundamental LAWS OF BEING:

I. Law of Assimilation: every individualized object assimilates itself to all other objects.

II. Law of Individualization: every such object tends to assimilate all other objects to itself.

III. Law of the Dominant: every such object is such by virtue of the higher or dominant force which controls these two tendencies."
[Brinton, Prof. Daniel, The Laws of Being]

12.04 - Locked Potentials and the Square Law - In short this scale is a representation of the well-known Square Law and its reciprocal inverse. These two modes of motion-in-opposition are presented as ONE MOTION or ONE FORCE behaving reciprocally and rhythmically or periodically. The Minus side radiates or dissipates energy as and according to The Square Law. The other half of this cycle is syntropic (negentropic) in that energy concentrates as a reciprocal of The Square Law or as is generally known, the Inverse Square Law. The Scale of Locked Potentials quantities are arithmetical and geometrical progressions and regressions. See Figure 12.09 and Table 12.02. Science has long recognized that energy radiates according to the Square Law but science has totally ignored the accumulation of force according to the inverse Square Law and it does not recognize these two seemingly opposite dynamics operate concurrently. Likewise science does not recognize that all matter, force and energy can be placed or scaled at some point along this Scale of Locked Potentials according to its type, concentrating (assimilating) or dissipating (individualizing), and its relative degree of same in relation to its respective octave and within the total gamut of all matter and energy. See Chart of Matter and Energy.

 
Table 12.01 - Indig Numbers - The Divine Trinity
Locked Potentials - Phases of a Wave, Color and Elements
 
0
1+
2+
3+
4++
3-
2-
1-
0
Infra-red
Red
Orange
Yellow
White
Green
Blue
Indigo
Violet
Idea




Form




Idea
Keynote
Second
Third
Fourth
Fifth
Sixth
Seventh
Eighth
Ninth
Heaven




Earth




Heaven
Celestial




Terrestrial




Celestial
Alphanon
Irenon
Viajon
Marvaon
Tomion
Alberton
Blackton
Boston
Betanon
Betanon
Jamearnon
Erneston
Eykaon
Athenon
Barnardon
Delphanon
Romanon
Gammanon
Gammanon
Marconium
Penrynium
Vinton
Quentin
Tracion
Buzzeon
Helenon
Hydron
Hydron
Hydrogen
Ethlogen
Bebegen
Carbogen
Luminon
Halanon
Helionon
Helium
Helium
Lithium
Berylium
Boron
Carbon
Nitrogen
Oxygen
Fluorine
Neon
Neon
Sodium
Magnesium
Aluminum
Silicon
Phosphorus
Sulphur
Chlorine
Argon
Argon
Potassium
Calcium
Scandium
Cobalt
Arsenic
Selenium
Bromine
Krypton
Krypton
Rubidium
Strontium
Yttrium
Rhodium
Antimony
Tellurium
Iodine
Xenon
Xenon
Caesium
Barium
Lanthanum
Lutecium
Bismuth
Polonium
Mate to 1+
Niton
Niton
Mate to 1-
Radium
Actinium
Tomium
Alberton
Blackton
Boston
Alphanon
Motion-In-
Inertia




Motion-In-
Opposition




Motion-In-
Inertia
Cold




Hot




Cold
Discharged




Charged




Discharged
Expanded




Contracted




Expanded
Vacuum




Solid




Vacuum
Levity




Gravity




Levity
Magnetism




Electricity




Magnetism
Dispersed




Assimilated




Dispersed
Periphery




Centered




Periphery
Inharmonic




Harmonic




Inharmonic
Depolarized




Polarized




Depolarized
Tenuous




Dense




Tenuous
Sexless


Male

Bi-sexual

Female


Sexless
soul

coalesce

body

disperse

soul
vacuum


in breathe


matter


out breath


vacuum
actuality




reality




actuality
sanity




insanity




sanity
awake




ego




awake
nonaction




action



nonaction
0
1+
2+
3+
4++
3-
2-
1-
0
nighttime




daytime




nighttime
midnight




noon




midnight
space


centripetal


form


centrifugal


space
heaven


absorb


earth


radiate


heaven
vapor


warm/heat


ice


cool/cold


vapor
idea


manifesting


thing


dissipating


idea
God


angels


Mankind


angels


God
quantum
etheric
atomic

molecular

atomic
etheric
quantum
thought
creating
thinking
decreating
thought

Table 12.01 - Indig Numbers and Scale of Locked Potentials

RUssell's Cosmic Clock

Figure 12.05 - Russell's Cosmic Clock (color added)
Showing correspondences and relationships of Locked Potentials as Indig numbers, colors and solfreggio music notes.
(courtesy University of Science and Philosophy) 

12.05 - Three Main Parts of a Wave - This scale has three main parts:
 
1) The PLUS (concentrating) side: 1+, 2+, 3+
 
2) The MINUS (dissipating) side: 1-, 2-, 3-
 
3) The NEUTRAL points or parts: 0 (Plus side), 4++ and 0 (Minus side).

When a wave becomes vortex motion and the two mated pairs come together in balanced opposition at the 4++ or fifth position there is created a third condition of etheric vacuum. These three highly dynamical states constitute the focal center about which "like surrounding .. conditions are sympathetically subservient". Notice how a whirling tornado or hurricane dominates all air currents in its immediate environment. More on this later.

12.06 - Mid-Tones and Neutral Centers 

Mid-Tones

The Neutral Center Tones are the same as Russell's mid-tones generated between the 4 and 3. This is the zone of hyper-sex-activity wherein regeneration is initiated (mutual orgasms). This intense action generates overtones (mid-tones) of increasing discord. This process is explained in Keely's Law of Cycles:

"Coherent aggregates harmonically united constitute centers of vibration bearing relation to the fundamental pitch not multiples of the harmonic pitch, and the production of secondary unions between themselves generate pitches that are discords, either in their unisons, or overtones with the original pitch; from harmony is generated discord, the inevitable cause of perpetual transformation." Keely, 1894


12.07 - Keely's Thirds, Sixths and Ninths - These three parts correpond to Keely's "thirds, sixths and ninths " so often discussed but not understood - and within context. Keely referred to the triune flow in its entirety as '100' which number represented the complete flow as in "100 parts of a whole" as often used in recipes measured in PORTIONS or PARTS. Further, Keely viewed this flow in three distinct yet unseparated parts each part considered as a third of the whole as in portions of a whole. (See Part 14 - Keely's Mysterious Thirds, Sixths and Ninths)


Mind Centers and Controls Motion


Figure 12.06 - Mind Centers and Controls Motion (colors added)
(courtesy University of Science and Philosophy)

12.08 - The PLUS side - The Plus or Positive side of the Scale of Locked Potentials has the major feature or attribute of concentrating or aggregating (syntropic, negentropic) toward a center; i.e. electric assimilation. This is Keely's HARMONIC or NINTHS side of the equation and portion of the whole.


Nature's Power Multiplication Principle


Figure 12.07 - Plane of Inertia showing Focalizing Action (colored notation added)
(courtesy University of Science and Philosophy)

12.09 - The MINUS side - The Minus or Negative side of the Scale of Locked Potentials has the major feature or attribute of dissipating or dissociation (entropy) from a center; i.e. magnetic dispersion. This is Keely's ENHARMONIC or SIXTHS side of the equation and portion of the whole. These seemingly opposite features or attributes have been paired in groupings in many of Russell's charts. There appears, at first glance, to be a contradiction between Russell's Scale of Locked Potentials and Keely's notion of Thirds, Sixths and Ninths. There is not a confusion as Keely's Thirds, Sixths and Ninths are the three states or conditions of force and energy while Russell's Scale of Locked Potentials is a scale of measurement or degree of those forces and energies. 

12.10 - Keely's Musical Constructs of Increasing and Decreasing Vibratory States - Keely was first and foremost a musician. He saw the universe and all it contains as musical constructs thus he expressed the truths he found in musical terms. Music is organized vibration and oscillation. Unorganized vibration and oscillation is just noise. For instance a Keely Sixth is the dissipative (entropic) side of the equation and depending on its state or degree of dissipation may be placed along the MINUS side of Russell's scale at -1, -2, or -3. Likewise a Keely Third is the concentrating (syntropic) side of the equation and depending on its state or degree of concentration may be placed along the PLUS side of Russell's scale at +1, +2, or +3. Basically, a musical octave is composed of four thirds going up in frequency to the octave position. In standard music theory the INVERSE of a third is a called a SIXTH - so increase by thirds and decrease by sixths, conceptually speaking. Whether this holds arithmetically has not yet been worked out (08/24/08). Keely's NINTHS corresponds to Russell's Zero Point of the Infinite Octave which he says does not figure into numeration and activities. This concentrating and dissipating action is shown in Russell's painting below represented by the actions of focalizing and defocalizing lens. The large lens in the center is, at its vertical center line, pure vacuum or pure potential of full neutrality-in-inertia. This point has what appears to be infinite density because at this point all impinging energies from the center is received, regenerated and returned much as an echo is an impacting sound received, regenerated and returned to its source. The Principle of Regeneration is illustrated here and here.



Figure 12.08 - Plane of Inertia (center lens) shown as an Optical or Focalizing Function
(courtesy University of Science and Philosophy)

12.11 - Eighteen Attributes or Dimensions - The Scale of Locked Potentials can be applied to the eighteen attributes or dimensions of matter and motion as presented by Russell. See Part 9 for additional information on these eighteen attributes/dimensions. These attributes/dimensions are the descriptors of matter, force and energy. By varying these attributes or dimensions matter, force and energy may be modified. Or the reverse can occur as these attributes/dimensions are changed so is the matter, force and energy manifesting. (A few additional attributes have been added by the author as it is deemed these would be important and/or useful in certain calculations or considerations.)

NOTE: Russell's The Universal One efforts to explain each of the following:

12.12 - Length (Distance, Radius)

12.13 - Breadth (Area, Square)

12.14 - Breadth (Area, Circle)

12.15 - Thickness (Volume, Cubic)

12.16 - Thickness - (Volume, Sphere)

Distance, Are and Volume Ratios
 
Figure 12.09 - Dimensions and Their Relationships
(courtesy University of Science and Philosophy)

Table 12.02 - Length, Area & Volume Math

In the above graphic it is clear:

Relative Volume

Accumulating       Dispersing

4+ = 1/8 of 3+ or 3+ = 8 X 4+ or 8^1

3+ = 1/8 of 2+ or 2+ = 8 X 3+ or 8^2

2+ = 1/8 of 1+ or 1+ = 8 X 2+ or 8^3

Numeric Progressions (units)

1st Dimension = Linear = 1, 2,  4,   8.. (Doubling, nX2)

2nd Dimension = Area   = 1, 4,  8,  64.. (Squaring, n^2)

3rd Dimension = Volume = 1, 8, 64, 512.. (Cubing, n^3)

Volumes

Cube volume = 1 = 1^3

Cube Volume = 2 = cube root of 2 = 1.259922 on side

Cube Volume = 4 = cube root of 4 = 1.587403 on side

Cube Volume = 8 = cube root of 8 = 2 on side

therefore

Table 12.02.01 - Wavelengths and Frequencies - Octave Relations of Russell's Indig Number System

Indig
Vol. Units
Vol. Calc
Wavelength
Example
Octave
Note
4
1
1^3
1
1 cps
4
G as 4th octave
3
8
2^3
2
1/2 cps
3
F as 3rd octave
2
64
4^3
4
1/4 cps
2
E as 2nd octave
1
512
8^3
8
1/8 cps
1
D as 1st octave
0
         
C## non-octave


12.17 - Note about Octave Relationships in Russell's System - Keep in mind Russell claimed 'tone' (music notes) did not follow the Locked Potential pattern and nor do his Indig numbers match music notes in a single octave. His numbering system does not follow musical note progressions as we understand musical notes as they occur within a single octave. When considering Russell's Indig numbers as musical tones we are forced to assign multi-octave values to the notes because of basic physics reasons. This is because as volumes decrease so does wavelength (as cube root of the volume) decrease which of course is an increase in frequency. These naturally occuring arithmetical relations demands/stipulates these Indig numbers are octave relationships when considered relative one to the others and not fractions of octave relationships (notes) as music notes within a single octave would indicate as presented by Russell (Figure 12.05).  Apparently Russell used this notation as a short-hand or convention within the context of his ideas to show degrees of relativity or harmony. Please see Part 11 wherein music notes/intervals and Russell's Indig numbers have been matched up.

For instance, a wave length of 8 (volume of 512 units at 1+, Figure 12.09) corresponding to a volume that is decreased to a volume of 64 (at 2+) which divides the corresponding wavelength by two and thereby doubles the frequency to the next octave and so forth for all subsequent Indig steps. Therefore these are progressions from one octave to the next octave because length is halved in each step, thus doubling the frequency at each Indig step. This reveals what Russell labeled an octave is actually a gamut or range of octaves where 0, 1-, 2-, 3-, 4++, 3+, 2+, 1+, 0 covers a range of four octaves (Table 12.02.01 and Figure 12.10) of actual frequency progressions. This counting by multiple octaves is all very interesting when we realize Keely counted octaves in gamuts of seven octaves (these being true musical octaves). In Figure 12.04 we see what Russell would call two octaves in his system but in standard musical systems the chart would be showing two times four octaves or eight full octaves of vibratory movement as clearly shown in Figure 12.10.

Of course we know from the vibration section, Part 9 the above octave progressions pertain to vibration while oscillation is in reverse proportional digression; i.e., when one increases the other decreases. For instance, as speed is wound up into power going from 1+ to 4+ vibration is actually decreased in freqeuncy while oscillation is proportionately and reciprocally increased in opposite amount. This Principle of Reciprocity holds for all the other Locked Potential relationships. 
Cubes and Curves Merged
Figure 12.10 - Russell's Locked Potential Wave as Function of Multiple Octaves

12.18 - Multiple Octave Progression - Having said all the above about multiple octave counting we must admit when counting up four octaves then immediately counting back down that this makes no sense. And it does not make sense because this is not a linear and straight line progression as one would, say, count keys on a piano keyboard from left to right. Russell is pointing out with this pattern the concept that energy accumulates from the seeming empty vacuum of space at 0 and condenses to a sphere at 4++, point of Voiding two seeming opposite states, syntropic and entropic which he sometimes calls Father and Mother.
"The supreme effort of this book (Atomic Suicide?) is to have you comprehend that Creation is a division of The Eternal One into countless twos of sex-conditioned opposites, which eternally seek to void their division by uniting as One." [Russell, Atomic Suicide?]


Within Russell's discussion of octave relationships he maintains the entirety of the Electromagnetic Scale is a vast gamut of ten octaves. Wherein, for instance, Carbon sits at the center position in octave five at the Perfect Fifth location of "G" or 4++. Thus within his system Carbon would correspond to music note "G" at the center of a ten octave gamut. All this is symbollic of course and not standard musical notes as we know and categorize them. However, the principles that are found in music such as relativity, reciprocity, additive synthesis and many others are as much a part of his philosophy as that of Keely's. More on these music relations can be seen in Part 11.


Full Ten Octave Gamut

Figure 12.11 - Russell's Locked Potential Full Ten Octave Gamut
12.19 - Fibonacci Relationships - Fibonacci numbers constitute a special relativity or relationship between themselves and are an arithmetical progression that is additive and accumulative. Such functions become part of the next step in that going from 1+ to 2+ to 3+ to 4++ are steps that progress with the first quantity added to the next quantity and so on. This is a Fibonacci Progression of function of 1 + 2 = 3 and 2 + 3 = 4 (remembering these are steps and not numeric quantities). So the power accumulation spirals inward while the power dissipation spirals outward in reverse Fibonacci series.  The Russell Indig numbers are as the Fibonacci Series in that they add and accummulate in a specific and special relationship when syntropic. Of course the reverse is true when entropic.
12.20 - PHI - 10/05/04. edited 02/10/08: The Golden Spiral or Golden Mean or PHI (1.618...) is a decimal approximation* to the ratio of the Fibonacci Series expressed in Whole Numbers. While a ratio of two values can be considered extremely accurate that same ratio reduced to a decimal equivalent may not always be. Mathematicians have an artificially instilled and non-thinking habit of reducing ratios to decimals no matter what. Nature doesn't do this but respects that which is. If mathematics is to understand by mirroring nature why to they do it? In order of increasing decimal equivalent value, as shown below, the music interval equivalent oscillates between Minor and Major Sixths. As the PHI ratio decreases a musical interval of Enharmonic Sixths is approached save there is no Enharmonic Sixths in standard music and as such cannot actually be reached any more than the approximation can resolve itself. PHI is an irrational number just as PI is irrational; i.e., a reduced ratio of two unlike entities. Which is to say should never be reduced because to do so is dividing apples by oranges - a straight line (diameter) is not the same as a curved line (circumference). The same principle applies to PHI whole number ratios being composed of two distinct entites; i.e., a lower quantity and a higher quantity. I admit this sounds trivial but it is not as nature does not admit to a 0.9 pregnancy. Please review Hull's Quadrature of the Circle wherein he reviews Parker's original squaring of the circle by NOT dividing unlike terms such as triangles, squares, circles and components thereof such as straight and curved lines.

RATIO  DECIMAL APPROXIMATION
1:1    = 1           = Unison
2:3    = 1.5         = Perfect Fifth
5:8    = 1.6         = Minor Sixths
13:21  = 1.61538...  = Minor Sixths
∞:∞    = ∞           = Enharmonic Sixths
21:34  = 1.61904...  = Major Sixths
8:13   = 1.625       = Major Sixths
3:5    = 1.6667      = Major Sixths
1:2    = 2           = Octave



Nature, especially music, works on a natural basis. The human tendency to "round off" is never found in nature. The (in)human decimal (Metric) system has naught to do with naturally occuring phenomena which seems to prefer whole number ratios and proportions whether base 1, 2, 3, 5, 7 or 12 or other.

*APPROXIMATION: "something that is approximate especially : a mathematical quantity that is close in value to but not the same as a desired quantity" [Merriam-Webster]

12.21 - Fibonacci Whole Numbers v. Irrational Decimal near Equivalents -  It is acknowledged most people have grown accustomed to resolving the discrete Fibonacci numbers into an approximate decimal equivalent of 1.618... better known as PHI. This writer suggests the power and meaning found in the Fibonacci Series is NOT in the resolved decimal quantity but in the relationships between the discrete numbers, steps or progression of same. To reduce the relationship to an approximate decimal removes the individual quantities of each step thus substituting the relationship of two distinct accurate quantities for a less meaningful and less accurate decimal. The decimal PHI can be useful in measuring spirals while the powers that created PHI and hence the pattern were derived from two distinct numeric entities, part of a powerful sequence. 

12.22 - The Continuing PI Rant - This exact same argument can be presented over the reduction of PI (3.1415942692...) from 20612 parts of circumference divided by 6561 parts of diameter. The latter two source quantities are rational, whole and natural while the reduced decimal is approximate, irrational, unnatural and definitely not whole. The phenomenon of PI is well, though not exhaustively, explored in Hull's book, Quadrature of the Circle, an exploration of John Parker's original Quadrature of the Circle. The mathematical relation of a circle's diameter to its circumference is usually taken to be 3.14159... This value however is an irrational number and contains an error which is simple to see when one realizes a whole diameter exists within a whole circumference. The true value of PI as given by Keely/Parker is 20612 : 6561 which must remain an integer ratio of two whole numbers and NEVER REDUCED to a decimal equivalent, which is where the error comes in. These numbers are to be regarded as parts of a whole relative to each other.

Whole numbers relative to each other is an accurate exemplification of the Law of One in all three of its aspects.
Fibonacci Spiral Whirlpool Galaxy

Figure 12.12 - Russell's Multiple Octave Waves as Fibonacci Spirals


Rapid Dissociation

Figure 12.13 - Some Multi-Dimensional as Inverse and Direct Reciprocal Relationships

12.23 - Time (orbit period, see 12.37 below)
12.24 - Time (spin period, see 12.38 below)
12.25 - sex (see Polarity, Polarization, Duality, dipole, bias)
12.26 - pressures - Pressure is discordant and entropic. Apparently is caused (during matter dissociation) by liberated etheric substance in an entropic state. Matter being energy captured and held in a syntropic condition (harmony) waiting to be released or liberated under the correct entropic conditions (discord).
12.27 - potentials
12.28 - temperature (heat and cold)

12.29 - Origin and Nature of Heat - In Keely's vibratory philosophy heat exists on or within the fourth level or subdivision of matter and energy:
 
"No molecular structure can contain and hold the ether of the seventh subdivision, not even that lowest order - ether of the fourth subdivision - which is liberated as heat in chemical action. " [Keely, Snell Manuscript

"The origin of heat and light is easily accounted for by the action of the sympathetic celestial streams, when we consider the vibratory frequency of light as say 500,000,000,000,000 per second. Heat and light belong to the highest orders of the phenomenal and can only be accounted for by considering sympathetic streams under high velocity as being interchangeable both to and from focalized negative attractive centers." [Snell Manuscript

Further he claims heat or thermal activity occurs when celestial streams collide with coarse molecular or atomic matter - giving rise to a different kind of vibration as light (infra-red) which we identify as a source of heat when according to Keely is not the source or cause but a participant and effect in the liberation of thermal energies from another cause of a much higher frequency range.

"These conditions of luminosity (luminiferous ether) have no thermal forces associated with them; although, paradoxically, all thermal conditions emanate from that source. The tenuity of this element accounts for it. It is only when these sympathetic streams come in conflict with the cruder elementary conditions, either the molecular or atomic, that heat is evolved from its latent state, and a different order of light from the etheric luminous is originated, which has all the high conditions of thermal force associated with it; the sun being the intermediate transmitter. Thus is shown the wonderful velocity of these sympathetic streams emanating from the celestial." [pg 271 of Keely and His Discoveries]
 

In the above quote we see why there are no stars in photographs taken from outside of the atmosphere unless taken under special conditions. Light travels as harmonic sympathetic streams through space and not as light (photon flows). This stream of sub-quantum harmonic etheric energy collides with focalized negative attractive centers of coarser quanta such as in atoms and molecules creating a reradiation and demodulation (Principle of Regeneration) into frequency ranges suitable for our human narrow band-pass filters (senses) to register.
Space Walk with no visible stars Space Walk with no visible stars
Figure 12.14 - Space Walk photos showing no stars in the background

"Heat and light do not exist in space. The percussion of the vibratory sympathetic streams emanating from the neutral center of the sun, evolves them from the earth's atmospheric envelope. The interchangeability of light and heat, which are in a certain sense, one and the same, has been a mystery. However, this is explained by the sympathetic etheric stream bombarding the dense portion of the molecular in seeking its sympathetic concordant focalized neutral center in the planetary or molecular mass."

"There is no thermal accompaniment to self-luminescence evolved by vibrational frequency of the ether (seventh subdivision) and yet, paradoxically, all thermal conditions emanate from those same etheric vibrations. This is accounted for by the tenuity of the ether. Only when the streams come in contact with crude matter is heat evolved from its latent state. Accompanying this evolved heat is a different order of light from the luminiferous ether, this being a translation through the neutral center of the molecule of the sympathetic streams into radiations of heat and light." See Principle of Regeneration.

"The celestial current or etheric dominant which is also the prime third of the triune electric flow induces "aqueous disintegration" and "thermal concentration" and these two "prime conductors" display a "coincident sympathetic chord" with the celestial current. They are themselves the link between the terrestrial and celestial. The absence of the sun on one side of the earth and the absence of water on one side, would make terrestrial magnetism and electricity static - the highest order of chaos." (See illustration.)

"The heat generated by the electric stream is caused by the velocity of the triple subdivision at its point of dispersion as each component seeks its medium of affinity (dissociation into constituent or aliquot parts)."

"Heat is a vibro-atomic element with a frequency at its greatest intensity of not more than 14,000 per second and is latent in all matter, visible and invisible. This element in varying degrees of intensity, is liberated together with light by the velocity of the sympathetic flow from the sun, the intensity varying with the angle of this sympathetic projectment (refraction or differentiation) in the terrestrial atmosphere."

12.30 - Thermal Radiation and Thermal Vacuum or Cold  - "Thermal radiation (and its accompaniment, thermal vacuum or cold) comes below the first atomic" (probably atomic). Since its vibratory frequency is so low and its effects so considerable, it probably will be found to vibrate in the dominant mode.

"Radiant heat" is that property of the element heat, after its liberation from corpuscular imprisonment, by means of which it reaches out for reabsorption and return to its sympathetic environment.

All moving bodies of visible matter produce heat according to their velocity. The flow of gases induces "thermal reduction" (transmutation to the thermal element) from molecular friction. The molecules never actually come in contact with, or rub each other, and no pressure, however great, can cause molecular contact. However, the molecular volume can be reduced by enormous pressure and the tension on their rotating etheric envelopes induces heat. This induction of heat is a positive proof of the wonderful rotating frequency of the rotating envelope. Were the molecules dead to sympathetic vibration and possessing no rotating etheric envelope, all molecular volumes would be compressible and thermal change in the slightest degree could not result from pressure." [Keely, Snell Manuscript]

12.31 - Heat Generated Through Resistance to Compression

"Heat and cold are opposites. Inwardly bound light rays
(luminiferous etheric vibratory sympathetic streams) generate heat from cold by compressing cold. Outwardly bound light rays degenerate heat into cold by expanding heat (radiation)." [Russell, The Secret of Light]

"All moving bodies of visible matter produce heat as according to their velocity. The flow of gases only induces thermal reduction from molecular friction. By this term it must not be understood that the molecules actually come in contact, and rub against each other. There is no pressure, however great, that can cause molecules contact. The area of the volume of the molecule can be reduced by enormous pressure, and the tension thus brought to bear on their rotating envelopes induces heat. The heat thus induced is a positive proof of the wonderful velocity of the etheric envelope. If the molecules were dead - which is an infinite impossibility - to sympathetic vibration, and without a rotatory envelope if all the pressure possible to conceive were brought to bear upon them, it would not induce the slightest thermal change."
[Keely and His Discoveries]

"The area of the volume of the molecule can be reduced by enormous pressure, and the tension thus brought to bear on their rotating envelopes induces heat."
[Keely, Snell Manuscript]

12.32 - ionization - Deharmonized (repulsion, disintegration, dissociation as per cavitation) See valence

12.33 - crystallization
Juxtaposed, reciprocal and proportional degrees of attraction as also differentiation (refraction) due to/with angular offsets. 

12.34 - valence - Harmonized (affinity, attraction, aggregation) See ionization
Russell's description of valency is short but packed with meaning and consequence. In short, valency is the degree of attraction or affinity, to use a Keely/Macvicar term. This measurement, as presented in Russell's The Universal One, page 245, shows discrete degrees or steps of attraction/affinity as per each element. Each element is different but varies according to arithmetical relations of reciprocal proportionality as demonstrated in the Scale of Locked Potentials. Should we combine this attribute with Keely's morphology of three contracting and rotating shells it is possible to address the "how" and "why" of attraction/affinity variances between elements by virtue of angle/plane of spin and its consequence: refraction or differentiation which refraction/differentiation is the splitting of a One Whole Unit into its constituent parts much like rainbow colors refracted from unseen 'white' sun light. Hence, as in music, a scale's notes are 'split' or mathematically derived from their keynote or fundamental. Just so, the One Substance permeating the universe is refracted or differentiated into the myriads of elements of material appearance. 

12.35 - End of The Electron Theory - This concept of deriving varying degrees of attraction by virtue of angular impact and reradiation could be the end of the theory of the discrete particularized electron. Which electron, by the way, was originally defined to be the least QUANTITY (or quanta) of electrical force and not a thing. Therefore "electron" is a quantity of measurement (such as a gallon or yard) and never was intended to be a thing, discrete and individuated unto itself.
Angles of Incidence
Figure 12.15 - Angles of Incidence of Sympathetic Streams

12.36 - Angles of Incident of Etheric Sympathetic Streams - These sympathetic streams are flows of harmonic or coincident overtones. These compound harmonic overtone waveforms were discussed in Part 8 and 9 and the Bjerknes Effect. These special waveforms bring in energy when sympathetic wherein occurs additive amplitude synthesis. Thus showing a 0° incidence contributes the most to this syntropic process while at higher angles the addition or summing of energy decreases proportionately.
At 0° an incident Longitudinal Wave will generate, through the Principle of Regeneration, and mirror or echo Longitudinal Wave.
At 45° an incident Longitudinal Wave will convert into a Transverse Wave.
At 90° an incident Longitudinal Wave will convert into a Raleigh or Love Wave (vortex).
12.37 - axial rotation (planet or particle spin)
12.38 - orbital revolution (planet or particle revolution of orbit)
12.39 - mass (weight)
12.40 - color
12.41 - plane (degree above or below plane of ecliptic of primary)
12.42 - tone (sound, musical tones)
12.43 - ecliptic (above or below plane of ecliptic of primary)
Section Parts and Addenda
Part 00 - Executive Summary
Part 01 - Overall General View
Part 02 - Origin of Polar States
Part 03 - Polarity Creates Rotating Vortex
Part 04 - Rotation on Three Planes
Part 05 - Three Rotating Planes Become Spheres
Part 06 - Formation of Cubes
Part 07A - Origin and Formation of Matter
Part 07B - Origin and Formation of Matter
Part 08 - What Vibration Is. - Part 1
Part 09 - What Vibration Is. - Part 2
Part 10 - What Sympathy Is
Part 11 - SVP Music Model
Part 12 - Russell's Locked Potentials
Part 13 - Rotation from Vibration/Oscillation
Part 14 - Keely's Mysterious Thirds, Sixths and Ninths
Part 15 - Dissociating Water Acoustically
Part 16 - Electricity and Magnetism
Part 17 - Gravity
Part 18 - Mind as an Engineerable Force
Part 19 - Musical Dynasphere - Historical

Part 20 - Musical Dynasphere - Current Research
- - - - - - - - - - - -Addenda - - - - - - - - - - - -
01 - Bjerknes Effect
02 - Chart of Locked Potentials
03 - Ether
04 - Origin of Matter
05 - Indig Numbers
06 - One Phase of Keely's Discoveries...
07 - Pond's Original Notes on the Scale of Infinite Ninths
08 - Laws of Being
09 - Table of the Elements
10 - Keely's Forty Laws
11 - Russell's Laws and Principles
12 - What Electricity Is.
13 - Puharich, Water Dissociation via AC
14 - As a Man Thinketh
15 - Genero-Radiative Concept
16 - The Action of Force is Spiro-Vortex
17 - Russell's Optic Dynamo-Generator
18 - Etheric Vibratory Scale
96 - Index of ebooks
97 - Disclaimer
98 - Footnotes
99 - Compendium and Definitions


"A truth's initial commotion is directly proportional to how deeply the lie was believed. It wasn't the world being round that agitated people, but that the world wasn't flat. When a well-packaged web of lies has been sold gradually to the masses over generations, the truth will seem utterly preposterous and its speaker a raving lunatic."
~~~Dresden James

[updated 06/02/09]

Delta Spectrum Research
921 Santa Fe Avenue
La Junta, Colorado 81050
720-249-2731
©Dale Pond, 2007, 2008, 2009

Copyright Notice

All text, photos, graphics, artwork and other material part of the SVP Cosmology documents are copyrighted and may not be published, broadcast, rewritten or redistributed without permission.

SVP text, photo, graphic, audio and/or video material shall not be published, broadcast, rewritten for broadcast or publication or redistributed directly or indirectly in any medium. Neither these SVP materials nor any portion thereof may be stored in a computer except for personal and non-commercial use. SVP, Dale Pond, PSI or DSR will not be held liable for any delays, inaccuracies, errors or omissions therefrom or in the transmission or delivery of all or any part thereof or for any damages arising from any of the foregoing.

If you have any questions regarding copyright or use of these materials, contact Dale Pond at the Pond Science Institute by email at dalesvp@centurytel.net, by telephone at 720-249-2731 or by mail at 921 Santa Fe Avenue, La Junta, Colorado 81050 and we will address your concerns
.

Part 12 - Russell's Locked Potentials

12.00 - Reciprocating Proportionality
12.01 - Scale of Locked Potentials
         Figure 12.01 - 4++ Power Centered Scale
         Figure 12.02 - 0 Inertia Centered Scale
         Figure 12.03 - Scale Showing Relations of Light, Color and Tones (color added)
12.02 - Universal Energy Unit, Constant or Impulse
         Figure 12.04 - Locked Potential Points, Relations and Descriptions
12.03 - The scale divisions correspond to Keely's three-way division of currents
12.04 - Locked Potentials and the Square Law
         Table 12.01 - Indig Numbers - The Divine Trinity
Locked Potentials - Phases of a Wave, Color and Elements

         Figure 12.05 - Russell's Cosmic Clock (color added)
12.05 - Three Main Parts of a Wave
12.06 - Mid-Tones and Neutral Centers
12.07 - Keely's Thirds, Sixths and Ninths
         Figure 12.06 - Mind Centers and Controls Motion (colors added)
12.08 - The PLUS side
         Figure 12.07 - Plane of Inertia showing Focalizing Action (colored notation added)
12.09 - The MINUS side
12.10 - Keely's Musical Constructs of Increasing and Decreasing Vibratory States
         Figure 12.08 - Plane of Inertia (center lens) shown as an Optical or Focalizing Function
12.11 - Eighteen Attributes or Dimensions
12.12 - Length (Distance, Radius)
12.13 - Breadth (Area, Square)
12.14 - Breadth (Area, Circle)
12.15 - Thickness (Volume, Cubic)
12.16 - Thickness - (Volume, Sphere)
         Figure 12.09 - Dimensions and Their Relationships
         Table 12.02 - Length, Area & Volume Math
         Table 12.02.01 - Wavelengths and Frequencies - Octave Relations of Russell's Indig Number System
12.17 - Note about Octave Relationships in Russell's System
         Figure 12.10 - Russell's Locked Potential Wave as Function of Multiple Octaves
12.18 - Multiple Octave Progression
         Figure 12.11 - Russell's Locked Potential Full Ten Octave Gamut
12.19 - Fibonacci Relationships
12.20 - PHI
12.21 - Fibonacci Whole Numbers v. Irrational Decimal near Equivalents
12.22 - The Continuing PI Rant
         Figure 12.12 - Russell's Multiple Octave Waves as Fibonacci Spirals
         Figure 12.13 - Some Multi-Dimensional as Inverse and Direct Reciprocal Relationships
12.23 - Time (orbit period)
12.24 - Time (spin period)
12.25 - sex (Polarity, Polarization, Duality, dipole, bias)
12.26 - pressures
12.27 - potentials
12.28 - temperature (heat and cold)
12.29 - Origin and Nature of Heat
         Figure 12.14 - Space Walk photos showing no stars in the background
12.30 - Thermal Radiation and Thermal Vacuum or Cold
12.31 - Heat Generated Through Resistance to Compression
12.32 - ionization
12.33 - crystallization
12.34 - valence
12.35 - End of The Electron Theory
         Figure 12.15 - Angles of Incidence of Sympathetic Streams
12.36 - Angles of Incident of Etheric Sympathetic Streams
12.37 - axial rotation (planet or particle spin)
12.38 - orbital revolution (planet or particle revolution of orbit)
12.39 - mass (weight)
12.40 - color
12.41 - plane (degree above or below plane of ecliptic of primary)
12.42 - tone (sound, musical tones)
12.43 - ecliptic (above or below plane of ecliptic of primary)