SVP Universal Cosmology

A Rosetta Stone for the New Science Paradigm

Version 2.3

Section Parts and Addenda
Part 00 - Executive Summary
Part 01 - Overall General View
Part 02 - Origin of Polar States
Part 03 - Polarity Creates Rotating Vortex
Part 04 - Rotation on Three Planes
Part 05 - Three Rotating Planes Become Spheres
Part 06 - Formation of Cubes
Part 07A - Origin and Formation of Matter
Part 07B - Origin and Formation of Matter
Part 08 - What Vibration Is. - Part 1
Part 09 - What Vibration Is. - Part 2
Part 10 - What Sympathy Is
Part 11 - SVP Music Model
Part 12 - Russell's Locked Potentials
Part 13 - Rotation from Vibration/Oscillation
Part 14 - Keely's Mysterious Thirds, Sixths and Ninths
Part 15 - Dissociating Water Acoustically
Part 16 - Electricity and Magnetism
Part 17 - Gravity
Part 18 - Mind as an Engineerable Force
Part 19 - Musical Dynasphere - Historical

Part 20 - Musical Dynasphere - Current Research
- - - - - - - - - - - -Addenda - - - - - - - - - - - -
01 - Bjerknes Effect
02 - Chart of Locked Potentials
03 - Ether
04 - Origin of Matter
05 - Indig Numbers
06 - One Phase of Keely's Discoveries...
07 - Pond's Original Notes on the Scale of Infinite Ninths
08 - Laws of Being
09 - Table of the Elements
10 - Keely's Forty Laws
11 - Russell's Laws and Principles
12 - What Electricity Is.
13 - Puharich, Water Dissociation via AC
14 - As a Man Thinketh
15 - Genero-Radiative Concept
16 - The Action of Force is Spiro-Vortex
17 - Russell's Optic Dynamo-Generator
18 - Etheric Vibratory Scale
96 - Index of ebooks
97 - Disclaimer
98 - Footnotes
99 - Compendium and Definitions


"A truth's initial commotion is directly proportional to how deeply the lie was believed. It wasn't the world being round that agitated people, but that the world wasn't flat. When a well-packaged web of lies has been sold gradually to the masses over generations, the truth will seem utterly preposterous and its speaker a raving lunatic."
~~~Dresden James

[updated 06/02/09]

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©Dale Pond, 2007, 2008, 2009

Copyright Notice

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Part 13 - Rotation from Vibration/Oscillation

     Figure 13.00 - Keely's Provisional Engine showing oil splatter from rotation
13.00 - Universal Rotation
     Figure 13.01a - Countless Spinning Stars about their common Neutral Center.
     Figure 13.01b - Two Galaxies spinning near each other.
13.00.01 - Vibratory Rotation
     Figure 13.02a - Left: Etheric Vapor (2HO) Generator.
     Figure 13.02b - Center: Liberator or Ether Vivifier.
     Figure 13.02c - Right: Dynasphere Neutral Center
     Figure 13.03a - Showing "receptive concussion of Positive and Negative forces" at the Neutral Center
     Figure 13.03b - Expansion Away from Neutral Center "seeking level of coincidence".
     Figure 13.04 - Keely's Key to Vibratory Rotation.
13.01 - Math Structure, a Place to Start
     Table 13.01 - Suppositional Math and Symbolic Structure
13.02 -  Anatomy of Rotation
     Figure 13.05a - Complex Vortex Rotational Dynamics
     Figure 13.05b - Russell's Solar Rotation
13.03 - Voiding (seeming Neutralizing) Polarization
     Figure 13.06 - Atomic Subdivision
13.04 -  Atomic Subdivision
13.05 -  The Seven Levels, Subdivisions, Planes or Realms of Mind, Matter & Energy
     Table 13.02 - Vibratory and Oscillatory Triple Force Functions
     Figure 13.07 - Mind, Matter & Energy Chart
13.06 - Triple Currents of Electricity
     Figure 13.08 - Triple Streams of Electricity
13.07 - Keely’s Original Dynaspheric Neutral Center Concept
13.08 - Atlin’s Neutral Center Structure and Dynamics
     Figure 13.09 - Primary Emanations from within Dynaspheres
     Figure 13.10 - Convergence of Syntropic Forces within Dynaspheric Neutral Center as also Entropic Divergence from Accummulated Syntropic Force.
     Figure 13.11 - Russell's Ring of Motion Superimposed on Dynasphere Profile
13.09 - Sphere Rotated by Vibrations
13.10 - Rotation Quotes from "Keely and His Discoveries"
13.11 - Triple Currents and Streams
     Figure 13.12 - Triune Polar Stream Characteristics
     Figure 13.13 - Gravity (Syntropic) and Radiative (Entropic) Waves. The Third or Neutral is the Center of Voidance.
13.12 - Compound Equilibrium
13.13 - Principle of Regeneration
13.14 - Principle of Reciprocity
13.15 - Principle of Proportion
13.16 - Naturally Occuring Affinity
13.17 - Naturally Occuring Repulsion
13.18 - Naturaly Occuring Reciprocity and Proportionality
     Figure 13.14 - Equilibrium as Reciprocal Forces
     Figure 13.15 - Equilibrium as Musical Tonal Equivalents
     Figure 13.16 - Compound Equilibrium States
13.19 - Principle of Regeneration
     Figure 13.17 - Focalizing and Reradiating mode of Sympathetic Transmission
     Figure 13.18 - Russell's Gravity Motor where he takes Gravity as a Syntropic Force entering the Mechanism from the Left and Right of the image and accumulating at the Center. Power is taken off from eight pairs of Brushs placed along a large Copper Disk. This design is to mimick that of the planet Saturn.
13.20 - Principle of Reciprocity
13.21 - Principle of Proportion
13.22 - Contraction / Expansion
13.23 - Degree of Concord/Discord Determines
13.24 - Law of Cycles
13.25 - Etheric Negative Attractor
     Figure 13.19a - Hurricane. White indicates Aggregating Force, Dark indicates Dispersive Energy.
     Figure 13.19b - Galaxy.
13.26 - Hurricane Cloud Formations
     Figure 13.20a - Hurricane Polarities. - Polarization and Differentiation at root of Rotation.
     Figure 13.20b - Hurricane Temperature Differentials.
13.27 - Differentiation
13.28 - Differentiating Thirds
     Figure 13.21 - Differential Pressure Zones in Antagonism cause Rotation
13.29 - Polarization
13.30 -  Phoenix Bird, Resurrection, Re-Creation, Regeneration
     Figure 13.22 - Phoenix Bird. artist, Ken Howard, Australia, 1962
13.31 - Polarization Points
     Figure 13.23 - Three Actuators on Shaft and Black and White Coatings
13.32 - Ionization
     Table 13.03 - Photoelectric Effect (Ionization) of Elements
13.33 - Residual Ionization and Rotation
13.34 - Motion
13.35 - Clashing of Light & Dark
13.36 - Keely and His Discoveries
13.37 - Operation of the Vibratory Circuit
13.38 - Theory of the Induction of Sympathetic Chords to Excite Rotation by Vibraphonic Trajection to and from Centers of Neutrality on Revolving Globe
13.39 - Philosophy of Transmission and Rotation of Musical Sphere
13.40 - A Modern Wizard



Etheric Vibratory Rotation
This photo is perhaps one of the most important of all of Keely's machines. In it we can see oil splatter streaks on the wall indicating the machine rotated and at relatively high velocity.

Figure 13.00 - Keely's Provisional Engine showing oil splatter from rotation
13.00 - Universal Rotation - Everything in the universe rotates about its axis and revolves around a center. We can see this in a planet spinning upon its axis and orbiting around its controlling star or sun. The keyboard on your desk does not appear to be rotating but in fact it does rotate along with everything else in your office - relativistically speaking. This means when viewed relative to the objects in your office it does not appear to be rotating. But when viewed relative to the Sun we can see you, the keyboard and your office are rotating about the earth's axis at aboiut 24,000 mph while at the same time the earth is orbiting the Sun at roughly 65,000 mph while our entire solar system is orbiting about the Great Central Sun at around 250,000 mph. Because of the relative motions these spins and orbits are not circles but complex spirals. While a straight and fixed line can be drawn relativistically between two or more co-traveling objects a straight but not fixed line can be drawn between two or more isolated* objects.

Everything from atoms to galaxies rotate and orbital revolution. Therefore rotation and orbital revolution are natural and universal principles and perhaps even "properties" of all material objects. I makes one wonder just what is it that reaches hundreds of millions of light years across billions and billions of stars and perpetuates their relative positions, motions and velocities.

*Independent means objects having their own orbital control center and/or axis of rotation.


Spinning Galaxy Twp Spinning Galaxies

Figure 13.01a - Left: Countless Spinning Stars about their common Neutral Center. Figure 13.01b - Right: Two Galaxies spinning near each other.
Does this image show gravity has functional limits that confines its extension to galaxy-sized areas?


13.00.1 - Vibratory Rotation - "In the conception of any machine heretofore constructed, the medium for inducing a neutral centre has never been found.  If it had, the difficulties of perpetual motion seekers would have ended, and this problem would have become an established and operating fact.  It would only require an introductory impulse of a few pounds, on such a device, to cause it to run for centuries.  In the conception of my vibratory engine, I did not seek to attain perpetual motion; but a circuit is formed that actually has a neutral centre, which is in a condition to be vivified by my vibratory ether, and while under operation, by said substance, is really a machine that is virtually independent of the mass (or globe), and it is the wonderful velocity of the vibratory circuit which makes it so.   Still, with all its perfection, it requires to be fed with the vibratory ether to make it an independent motor.  .  .  ." [Keely, Keely and His Discoveries, "More Science"]

Ether Generator Liberator close-up view Dynasphere Neutral Center

Figure 13.02a - Left: Etheric Vapor (2HO) Generator. Figure 13.02b - Center: Liberator or Ether Vivifier. Figure 13.02c - Right: Dynasphere Neutral Center (see also center of Figure 13.04).
Three devices of the Etheric Vibratory Circuit as associated with Dynaspheres.

"Rotation arises from the harmonic interaction of the dominant and enharmonic modes of vibration, which are in the ratio of 3:9.

"Power of rotation comes on the positive power of negation, arising when the receptive flows become independent of the circular chord of resonation (set up mechanically or otherwise) breaks up the rotational power. Rotation is caused by the receptive concussion of the positive and negative forces as they come together at the neutral center and as each seeks its "coincident" by harmonic waves, flows or streams."


Compression into Neutral Center Expansion Away from Neutral Center

Figure 13.03a - Showing "receptive concussion of Positive and Negative forces" at the Neutral Center and Figure 13.03b - Expansion Away from Neutral Center "seeking level of coincidence".
(courtesy University of Science and Philosophy)

Every body capable of rotation is susceptible to the operation of force, which, applied, impels motion. Receptive transmittive concordance induces rotation. This simply means - the reception of streams of energy by the neutral center, and the transforming of them into radiant outflowing streams of energy causes rotation of the molecule or mass. All the magnets in the world, no matter how differentiated cannot induce rotation, but polar negative attraction induces rotation. The earth's rotation is caused and kept in continuance rotation by the action of the positive and negative sympathetic celestial streams, that is, by the inflowing celestial from the sun and the outflowing radiant celestial dispersing this same energy to all planetary masses in space.
[underlining added]

"Mass is an accumulation of the universal constant of energy into higher potential. The greater the mass the greater the potential. Mass accumulates inductively along the centripetal lines of closing spirals, and is rotated by the impact of genero-active force. Mass dissipates conductively along centrifugal lines of opening spirals, and is rotated by the expulsion of radio-active force. These opposite forces are the cause of rotation of mass." [Russell, The Universal One]

"Polar and depolar differentiation result in motion. The compound interetheric or seventh subdivision is the Soul of Matter, from which all forms of matter receive their introductory impulse."

The neutral center represents only focalization and distribution of the streams of energy. It is not associated with magnetism. When the radiant elements generated by the focalizing chord are submitted to compound vibration of their mass thirds, those radiant elements become magnetic and rotation ceases. Rotation is induced by submitting the mass to three different orders of vibration simultaneously, giving the majority to the harmonic third.
[bold underline added]

When we rotate a mass with sufficient rapidity, the particles of that mass ultimately overcome cohesion by dispersing as fragments at a tangent but should we cause rotation of the ether, this would produce condensation, which is opposite in effect. This condensation effect increases with the velocity of rotation of the ether. This is the direct cause of formation of molecules as well as planetary masses.

To control rotational force or produce commercialized energy, we must control through its properties the "negative attractive" or "enharmonic" current. This will solve the problem up to any limit of power.

At the same time Keely was completing his third system, he was also completing an experimental sphere in which he intended to test the combination of the positive and negative rotation. This experiment was at least entirely successful which showed the explanation of rotation given above, to be correct. The sphere even rotated with physical vibrations from the positive and negative interchange of positive and negative waves - not streams in this case. He had a desperate struggle in seeking to learn these laws of polarization and depolarization. It was necessary for him to understand these laws before he could unfailingly secure rotation and control the reversions which so often had made wrecks of his machines."
[The Snell Manuscript]

Keely's Key to Vibratory Rotation

Figure 13.04 - Keely's Key to Vibratory Rotation. (Russell' Indig Numbers added by editor.] click to enlarge

In the above graphic are shown some clues or hints as concerns tunings within the Musical Dynasphere. More detail can be found in Parts 19 and 20 wherein the Dynaspheres are discussed in more detail. The drawing also shows the reception and consequent dispersion to and from the Neutral Center.

13.01 - Math Structure, a Place to Start -
             +        ±        -
A = ATH = IA[Hc] + IA[Dc] + IA[Ec] (Harmonic Current)
    ATE = IA[Ec] + IA[Dc] + IA[Hc] (Enharmonic Current)
    ATD = IA[Dc] + IA[Dc] + IA[Dc] (?)(Dominant Current)

A = ATH = IA[3+] + IA[4±] + IA[3-] (Harmonic Current)
    ATE = IA[3-] + IA[4±] + IA[3+] (Enharmonic Current)
    ATD = IA[4±] + IA[4±] + IA[4±] (?)(Dominant Current)

Where...,
Currents
Hc = Harmonic current   = 3+
Ec = Enharmonic current = 3-
Dc = Dominant current   = 4±
Streams
Hs = Harmonic stream   = 3+
Es = Enharmonic stream = 3-
Ds = Dominant stream   = 4±
Subdivisons of Matter
  M = Molecular subdivision
 IM = Intermolecular subdivision
 AT = Atomic subdivision
 IA = Interatomic subdivision
  E = Etheric subdivision
 IE = Interetheric subdivision
CIE = Compound Interetheric subdivision
 
Table 13.01 - Suppositional Math and Symbolic Structure

13.02 - Anatomy of Rotation
1) Dissipation (exhaustion) is when contractive forces convert/transmute to expansive forces and dissipate.
2) Therefore rotation must be an antagonism between two or more contracting forces before Voiding and dissipation. It is a no brainer Syntropic Forces are two or more streams coming together and not one assimilating stream or current.
3) Therefore Keely's assertion rotation is caused by antagonism between the harmonic current of the harmonic stream and harmonic current of the enharmonic stream bears out.


Vortexial Rotation Dynamics
Solar Rotation Dynamics

Figure 13.05a - Complex Vortex Rotational Dynamics and Figure 13.05b - Russell's Solar Rotation
(courtesy University of Science and Philosophy)

13.03 - Voiding (seeming Neutralizing) Polarization
1) High tension electrical wires hold a state of high polarization (dipolar bias).
2) Discharge is when the two poles void against each other through spark or resistance ('sex' ala Russell). Thus discharging (voiding) the polarity/bias built up. This occurs 60 times a second in AC electrical curcuits. Bearden writes of this phenomenon.
3) Rotation comes through the voiding? See Figure 13.09 and 4+ & 4- in Figure 13.03. 
4) Rotation develops from the sequential/intermittant occurence of syntropic and entropic states within the Neutral Center by virtue of the different densities. See Figure 13.03 wherein within the Neutral Center both syntropy and entropy occur. The Neutral Center must swirl much as two ball room dancers swirl where one 'leads' (syntropic) and the other 'follows' (entropic).
5) Juxtaposing contraction (high density) with expansion (low density) causes rotation.

"It will, therefore, be seen that motion, which is the expression of force, cannot take the route of the shortest distance between two points because of the deflection of resistance. It must always take a curved route, its curvature always determined by the density of the intervening potential. The greater the density of matter the greater it resists penetration by any material body, therefore the greater the curvature of deflection. It should also be plainly seen that the tangential pull of generative force acts as a brake to decelerate rotation, while the thrust of radiation acts as a force to accelerate it." [Russell, Genero-Radiative Concept]

6) Juxtaposing contraction with contraction causes rotation? No, try juxtaposing contraction with expansion.
7) If rotation comes on the voiding then the polarity/bias/dipole is used up or neutralized. A new polarity/bias/dipole must be re-established. This "charge - discharge" apparently is Bearden's "regauging".
8) Does the dynasphere somehow re-establish the polarity/bias/dipole during its rotation of white/black? No, but it could be the intermittenacy as in a beat frequency which may be what Keely referred to as "undulatory" as opposed to "stream".
9) Does this mean there is a large center of neutral etheric force which can be instantly and intermittently polarized then depolarized as through projections through the white and black? This may imply a stepping down of etheric potential to molecular motion.
10) If it is on the attempt or desire then polarity is not used up. Because desire is an effect of polarization (duality wherein "there is" but "one has not" but "wants"; i.e., sense or belief in lack; duality of mental conditions.
11) The sun impacts cool water under cool air creating a rising motion and evaporation (dissociation) which then manifests as swirlings of vapor. Is the polarity (hot sun and cool water) used up? A hurricane develops by way of these two polar states and continues its rotary motions until one or the other is unavailable for sustenance of motion (polar conflict).


Atomic Subdivision of Matter

Figure 13.06 - Atomic Subdivision

13.04 - Atomic Subdivision, see image Figure 13.06

Is composed of:

1) Itself, #4.
2) The three interatomic subdivisions (1, 2 & 3) within or making it up. Which in turn are composed of:
3) Three currents each; Harmonic, Enharmonic and Dominant.

= 1 + 3 + 9 = 13 mathematical components.

Definition:
Harmonic = 1 because multiple things in harmony (pure coincidence) are AS ONE; i.e., sympathy, empathy, sympathetic affinity, sympathetic attraction, syntropy. 

13.05 - The Seven Levels, Subdivisions, Planes or Realms of Mind, Matter & Energy

Molecular
Intermolecular
Atomic
Interatomic
Etheric
Interetheric
Compound Interetheric

See also States of Matter and Energy see also chart of "Relative States of Matter and Energy" below.

Conventional science and engineering assumes erroneously that all vibrations and oscillations from 1 to beyond light are all the same. Of course this is not correct as sound does not create the same effects as say ultra-violet ray vibrations. Keely was able to leave us a classification hidden in his Forty Laws. This classification shows three main subdivisions of oscillation from 1)  1 to 20 octaves where sound predominates in its three forms and 2) from the 21 to 41 octave sound and thermal effects occur wherein for instance would be found ultrasound, radio and microwave phenomena and 3) from the 42 to the 62 octaves which include frequency ranges of low infra-red to visible light and chemical ray vibrations to low Cosmic rays. Of course, there remain the octaves above 63.

OCTAVE Creative Force Transmissive Force Static Force Action Type Keely's Governing Law
1 - 20 Sonity Sound Sonism Atomic Oscillation Law of Oscillating Atomic Substances
21 - 41 Sono-thermity Sono-therm adhesion/disintegration Internal Vibrations Law of Sono-thermity
42 - 62 Thermism Rad-energy Cohesion/Chemism Atoms Oscillate Law of Oscillating Atoms

Table 13.02 - Vibratory and Oscillatory Triple Force Functions as Delineated by Keely

Mind, Matter and Energy Chart

Figure 13.07 - Mind, Matter & Energy Chart
(click here for an expanded version of this chart)

13.06 - Triple Currents of Electricity -"There are three kinds of electricity, the harmonic and enharmonic, which, with their leader, the dominant, form the first triple. Their sympathetic associations evolve the energy of matter. 


"Electricity is the attractive force of this universe of integrating matter." Russell, The Universal One

The dominant is electricity luminous or propulsive positive. The harmonic, or the magnetic, which is the attractive, with its wonderful sympathetic outreach, is the negative current of the triune stream. The enharmonic, or high neutral, acts as the assimilative towards the reinstatement of sympathetic disturbance. In electric lighting, the velocity of the dynamos accumulates only the harmonic current - by atomic and interatomic conflict - transferring one-two hundred thousandth (1/200,000) of the light that the dominant current would give, if it were possible to construct a device whereby it could be concentrated and dispersed. But this supreme portion can never be handled by any finite mode. Each of these currents has its triple flow, representing the true lines of the sympathetic forces that are constantly assimilating with the polar terrestrial envelope. The rotation of the earth is one of the exciters that disturbs the equilibrium of these sensitive streams. The alternate light zone being ever followed by the dark zone, holds the sympathetic polar wave constant in its fluctuations. This fact may be looked upon as the foundation of the fable that the world rests upon a tortoise. The rotation of the earth is controlled and continued by the action of the positive and negative sympathetic celestial streams. Its pure and steady motion, so free from intermitting impulses, is governed to the most minute mathematical nicety by the mobility of the aqueous portion of its structure, i.e., its oceans and oceans' anastomosis. There is said to be a grain of truth in the wildest fable, and herein we have the elephant that the tortoise stands on. The fixed gravital centers of neutrality, the sympathetic concordants to the celestial outreach, that exist in the inter-atomic position, are the connective sympathetic links whereby the terrestrial is held in independent suspension. We cannot say that this corresponds to what the elephant stands upon but we can say "This is the power whereby the elephant is sympathetically suspended." [Snell Manuscript] See Part 14 for expanded conversation on Keely's Triplets of Energy.  We must take special note here of the nine aspects of electricity mentioned above. This would indicate a number of things one being Keely did not recognize electricity as a flow of electrons as orthodoxy does. The figure below shows 
1 - Harmonic Electricity, magnetic, attractive is the negative current. This is the electricity currently used.
2 - Enharmonic Electricity or High Neutral, acts as assimilative to balance.
3 - Dominant Electricity is the luminous or positive propulsive. This is where the light from an electric spark comes from.
4 - Graphic depiction of 'apparent' or seeming compound electric current.

Triune Electric Stream
Figure 13.08 - Triple Streams of Electricity

13.07 - Keely’s Original Dynaspheric Neutral Center Concept - "In the conception of any machine heretofore constructed, the medium for inducing a neutral centre has never be found. If it had, the difficulties of perpetual motion seekers would have ended, and this problem would have become an established and operating fact. It would only require an introductory impulse of a few pounds, on such a device, to cause it to run for centuries. In the conception of my vibratory engine, I did not seek to attain perpetual motion; but a circuit is formed that actually has a neutral centre, which is in a condition to be vivified by my vibratory ether, and while under operation, by said substance, is really a machine that is virtually independent of the mass (or globe), and it is the wonderful velocity of the vibratory circuit which makes it so. Still, with all its perfection, it requires to be fed with the vibratory ether to make it an independent motor. . . ." [Keely, Keely and His Discoveries, Chapter 8, Part 2, "More Science"] See 13.37 and 13.38 for more on the Operation of the Vibratory Circuit.

13.08 - Atlin’s Neutral Center Structure and Dynamics - (GAIA) “Dear seekers, these three forces (electricity, gravity and Mind) are quite connected, as are many things, inextricably. Let us frame the answer around the workings of your Musical Sphere. The forces described above are interwoven so that the staging of conditions to focalize etheric density, combined with karmic forces, Love and Gaiac Forces, conspire (breathe together) to form a Neutral Center or point of Etheric Implosion that evacuates molecular components, creating a situation of extreme potential power. The potential power is realized by natural evolution as dictated by the lines of travel and intersection of the forces called upon by the inherent construct.

Primary and Secondary Emanantions of Neutral Center

Figure 13.09 - Primary Emanations from within Dynaspheres

"Let us talk about the nature of that construct. We have lines of transit of the forces going in and out that create acceleration of etheric dynamics. Included in the list are: nodal frequency acceleration of the time/space dimensional fabric of the Universe shifting toward the key range that supports Harmony. The Harmony referred to includes advancement toward enlightened coexistence with all Forces and Beings also supporting Harmony. Each contribution attracts and cohesively combines with kindred manifestations of Light in variant forms. This is the basis of "karma", gravity and evolution toward the One. Each of these represents a "rib" or line of force curved to circumscribe a torroid. Thus, each complies with and creates the natural and most efficient means of moving its evolution toward the One. The One is not a state of rest or quietude, but quite the opposite: a state of dynamic movement and orchestration. When a force field or its matrix is established in a form that naturally creates harmonics that also conform to the same configuration, even if offset in time or space, then this dynamic is created. If enough force is focalized, the fields or matrices created will be quite strong and create a stabilizing influence in surrounding conditions. This is true of thought patterns, consciousness evolution, etheric communication, etheric work, and gravity.” [Message through Dawn Stranges

Notice in the above reference to "Etheric Implosion". In thinking this through one can see there is a tremendous difference between molecular, atomic and etheric implosions. Etheric would be the Dominant and at 200,000 times the potency of molecular implosion would indeed be an awesome power. The last three sentences describe some of what is happening in the Musical Dynaspheres wherein Love is expressed so curiously that so many feel, sense and wonder about.

Convergence/Divergence to/from Neutral Center

Figure 13.10 - Convergence of Syntropic Forces within Dynaspheric Neutral Center as also Entropic Divergence from Accummulated Syntropic Force.

Mental Attributes of Neutral Center

Figure 13.11 - Russell's Ring of Motion Superimposed on Dynasphere Profile.

These are the human subjective forces/conditions alluded to in the last three sentences of 13.08. These are, in essence, egoic forces derived from the One Undifferentiated Mind state and are therefore polar, operating in duality, maya, etc. These then are the illusion of the seeming universe Russell so often refers to. It will be the letting go of these illusions that one wakes up (from the illuions to the actuality).

13.09 - Sphere Rotated by Vibrations 
notes and notations [in brackets] added 8/3/06, 8/9/06 or later. These bracketed notations indicate points of design and construction similarity to the current Musical Dynaspheres. See Part 19 and 20 for greater detail concerning the Musical Dynaspheres.

"The great difficulty in constructing a sphere that will revolve when vibrations are applied, is in equating its interior volume, which is altered on insertion of the shaft and accessories, with the chord of mass of the shell itself. The differentiation induced in the interior volume must be equated so as to harmonize with the sphere mass chord. Concordance is established between both through certain conditions of differentiation and in accordance with the laws of harmony."

"If the mass chord of the sphere is B flat, and the internal parts when introduced displace the internal volume 1/20th, this 1/20th represents an antagonistic 1/20th against the concordance of the sphere mass and the internal parts must be so graduated as to get at the same chord an octave or more nearest approaching the concordance of the internal volume. No intermediates [music intervals] between octaves would ever reach sympathetic union."

"For example, we have a spun [or hydro-formed] shell of 12 inches internal diameter and 1/32 inches thick [wall], having an internal volume of 904.77 cubic inches. The resonation of the internal volume is found to be B flat and the mass chord B natural. This, or any other antagonistic chord between the sphere mass chord and the volume resonance, will not interfere, as it will come under subservience."

"A steel [or bronze] shaft 1/2 [or 5/8] inch in diameter is now passed through the center of the shell, displacing a portion of the volume. The volume resonance is now found to be altered so as to be antagonistic to the mass chord. To correct this condition the shaft must be turned or filed until the volume resonance reaches the next lower B flat chord. In so doing we neutralize the first line of interference and the parts are left in the same pure sympathy as at first."

"We now introduce a ring [Inner Ring/Drum of Resonation] of 2/3 the diameter [8 inches ID] of the sphere, fastened by arms [disks/plates] to the axis and attach seven adjustable tube resonators, each measuring 3 inches by 3/4 inches. Each tube is then set on the chord of B flat by adjusting its diaphragm. [Seven B flat resonators] This arrangement compensates for the total displacement of the ring [Inner Ring/Drum of Resonation], tubes and arms, it not being necessary to alter the volume on account of this second operation. This completes the second equation of resonation and displacement."

"One end hemisphere is now painted [appropriately treated/textured] black and the other white, and a rubber atomizer bulb placed over the end of the shaft next to the dark hemisphere, to prevent equation of vibrational energy [depolarize] by molecular bombardment when the antagonistic vibrations are transmitted."

"All hollow spheres of certain diameters are resonant to the enharmonic [minor third?] and diatonic [major?] thirds of any and all concordant sounds [= a fifth?]. Nature, working with her perfect form, the sphere, gives this effect, but not so with tubes. The shortest way to pure resonance between any number of resonating mediums is through use of the sphere."

"Only two vibratory conditions can be so associated as to excite sympathetic affinity* [attraction] between two physical organisms - the etheric chord of B flat, third octave - and on etheric sympathetic transmission the chord of E flat, with 3rd dominant, 6th enharmonic and 9th diatonic, with octave enharmonic."

"The chord of resonance of the sphere was the sympathetic etheric chord of E flat, 3rd octave, and is highly sensitive to concordance, against the neutral sevenths of the mass chord, whether that concordance be physical or mechanical or the two combined. When the chord of resonance is harmonized with the mass chord, the highest degree of susceptiveness is manifested to negative antagonism. Antagonistic chords actually move and accelerate the sphere, demonstrating the perfection of Nature's laws governing the sympathetic flow."

The dark hemisphere, which represents 50% of the full internal area of pure concordant harmony, receives the negative Thirds, Sixths and Ninths, the bombardment of which disturbs the equilibrium of the sphere and induces rotation. The speed of rotation is directly in proportion to, and controlled by, the relative volume of the negative antagonistic chords. Even with no wire transmission of vibrations, an ordinary mouth organ, which is constructed tuned to thirds, will cause the sphere to slowly rotate.

The sympathetic flow is directed to the center by the seven [B flat] resonators and is redistributed during rotation to keep intact the sympathetic volume and thus prevents equation of forces [depolarization], which would stop rotation. The discordant thirds are also concentrated by the dark hemisphere on the neutral center, and the interference at the neutral center of the concordants focalized by the white hemisphere and the tubes, and the discordants of the dark hemisphere, cause the inherent property of disturbance of equilibrium in the neutral center to assert itself, causing rotation. This is simply the effort put forth by the neutral center, controlled by the dominant principle, causing redistribution of the chord of resonance and avoidance of the interference nodes.

When receiving concordant sounds the sphere is entirely quiescent, but when discordance is set up within its volume it rejects this repulsive state or condition by rotation.

Under date of 5/20/1885 he writes of an experiment in which he attached a safety arrangement to his Liberator, and also his strongest resonator, and "within two minutes the shell (probably the musical sphere) attained a rotation of 1500 times per minute. I then retracted to the negative and brought it down to 150 revolutions per minute, when two of my safety shells and a vibratory indicator blew up, causing intermission."

Keely never claimed or considered this invention as a source of power. It was constructed simply to prove his theory regarding receptiveness of the neutral center, and through it he came into a fuller understanding of the cause of the earth's rotation, which he concluded arise from the conflict between the positive and negative sympathetic streams, or solar tensions against terrestrial condensations. " [Keely, Snell Manuscript]

13.10 - Rotation Quotes from "Keely and His Discoveries". See sections 1.5 - 1.21 for greater detail on Keely's Triplet Morphology.

Question asked in Clerk Maxwell's memoirs: "Under what form, right, or light, can an atom be imagined?" Keely replies, "It eludes the grasp of the imagination, for it is the introductory step to a conception of the eternity of the duration of matter. The magnitude of the molecule, as compared to the inter-atom, is about on the same ratio as a billiard ball to a grain of sand; the billiard ball being the domain wherein the triple inter-molecules rotate, the inter-molecules again being the field wherein the atomic triplets sympathetically act, and again progressively, in the inter-atomic field, the first order of the etheric triplets begins to show its sympathetic inreach for the centres of neutral focalization. It is impossible for the imagination to grasp such a position. Inter-atomic subdivision comes under the order of the fifth dimensional space in etheric condensation. Atoms and corpuscules can be represented by degrees of progressive tenuity, as according to progressive subdivision, but to imagine the ultimate position of the atomic alone would be like trying to take a measurement of immeasurable space. We often speak of the borders of infinite. No matter what the outreach may be, nor how minute the corpuscular subdivision, we still remain on the borders, looking over the far beyond, as one on the shore of a boundless ocean who seeks to cross it with his gaze. Therefore, philosophically speaking, as the atom belongs to the infinite and the imagination to the finite, it can never be comprehended in any form or light, nor by any right; for in the range of the imagination it is as a bridge of mist which can never be crossed by any condition that is associated with a visible molecular mass, that is, by mind as associated with crude matter." [Keely and His Discoveries]

13.11 - Triple Currents and Streams

Harmonic Current: magnetic, attractive, negative current. The Male, Father, Syntropic, Gravity, Contractive or Concentrative portion of the triune streams: Harmonic, Enharmonic and Dominant.

Harmonic Stream: The Father, Syntropic, Gravity, Contractive or Concentrative force in Nature.

Enharmonic Stream: high neutral. The Mother, Entropic, Levity, Expansive or Dissipative force in Nature.

Dominant: electricity luminous, positive propulsive, Mind.

Triple: Harmonic, enharmonic and dominant form FIRST triple. In forming SECOND triple level there are NINE currents in the second tier. Adding the two levels together there are 3+9=12 levels altogether; 13 if counting the BASE level.
See Part 14 for expanded material about Keely's Triplet of Energy. 

NOTE: There is considerable confusion about the terms male, female, Mother and Father. It appears these were used oppositely by Keely, Russell and this writer. Because Russell came later and his writings are more extensive we will defer to his use while at the same time limiting our use as much as possible in all cases preferring to use Syntropy and Entropy in their stead as these terms are clear and unambiguous. This to reduce confusion in an already confusing subject.

Triune Polar Streams

Figure 13.12 - Triune Polar Stream Characteristics

Russell's Gravity and Radiative Waves

Figure 13.13 - Gravity (Syntropic) and Radiative (Entropic) Waves. The Third or Neutral is the Center of Voidance.
(courtesy University of Science and Philosophy)

13.12 - Compound Equilibrium - Balance can be destabilized by:

1) Adding weight* to either side.
2) Subtracting weight from either side.
3) Moving fulcrum to either side.

*depending on context weight may also be density, temperature, pressure, etc.

13.13 - Principle of Regeneration - Less dense radiates to more dense which absorbs radiation, reverses its polarity and reradiates [it]. See 13.19.

13.14 - Principle of Reciprocity - decreases and increases occur simultaneously as two sides of a seesaw.

13.15 - Principle of Proportion - increases and decreases are in inverse or direct proportion to rate of change (delta).

Radiation from Plane of Equilibrium -00+

Degree of Concord/Discord is determinative. -00+  <-->  +4+

When harmonic a larger volume -00+ condenses to smaller volume -> -11+, etc.

When enharmonic a smaller volume 4++ dissociates and expands to larger volume -> -00+, etc.

13.16 - Naturally Occuring Affinity - Low natural mutual affinity self-affinitizes with an ever accumulating rate to a mutual center (from -00+ to 4++) thus increasing density and temperature and decreasing volume and enharmonicity.

13.17 - Naturally Occuring Repulsion - This (contraction) self-focalization/affinitization will increase until discordant harmonics/overtones (secondary and tertiary) appear which self-resonate in increasing amplitude until sufficient discord appears overtaking concord. Self-destruction (radiation) of the unit is the inevitable result (from -4+ to -00+).  This of course is Keely's Law of Cycles:

"Coherent aggregates harmonically united constitute centers of vibration bearing relation to the fundamental pitch not multiples of the harmonic pitch, and the production of secondary unions between themselves generate pitches that are discords, either in their unisons, or overtones with the original pitch; from harmony is generated discord, the inevitable cause of perpetual transformation."

See also Russell's Mid-Tones.

13.18 - Naturaly Occuring Reciprocity and Proportionality - Celestial/Syntropic/Vibration/Spin decreases velocity and increases power (vibration/rotation) from -00+ to 4++.

Terrestrial/Entropic/Oscillation/Orbit increases velocity and decreases power (oscillation/revolution) from -00+ to 4++.

The two above actions occur in an inverse relation to each other. One increases the other decreases much as a seesaw in motion and as the well known Square Law and its Inverse Square Law.


Equilibrium Construct

Figure 13.14 - Equilibrium as Reciprocal Forces
Equilibrium Construct2

Figure 13.15 - Equilibrium as Musical Tonal Equivalents
Equilibrium Construct3
Equilibrium Construct4

Figure 13.16 - Compound Equilibrium States

13.19 - Principle of Regeneration

"Less dense radiates to more dense which absorbs radiation, reverses its polarity and reradiates [it].

Actienic Rays

Figure 13.17 - Focalizing and Reradiating mode of Sympathetic Transmission

Principle of Regeneration

"All male actions are centripetal [syntropic, charging] and all female reactions are centrifugal [entropic, discharging].

Variance of centripetal or centrifugal force is variation of potential.

Union and reproduction are always governed by sex periodicity in electro-magnetic charge, the order of which will be written down and charted.

Consider, for example, the reproduction of the sound of the human voice echoing in the hills. Sound, like all other forms of energy, is an accumulated potential.

Release this high potential and it immediately expands.

Expansion is radiation.

Radiation is discharge of accumulated potential.

As the sound of the voice, as accumulated potential, radiates into the silence of higher octaves of lower potential, and impacts against the closely integrated high potential of the cliff side, the degenerative discharge [entropy] is reversed and becomes generative charge [syntropy].

Expanding lowering potential is reversed to contracting higher potential.

In other words, the sex opposites in the radiating sound waves are forced into closer contact by the impact, so that the wave dimensions which originally produced the sound are restored.

The counterpart of the sound as cause has been produced as a reproduced effect of that cause.

It is not the same sound, it is another sound.

It is a reproduced counterpart, a regenerated reincarnation of the state of motion which originally produced the sound.

That which is true of regeneration by echo is also true of reproduction by radio or any other similar process. All are but the reversal of radiation into regeneration by impact against the inertial planes of higher potentials.

Generation or re-generation is an effect of gravitation. An impact of radiative energy against any lower octave of integration will set up the necessary resistance to the radiative energy to regenerate it into its original form." [Russell, The Universal One, Book 1, Chapter 10]

Russell's Gravity Motor

Figure 13.18 - Russell's Gravity Motor where he takes Gravity as a Syntropic Force entering the Mechanism from the Left and Right of the image and accumulating at the Center. Power is taken off from eight pairs of Brushs placed along a large Copper Disk. This design is to mimick that of the planet Saturn. click for larger image

13.20 - Principle of Reciprocity - as a decreases b increases simultaneously and vice versa. Syntropic and Entropic wave phases are reciprocal. 1) Mutual, correlative, correspondent, complementary. 2) Moving alternately backward and forward. 3) Mutually responsive, answering. 4) Inversely or responding, inverse. 5) A thing that is reciprocal to something else; a return, an equivalent; a counterpart; a complement; that which a given quantity is multiplied to produce Unity.

13.21 - Principle of Proportion - increases and decreases are in inverse or direct proportion to rate of change (delta). The ratio of two numbers to each other. Proportion is in three kinds: (1) multiplex. (2) Superparticularis. (3) Superpartiens. Proportio multiplex is when the larger number contains the smaller so many times without a remainder, as 2:1 (dupla), 3:1 (tripla), 4:1 (quadrupla). Proportio superparticularis is when the larger number exceeds the smaller by one only as 3:2 (sesquialtera), 4:3 (sesquitertia), 5:4 (sesquiquarta). Proportio superpartiens is when the larger number exceeds the smaller by more than one, as 5:3 (superbipartienstertias), 7:4 (supertripartiensquartas), 9:5 (superquadripartiensquintas).

Thus, it will be understood, that instead of giving simply the ratio between two numbers, early writers on arithmetic and geometry, as well as music, coined a single word to express that ratio; for example, 17:5 was said to be Triplasuperbipartiensquintas, i.e., that the larger number contained the smaller number three times (tripla) with two remainder (bipariens). Again, Triplasupertripartiensquartas proportio, signified that the larger contained the smaller three times and three over, as 15:4, 27:8, etc., the last part of the compound word always pointing out the smaller of the numbers compared, or an exact multiple of it. Lastly, the addition of sub showed that the smaller number was compared to the larger, e.g., 4:15 would be called Subtriplasupertripartiensquartas proportio. This system of proportion was used not only with reference to intervals but also to the comparative length of notes (time). [A Dictionary of Musical Terms]

13.22 - Contraction / Expansion

Contraction - Assimilation/Aggregation to/about a Central Point: 4++

Expansion - Radiation to Plane of Equilibrium or "level of tenuity": -00+

13.23 - Degree of Concord/Discord Determines

a. When syntropic or harmonic a larger volume -00+ condenses successively to smaller volume: -11+ -> -22+ -> -33+ -> 4++.

b. When entropic or enharmonic a smaller volume 4++ expands successively to larger volume: 4++ -> -33+ -> -22+ -> -11+

a. Naturally Occuring Affinity - Low natural mutual affinity self-affinitizes to a mutual center (successively from -00+ to 4++).

b. Naturally Occuring Dissociation - This (contraction) self-focalization/affinitization (see a above) will increase until discordant harmonics (secondary and tertiary overtones) appear which self-resonate in increasing amplitude until sufficient discord appears overtaking concord. Self-destruction (radiation) of the unit is the inevitable result (from -44+ to -00+). This process was described in Keely's :

13.24 - Law of Cycles

"Coherent aggregates harmonically united constitute centers of vibration bearing relation to the fundamental pitch not multiples of the harmonic pitch, and the production of secondary unions between themselves generate pitches that are discords, either in their unisons, or overtones with the original pitch; from harmony is generated discord, the inevitable cause of perpetual transformation." (Keely, pre1894)


a. Celestial (Father/Syntropic) Vibration decreases velocity and increases power (vibration/rotation) from -00+ to 4++. Celestial Oscillation is in inverse proportion.

b. Terrestrial (Mother/Entropic) Oscillation increases velocity and decreases power (oscillation/revolution) from 4++ to -00+. Terrestrial Vibration is in inverse proportion. 

13.25 - Etheric Negative Attractor - The Etheric Negative Attractor was Keely's machine or device to create, harness and perhaps direct Harmonic Attractive (Syntropic) Force which is a build up or concentration of Infinite Ninths harmonic vibration (overtones). See Part 11 - SVP Music Model.

A zone of harmonic attractive (syntropic) force will cause a volume of a medium to collapse to a focalized center in a swirling motion. There are localized zones established of alternating dispersive and contractive vibration, sometimes in parallel to each other, but generally at right angles to centralizing motions. See top-down photos of hurricanes.


Hurricane
Galaxy

 Figure 13.19a - Hurricane. White indicates Aggregating Force, Dark indicates Dispersive Energy. Figure 13.19b - Galaxy.

13.26 - Hurricane Cloud Formations

The ribs in hurricane clouds are zones of warm/hot (clear = dispersed water) and cool/cold (clouds = condensed water) air in close approximation.

warm = dispersion
cold = contraction

Four Kinds or Qualities of Air
1) warm and dry
2) warm and wet
3) cold and dry
4) cold and wet


Hurricane Polar Streams Traced
Hurricane Temperatures
Showing light clouds (wet) and no clouds (dry).
Red lines trace little or no clouds.
Showing extreme temperature differences.

Figure 13.20a - Hurricane Polarities. - Polarization and Differentiation at root of Rotation. Figure 13.20b - Hurricane Temperature Differentials.

13.27 - Differentiation - Differentiation is not unlike refraction wherein a WHOLE is divided into its constituent parts; i.e., a rainbow, for instance, divided into its three major divisions - viz. - HEAT (infrared/red), LIGHT (yellow/white) and CHEMICAL (blue/ultraviolet) rays. [This is one of the base ideas Keely discovered in Hughes' Harmonies of Tones and Colors - the triple nature of a whole.]

"Differentiation, by compound negative vibration of their neutral centres, causes antagonism, and thus the great attractive power that aggregates them becomes one of dispersion or expansion, accompanied by immense velocity of rotation, which carries its influence through the whole volume of air, 230 cubic inches contained in sphere, within its 33 1/3 chord of its circle of coincidence. By this wire of platinum and silver the current of force is now passed to run the vibratory disk, thus altogether upsetting the "compressed air" theory of Professor Barkes, Dr. Hall, and others of less note."
[Keely, Keely and His Discoveries]

13.28 - Differentiating Thirds
Differentiating the minor thirds = the terrestrial third volume of Atlin = Bflat
Differentiating the major thirds = the celestial two-third volume of Atlin = C
[the above insight confirmed by Dawn 5/21/99]

See Thermal Vacuum = Cold. Also see Law of Cycles as to why the above is true.

"The breaking up of cyclones will open a field for future research, if any way can be discovered for obtaining the chord of mass of the cyclone. To differentiate the chord of its thirds would destroy it;" [Keely and His Discoveries, Chapter 9]


Differential Polar Densities

Figure 13.21 - Differential Pressure Zones in Antagonism cause Rotation
(courtesy University of Science and Philosophy)

13.29 - Polarization
1) How long polarization lasts or persists.....
2) Sounds destroy polarizations at the rate of their frequencies thus returning to Neutrality as per those frequencies.
3) Once voiding has occurred there is no more polar tension or desire for voiding. Polarization is lost.
4) Is there a way to produce continuous streams of HARMONIC and ENHARMONIC polarizations???? Or a continuous condition or state of polarization???
5) If a polarization could be established, held and amplified this would be a source of continuous tension which would manifest as circular motion if properly channeled. This would not be unlike the bias or dipole created in electrical generators by its magnets.

Electricity then is nothing more than a steady state polarization/dipole which can be added to or divided up and used as a polar condition within various electrical components or devices.

13.30 - Phoenix Bird, Resurrection, Re-Creation, Regeneration

Phoenix Bird Reborn

Figure 13.22 - Phoenix Bird. artist, Ken Howard, Australia, 1962

The Phoenix bird is symbolic of Russell's Principle of Regeneration:

"Generating Mass seeks higher pressure zones. Degenerating Mass seeks lower pressure zones. Regeneration is effected by Degenerative Impact in inertia, thus reversing sex [polarization/ddipole]." [Russell]

"Of this more will be written when further consideration of causes make the effects of those causes more comprehensible.

All male actions are centripetal and all female reactions are centrifugal.

Variance of centripetal or centrifugal force is variation of potential.

Union and reproduction are always governed by sex periodicity in electro-magnetic charge, the order of which will be written down and charted.

Consider, for example, the reproduction of the sound of the human voice echoing in the hills. Sound, like all other forms of energy, is an accumulated potential.

Release this high potential and it immediately expands.

Expansion is radiation.

Radiation is discharge of accumulated potential.

As the sound of the voice, as accumulated potential, radiates into the silence of higher octaves of lower potential, and impacts against the closely integrated high potential of the cliff side, the degenerative discharge is reversed and becomes generative charge.

Expanding lowering potential is reversed to contracting higher potential.

In other words, the sex opposites in the radiating sound waves are forced into closer contact by the impact, so that the wave dimensions which originally produced the sound are restored.

The counterpart of the sound as cause has been produced as a reproduced effect of that cause.

It is not the same sound, it is another sound.

It is a reproduced counterpart, a regenerated reincarnation of the state of motion which originally produced the sound.

That which is true of regeneration by echo is also true of reproduction by radio or any other similar process. All are but the reversal of radiation into regeneration by impact against the inertial planes of higher potentials.

Generation or re-generation is an effect of gravitation. An impact of radiative energy against any lower octave of integration will set up the necessary resistance to the radiative energy to regenerate it into its original form." [Russell, The Universal One, Book 1, Chapter 10]


13.31 - Polarization Points
1) An homogenous gas will auto-activate into circular (gyroscopic or v ortex) motion when a polarization is introduced anywhere within the gas.
2) This motion will be greatest closer to the point of polarization and diminish outward according to the Square Law thus ALWAYS resulting in a vortex (circular) motion about that point. See Figure 13.12 showing differential polarization zones.
3) There will be a gradient of velocity of motions between the Point of Polarization and all other polarizing and depolar gas particles. This gradient of velocities of motions is the actual cause of those motions.
4) In Dynaspheres some Points of Polarization are 1) the Actuators (increased density) and 2) the White and Black sublimate coatings (polarization).

Dynasphere Actuators

Figure 13.23 - Three Actuators on Shaft and Black and White Coatings.

13.32 - Ionization


Photoelectric Effect (eV)

WR#     Indig   Element    Work Function

502+      2     Berylium     5.00
504+      4     Carbon       4.81
601+      1     Sodium       2.28
602+      2     Magnesium    3.68
603+      3     Aluminum     4.08
701+      1     Potassium    2.30
702+      2     Calcium      2.90
703E+    +3E    Iron         4.50
704+      4     Cobalt       5.00
703E-    -3E    Nickel       5.01
703D-    -3D    Copper       4.70
703C-    -3C    Zinc         4.30
702-     -2     Selenium     5.11
803+     +3B    Niobium      4.30
803D-    -3D    Silver       4.73
803C-    -3C    Cadmium      4.07
803A-    -3A    Tin          4.97
901+      1     Cesium       2.10
903D-    -3D    Gold         5.10
903C-    -3C    Mercury      4.50
903A-    -3A    Lead         4.14
903J-    -3J    Tungsten     4.52
903F-    -3F    Platinum     6.35
1003C+   +3C    Uranium      3.60

Photoelectric Effect: It's been determined experimentally that when light shines on a metal surface, the surface emits electrons. For example, you can start a current in a circuit just by shining a light on a metal plate.

A freshly polished, negatively charged zinc plate looses its charge if it is exposed to ultraviolet light. This phenomenon is called the photoelectric effect.

Careful investigations toward the end of the nineteenth century proved that the photoelectric effect occurs with other materials, too, but only if the wavelength is short enough. The photoelectric effect is observed below some threshold wavelength which is specific to the material. Especially the fact that light of large wavelengths has no effect at all even if it is extremely intensive, appeared mysterious for the scientists.

Albert Einstein gave an explanation in 1905: Light consists of particles (photons), and the energy of such a particle is proportional to the frequency of the light. There is a certain minimum amount of energy (dependent on the material) which is necessary to remove an electron from the surface of a zinc plate or another solid body (work function). If the energy of a photon is bigger than this value, the electron can be emitted.

Note -  Einstein was only partially correct. His description of the observed phenomenon was correct but his causes were contrived Newtonian ideas and not causitive at all.

Notice how similar this effect is to Russell's Principle of Regeneration as also his description of how magnetic flow creates/generates an electric flow.


Table 13.03 - Photoelectric Effect (Ionization) of Elements

13.33 - Residual Ionization and Rotation - Krupa explained: "I have coined the term residual ionisation to describe the effect of the firing of the FireStorm spark plug. When a generic spark plug fires in a pressure chamber or your vehicle, it will fire six to eight times and then misfire once. The misfire is caused by the residual ionisation left around the plug proper. When the charge comes down the centre electrode, it sees a high impedance and cannot jump the gap, hence a misfire.

"There is also residual ionisation left over in a FireStorm spark plug. However, because of the huge surface area in the configuration of the domed centre electrode and the triaxial ground system, when the residual ionisation rears its ugly head the charge coming down the centre electrode sees it and moves to the next area under the triaxial ground system that is residual ionisation free. That's why the plasma appears to move around the dome in a circular motion." [http://www.robertstanley.biz/firestorm.htm]

13.34 - Motion - "Luminiferous ether," Keely writes, "or celestial mind force, a compound inter-etheric element, is the substance of which everything visible is composed. It is the great sympathetic protoplastic element; life itself. Consequently, our physical organisms are composed of this element. This focalizing, or controlling media, of the physical, has its seat in the cerebral convolutions; from which sympathetic radiation emanates. This sympathetic outreach is mind flow proper, or will force; sympathetic polarization to produce action; sympathetic depolarization to neutralize it. Polar and depolar differentiation, resulting in motion. The true protoplastic element sympathetically permeates all forms and conditions of matter; having, for its attendants, gravity, electricity, and magnetism; the triple conditions born in itself. In fact, it is the soul of matter; the element from which all forms of motion receive their introductory impulse." [Keely and His Discoveries] bold emphasis added

13.35 - Clashing of Light & Dark - Light and Dark are two states of the Same Light.

"See the immediate center of our solar system. Thou wouldst call it a dynamo, the great dynamo of the system. Right wouldst thou be, and wrong also. The attempt to define the sun as an analogue to a dynamo-electric machine has much to support it. But to define it as identical is erroneous. The trouble with that theory is the trouble which lies at the root of and weakens all other theories to account for sun-heat and sunlight. It is that science does not assign a sufficiently high value to the sun. The combustion theory is invalid; the solar mass contradiction theory is but partially tenable and meteoric showers do not account better than the first two. Neither does the electric-dynamo theory. Truly, the latter explains how sun-heat and sunlight may coexist and not be inharmonious with the awful degree of cold between earth, the planets and the sun. It explains that which denies the simple combustion theory so completely, viz. that the farther one goes from the earth center, either in a balloon or on a high mountain, the colder and colder the air gets, so that interstellar space is several hundred degrees below zero, and black as midnight, with the sun a luminous disc, without rays. But the dynamo theory does not explain the solar spectrum, nor the bands of spectra, nor coronal "flames," nor "sun spots," nor solar nor lunar eclipses."

"I have said that the value accorded by astronomers is too small. Seeing fire, they would seek to explain by its means the sun. Finding this untenable, and aware that a contracting mass gives off heat, they next essay explanation on that hypothesis. But this will not do, nor will meteoric showers, nor any hypothesis based on facts now known, all are too low in aim; the Infinite cannot be explained by the finite, nor will less explain greater; fire is energy, and electricity is energy, and God is energy. But fire will not solve the query, "What is electricity?" nor will electricity answer "What is God?" but God will explain both the others, for the sum of the parts is equal to the whole. But as man does not know the full number of the parts, the partial sum he does know will not explain God."

"Nature has a dual aspect, is double, is positive and negative; that the great positive side is the side known as mundane science, while the other or negative, or "Night-Side," or, as it was once known in the earth by the men of Atla (Atlantis), "Navaz," is a side all unknown, and scarcely quested in the most exceeding flights of speculation, left unbroached, secretly kept by a few, who know not that they entertain an angel, an angelic wisdom that in a century more, yea, less time! shall overturn much of the face of terrain things, shall bestow aerial vessels, and all else once known to those men of Atl of whom I spoke."

"The suns of systems are centers of forces of the Night Side of Nature whereof I spoke, and are force, and matter of a higher value than are planets and satellites, just as water above a cataract is water, truly, but being above and mobile, flows over and down, developing energy. In other words, out of the cold, dark, negative side, or "Night Side," force emerges, drawn to the positive polarity which constitutes in its outgoing flow that termed Nature, and develops in its fall, magnetism, electricity, light, color, heat and sound, in order of descent, and lastly solid matter, for this latter is a child of energy, not its parent. When the Navaz forces drop to light, if the light waves enter a spectroscope, they will emerge as colors; these will correspond to the various spectrum bands, and will, as the descend progresses, give the noted lines of the solar spectrum, as the great "B" line of oxygen, the conspicuous "1474" line, and the brilliant "H" and "K" violet bands."

"Thus the evidence of flames, and metals on fire, and all that leads astronomers to think sun and stars flaming hells. But their "fires" will not decrease, for the Father is immanent, and the forces of "Navaz" are perpetually fed by Him. The graphic picture of a burned-out sun is a dream, never to be fulfilled. A day will come again in the earth when instruments will be made which Atlantis once well knew, when the prismatic rays from a spectroscope will be found to be a source of heat, and of sound, so that the so-called "flames" of the sun, and of the stars will produce music, harmonious divine. Yea, further, for going down, the dark green solar spectrum of iron will be made to yield iron for use in the arts, and so with the other bands and lines, the intense greens, blues, and blue-greens give copper, lead, antimony and so on. It is by these Navaz currents that the circulation in the universe is kept up, as blood in a man's arteries. The suns are the systemic hearts. But thou art tired, my brother, or I would explain yet more, that the planets which receive all these currents must return their equivalent. And thus would another vast field open before thy sight. This last would explain that which so worries science on earth, the molten terrain interior. That also is something of an error. All the phenomena which seem to declare the earth to be in a melted condition inside do not prove it so in truth; all point to the return currents, the positive; all exhibit the venous currents of our universe, back to its hearts." [Phylos, A Dweller on Two Planets; Borden Publishing Company, Los Angeles, California, 1952.] See Figure 13.17

13.36 - Keely and His Discoveries

13.37 - Operation of the Vibratory Circuit

13.38 - Theory of the Induction of Sympathetic Chords to Excite Rotation by Vibraphonic Trajection to and from Centers of Neutrality on Revolving Globe

ROTATION - THEORY OF THE INDUCTION OF SYMPATHETIC CHORDS TO EXCITE ROTATION

BY VIBROPHONIC TRAJECTION TO AND FROM CENTERS OF NEUTRALITY ON REVOLVING GLOBE

by John Worrell Keely

"All hollow spheres, of certain diameters, represent, as per diameters, and their volumes of molecular mass, pure, unadulterated, sympathetic resonation towards the enharmonic and diatonic thirds of any, and in fact all, concordant sounds. In tubes it is adversely different, requiring a definite number of them so graduated as to represent a confliction by thirds, sixths and ninths, as towards the harmonic scale. When the conditions are established, the acoustic result of this combination, when focalized, represents concordant harmony, as between the chord mass of the instrument to be operated and the chord mass of the tubes of resonation. Therefore the shortest way towards establishing pure concordance, between any number of resonating mediums, is by the position that Nature herself assumes in her multitudinous arrangements of the varied forms and volumes of matter - the spherical. The great difficulty to overcome, in order to get a revolution of the same sphere, exists in equating the interior adjuncts of same. In other words, the differentiation induced must be so equated as to harmonize and make their conditions purely concordant to the molecular mass of the sphere. Example: Suppose the chord of the sphere mass represents B flat, or any other chord, and the internal adjuncts by displacement of atmospheric volume differentiates the volume one-twentieth, this displacement in the shell's atmospheric volume would represent an antagonistic twentieth against the shell's mass concordance, to equate which it would be necessary to so graduate the shell's internal adjuncts as to get at the same chord; an octave or any number of octaves that comes nearest to the concordance of the shell's atmospheric volume. No intermediates between the octaves would ever reach sympathetic union.

We will now take up the mechanical routine as associated with adjuncts of interference and follow the system for chording the mechanical aggregation in its different parts, in order to induce the transmissive sympathy necessary to perfect evolution and produce revolution of the sphere or shell.

Example: Suppose that we had just received from the machine shop a spun shell of twelve inches internal diameter, 1/32 of an inch thick, which represents an atmospheric volume of 904.77 cu. in. On determination by research we find the shell to be on its resonating volume B flat, and the molecular volume of the metal that the sphere is composed of, B natural. This or any other antagonistic chord, as between the chord mass of the shell and its atmospheric volume, would not interfere but would come under subservience. We now pass a steel shaft through its center 1/2 in. in diameter, which represents its axial rest. This shaft subjects the atmospheric volume of the shell to a certain displacement or reduction, to correct which we first register the chord note of its mass, and find it to be antagonistic to the chord mass of the shell, a certain portion of an octave. This must be corrected. The molecular volume of the shaft must be reduced in volume, either by filing or turning, so as to represent the first B flat chord that is reached by such reduction. When this is done the first line of interference is neutralized, and the condition of sympathy is as pure between the parts as it was when the globe was minus its axis. There is now introduced on its axis a ring which has seven tubes or graduating resonators, the ring being 2/3 the diameter of the globe, the resonators three inches long and 3/4 in. diameter, each one to be set on the chord of B flat, which is done by sliding the small diaphragm in the tube to a point that will indicate B flat. This setting then controls the metallic displacement of the metallic combination, as also the arms necessary to hold the ring and resonators on the shaft or axis. Thus the second equation is established, both on resonation and displacement. We are now ready to introduce the diatonic scale ring of three octaves which is set at two-thirds of the scale antagonistic to the chord mass of the globe itself. This is done by graduating every third pin of its scale to B flat, thirds, which represent antagonistic thirds to the shell's molecular mass. This antagonism must be thoroughly sensitive to the chord mass of one of the hemispheres of which the globe is composed. The axis of the scale ring must rotate loosely on the globe's shaft without revolving with the globe itself, which it is prevented from doing by being weighted on one side of the ring by a small hollow brass ball, holding about two ounces of lead. The remaining work on the device is finished by painting the interior of the globe, one hemisphere black and one white, and attaching a rubber bulb such as is used to spray perfume, to the hollow end of the shaft. This bulb equates vibratory undulations, thus preventing an equation of molecular bombardment on its dark side when sympathetically influenced. It is now in condition to denote the sympathetic concordance between living physical organisms, or the receptive transmittive concordance necessary to induce rotation." 
[Keely, Snell Manuscript]

13.39 - Philosophy of Transmission and Rotation of Musical Sphere

ROTATION - PHILOSOPHY OF TRANSMISSION AND ROTATION OF MUSICAL SPHERE
by John Worrell Keely


"The only two vibratory conditions that can be so associated as to excite high sympathetic affinity, as between two physical organisms are: etheric chord of B flat, 3rd octave, and on etheric sympathetic chords transmission E flat on the scale 3rd, 6ths, and 9ths, octaves harmonic, having the 3rd dominant, the 6th enharmonic and the 9th diatonic.

The chord mass representing the musical sphere, being sympathetic etheric chord of B flat third octave, indicated by the focalization of its interior mechanical combination, as against the neutral sevenths of its atmospheric volume, makes the shell highly sensitive to the reception of pure sympathetic concordance, whether it be physical, mechanical, or a combination of both. Taking the chord mass of the different mechanical parts of the sphere and its adjuncts, as previously explained, when associated and focalized to represent pure concordance, as between its atmospheric volume and sphere mass, which means the pure unit of concordance, we have the highest position that can be established in relation to its sympathetic susceptiveness to negative antagonism. The beauty of the perfection of the laws that govern the action of Nature's sympathetic flows is here demonstrated in all the purity of its workings actually requiring antagonistic chords to move and accelerate. The dark side of the shell, which represents fifty per cent of its full area of concordant harmony, is the receptive area for the influence of the negative transmissive chords of the thirds, sixths and ninths to bombard upon, which bombardment disturbs the equilibrium of said sphere, and induces rotation. The rotation can be accelerated or retarded, according as the antagonistic chords of the acoustic forces are transmitted in greater or lesser volume. The action induced by the mouth organ, transmitted at a distance from the sphere without any connection of wire, demonstrates the purity of the principle of sympathetic transmission as negatized or disturbed by discordants, which, focalizing on the resonating sevenths of resonators, or tubes attached to ring, the sympathetic flow is by this means transmitted to the focalizing center, or center of neutrality, to be redistributed at each revolution of sphere, keeping intact the sympathetic volume during sensitization, thus preventing the equation or stoppage of its rotation.

Again, the sphere resting on its journals in the ring, as graduated to the condition of its interior combinations, represents a pure sympathetic concordant under perfect equation to receive the sympathetic, or to reject the non-sympathetic. If a pure sympathetic chord is transmitted coincident to its full combination, the sphere will remain quiescent, but if a transmission of discordance is brought to bear upon it, its sympathetic conditions become repellant to this discordance." Keely.

Hertz conjectures that a knowledge of the structure of ether should unveil the essence of matter itself, and of its inherent properties, weight and inertia. Hertz constructed a circuit, whose period of vibration for electric currents was such that he was able to see sparks due to the increased vibration leaping across a small airspace in this resonating circuit, his experiments have proved and demonstrated the ethereal theory of electromagnetism; that electromagnetic actions are due to a medium pervading all known space. Keely's experiments have proved that all things are due to conditions of the ether. The Buddhists have taught "There is no such thing as blind or dead matter, as there is no blind or unconscious thought."

1890 - The steam engines of the world now represent the work of 1,000,000,000 men, or more than double the working population of the earth, whose total population is about 1,500,000,000 inhabitants. Steam has trebled man's working power, enabling him to economize his physical strength. Our race which seems to have reached its limit of physical development, seems ready to enter upon the foretold stage of psychical evolution.

In November 1884, he obtained a standard for progressive research in the success of an experiment, for which he has tried many times before without arriving at result of his theories. One of those present afterwards wrote him for an explanation of the phenomena. A small globe rotated when two persons had taken hold of the rod together, with a firm grasp - one of them standing on a circular sheet of metal, from which piano wires stretched toward the globe, near enough to touch one of the plates of glass which insulated the ball, Mr. Keely replied, "I cannot describe it other than the receptive concussion of the two forces, positive and negative, coming together, seeking their coincidents and thus producing rotation by harmonious waves, not streams. You ask if sound waves had anything to do with the motion of the globe? Nothing, the introductory settings are entirely different. The ball ceased to rotate when I took your left hand in my right hand, while with our other hands holding the iron rod resting on the metal plate, because the receptive flows became independent of the circular chord of resonation as set up mechanically. The power of rotation comes on the positive and the power of negation breaks it up." 
[Keely, Snell Manuscript]

13.40 - A Modern Wizard - 

A MODERN WIZARD: THE KEELY MOTOR AND ITS INVENTOR
excerpted from
Mysteries and Romances of the World’s Greatest Occultists
by Count Louis Hamon (Cheiro)


ONE of the leading scientists of America, Dr. Joseph Leidy, LL.D of the University of Pennsylvania, surprised the thinking world in 1889 by coming forward publicly as a supporter of the inventor of the famous "Keely Motor."

Dr. Leidy's published statement was:

        "Having had the opportunity of seeing Mr. John Keely's experiments, it has appeared to me that he has command of some unknown force of most wonderful mechanical power.”
(Signed) JOSEPH LEIDY.

Coming from a scientist of such repute, these words caused a considerable sensation in both financial and scientific quarters.

A further statement from Dr. Leidy appeared in The Inquirer (Philadelphia) as follows:

April 8th, 1890.
"After having had the opportunity of witnessing a series of experiments made by Mr. John Keely, illustrative of a reputed new motor power, it has appeared to me that he has fairly demonstrated the discovery of a force previously unknown to science. I have no theory to account for the phenomena observed, but I believe Mr. Keely to be honest in his attempt to explain them. His demonstrations appear to indicate great mechanical power, which when applied to appropriate machinery, must supersede all ordinary appliances.”
(Signed) JOSEPH LEIDY.

Previous to this announcement, for upwards of twenty years a completely unknown man, John Worrell Keely of Philadelphia, had been working patiently and secretly to demonstrate that he had discovered a new force in nature that would eclipse electricity and all other known mechanical forces.

An extremely big order, all must admit. Keely had been working on his idea long before scientists had begun to discuss the probability of "bursting the atom" to release the enormous force contained in it, which experiment has in recent years been partially carried out by scientists in England, Germany and America during 1932-33.

Keely's principal work for years previous to its becoming talked about, had been his efforts to demonstrate, to put it in his own words "that all corpuscles of matter can be subdivided by certain orders of vibration, thus showing up new elements." It was not however, until by what men call "mere chance" that Macvicars' Sketch of a Philosophy fell into his hands, together with a work entitled Harmonies of Tones and Colours, Developed by Evolution, written by a Mrs. F. J. Hughes, a niece of Darwin's, that caused him to turn his attention to the structure of ether and he learned that "the same laws which develop harmonies develop the universe.”

This recalls to one's mind that beautiful prophetic verse by Coleridge:

    "What if all of animated nature
    Be but organic harps diversely formed,
    That tremble into thought as o'er them sweeps,
    Plastic and vast, one intellectual breeze.
    At once the soul of each and God of all ?"

From this moment Keely turned his attention to etheric vibration and the flow of the magnetic current of the earth from pole to pole, with the astonishing result that he so perfected a motor to make use of these forces that between 1889 and 1890 he was in a position to show to scientists, in his laboratory in Philadelphia, a machine that ran by some mysterious power, or to quote the words of Dr. Leidy, "he demonstrated the discovery of a force previously unknown to science."

One might have imagined that such an extraordinary discovery would have been hailed by scientists and the press as great a revolution as that caused by the steam engine and later by the production of electricity.

The contrary was, however, the case. Nearly all men of science, with a few exceptions, together with the press, ridiculed the idea as impossible, and did not hesitate to call Keely a charlatan and a fraud. Prejudice against the unfortunate inventor ran so high that whatever financial sources he had became dried up, and for some years he was often reduced to the point of starvation.

Whatever help or encouragement he received during this period came from two women, who perhaps in their intuition, foresaw the possibilities of such a discovery long before it could penetrate the more dense minds of men.

One of these ladies, Mrs. Bloomfield-Moore of Philadelphia, suffered cruelly for her loyalty and generosity to the inventor. Some of her relations attempted in the Courts to prove her insane. An injunction was obtained against her making use of her property, and she was in the end reduced to almost a state of complete limitation.

A MODERN WIZARD


It was at her house in London that I first heard of the "Keely Motor."

Sitting next me at the luncheon table was the well-known scientific engineer, Major J. Ricarde Seaver, a man well known in London circles who for services rendered in some engineering project had been made a " grandee " of Spain.

The conversation had turned on the prospects of the "Keely Motor," a subject that on account of hostile criticism about the same time in the press was being much discussed.

To the surprise of everyone present, Major Ricarde Seaver said:

        "I have only heard of John Keely's discoveries in the press. All projectors of new ideas are at first subjected to calumny, criticism and ridicule. James Watts, the inventor of the steam engine, took over thirty years to develop his plans. In the meantime he was often laughed at.
        "When the idea was first mooted of running an electric cable to America, it was considered absurd. It is the same with many other inventions that in the end prove of use and benefit to humanity.
        "Judging from articles I have read, Mr. Keely has demonstrated to many eminent men his neutralizing or overcoming of the law of gravity and the separation of metallic plates by a new means of employing the Law of Vibration. Such men as Dr. Joseph Leidy of the University of Philadelphia and Dr. James M. Wilcox, the author of Elemental Philosophy have testified that they have witnessed Keely's experiments and were satisfied that he has made manifest the existence of some, up to now, unknown power that cannot be explained by ordinary physical laws.
        "The opinions of such men cannot be lightly thrown aside. I only wish that the opportunity may some day come my way to be sent to Philadelphia to investigate Keely's discoveries myself."

As Major Seaver had only met Mrs. Bloomfield-Moore for the first time that day, he was later surprised to hear that our hostess had for years been deeply interested in the progress of the " Keely Motor."

Six months later, Major Seaver dropped in to see me in my rooms in New York City.

"Yes," he said, as he held out his hand, "my wish became realized. Barnato Brothers, the firm to which I am advisory engineer, have sent me over to investigate and report on the 'Keely Motor.' I am going to Philadelphia tomorrow and I propose that you come with me. Give yourself a holiday for a few days and come along."

The next day found Major Seaver and myself on the train together.

During the journey I got the Major to tell me something of his plans.

        "I have no preconceived ideas about Keely, one way or the other," he said. "I am just going with an open mind commissioned to report to my employers if there is any commercial possibilities in his 'Motor.' Its supposed weak point is, that it can only be set in motion by Keely striking a chord of vibration on a violin, which is the key to unlock a similiar vibration in the machine. If this is really the case, then a man of Keely's attainments may any day invent an instrument to take the place of the violin, and if such a thing should happen, it would be worth while for such a firm as Barnato Brothers to pay many millions of pounds to have an interest in such an epoch-making discovery."

The next morning Major Seaver presented his credentials at Keely's workshop.

The inventor received us without any formality. He was in fact in his shirt-sleeves and did not even make a pretence of putting on his coat. He was a most unassuming man, very simple and direct in his words and expressions.

He had no pretensions of being taken for an engineer or a scientist or anything out of the way.

In answer to one of Major Seaver's questions as to what had first led him to believe that an, up to then, unknown force existed beyond the power of steam and electricity, he very simply said, "The idea came into my mind from where I cannot tell. Perhaps it first came from a craze I had to study the magnet to attempt to solve what the mysterious power was that enabled it to attract steel and iron to itself.
        "For a long time I wondered over the indisputable fact that a horseshoe of iron could be magnetized in a few seconds by the current of a few amperes from a battery, and that such a magnet could lift many pounds weight of metal. Further, that every second of time without end while the magnet is expanding energy it totals up an almost inconceivable amount of actual power, not alone that, but the magnet of one pound lifting power today, may and in fact will be stronger tomorrow.
        "Where does this really tremendous amount of energy come from? By what inscrutable process does the mere magnetization of a bar of iron make of it a machine for the transformation of energy, even more, a perpetual creator of force?
        "It came into my mind that there was a hidden process going on of some kind, energy going into the magnet and flowing out of it all the time it was doing work energy in some form.
        "Where did it come from—gravity? atmosphere? solar rays? earth currents? Who can say?
        "The mere fact of the magnet carrying its load proves conclusively the constant flow or positive action of a sympathetic force, the velocity exceeding millions of vibrations per second.
        "In the course of many years of experiments, I believe I have discovered a means of harnessing what may be called ' etheric' force and of overcoming gravity.
        "I want you, Sir," Keely went on, turning to Major Seaver, "to examine my machines from the standpoint of the sceptic. Calumny has asserted that I have them connected by a hollow steel wire by which I employ compressed air.
        "I want you to satisfy yourself especially on this point. You are entitled to lift the motor off the bench, to place it where you like and it will still function.
        "The first demonstration I will give you is that of starting the motor by a note of music, otherwise vibration. I want you to do this yourself. You will take this violin, pass the bow across the strings. At first you may not succeed, but you will eventually."

Major Seaver took the violin. He was fully ten feet away from the machine he was supposed to start. For fully five minutes he tried note after note, but nothing happened. He handed the violin over to Keely.

Perhaps it was due to his long years of practice, or it may have been owing to his unusually keen musical hearing, but the fact remained that in one stroke of the bow an immediate response was heard in the machine. The buzz from it grew louder every second until its speed became so great that, although bolted firmly on the bench, it rocked the whole place.

        "Can you stop it?" Seaver asked. For answer Keely drew a discordant note from the violin. The machine immediately began to slow down and finally stopped.

        "Now, Major," Keely said, " you should be able to start it up yourself. Be patient, try tone after tone and chord after chord. Sooner or later you must strike the right one."

Major Seaver, with a very patient look on his face, again took the violin. This time he drew longer notes from the instrument. Suddenly an answering buzz was heard in the machine. It started off as-before, its speed rapidly increasing every moment.

Again the Major lifted the violin. He drew a sharp discord from the strings. Instantly the motor slowed down and became silent again.

        "Remarkable," was all Seaver said. Then, taking up a wrench lying near at hand, he very deliberately undid the bolts and lifted the motor off the bench.

As no connecting wires of any kind were to be seen he rebolted the machine and handing me the violin, told me to try.

Perhaps it was what is called "beginners' luck." I had barely drawn a sharp clear note from the "A" string, when again the motor started.

This time the "stopping" was the difficult part. Though I struck discord after discord, still the motor went on rapidly increasing its velocity. I appealed to Keely to help me. He took the violin, struck one discord and immediately the motor slowed down and stopped as before.

        "That is the one weak point that up to now prevents its commercial value," Keely said. "My efforts now are being concentrated to make an instrument that will give off an exact note to start and stop the machine at will. The difficulty is not an easy one to get over owing to the variation in the magnetic and etheric currents which are changing continually, but I believe that one of these days I will get the inspiration how to solve the problem."

Keely next showed us his revolving globe of glass that had caused much comment in hostile newspapers.

It was of very simple construction, merely a large glass globe balanced on a pivot of platinum that, when spinning, kept its equilibrium by centrifugal action exactly as a boy's top keeps itself in position by the same law.

This globe was also started by a vibration from the violin. When it had attained considerable velocity, Keely made me lift it off the table and carry the whole thing, wooden stand and all, several times round the room. As its revolutions became more and more rapid I grew alarmed, believing it might any moment fly to pieces. Again a discord from the violin and in a few minutes it stopped.

The next day Keely showed Major Seaver and myself another of his inventions equally startling. It was nothing more or less than a means of overcoming the law of gravitation as applied to airships.

Before going into this demonstration the inventor showed as a remarkable experiment in connection with this idea.

Three glass chambers, forty inches in height, filled with water, were placed on a slab of glass. In each of these cylinders were three metal spheres weighing six ounces each. When a wire composed of silver and platina connected these glass chambers with the sympathic transmitter, the metal spheres rose or descended in them or remained stationary at any point with a motion as gentle as that of a thistledown floating in air.

In demonstrating what appeared to be the overcoming of gravity for aerial navigation, Mr. Keely next showed us a model of an airship weighing about eight pounds. When the differential wire was attached to it, it also rose floated, or remained stationary, at whatever height he wished it to be.

This remarkable demonstration of this model airship, it must be remembered, was shown us at the Keely Laboratories in 1890, some thirteen years before the brothers, Orville and Wilbur Wright, flew the first aeroplane in [Carolina in 1903 and Dumont flew] in France in 1906.

Keely allowed Major Seaver to make, without hindrance or opposition, whatever investigations he wished. The Major in the end freely confessed that he could find no evidence of "hollow wires," compressed air or electric power used in any way in Keely's demonstrations.

As we returned to New York on the train the next day he summed up his meeting With the inventor by saying: "I can only come to the same conclusion as Professor Leidy and Dr. J M Wilcox ' that Keely has command of some unknown force of most wonderful mechanical power.'”

In spite of this, this really great inventor, or as Keely preferred to be called, "discoverer," was no nearer to financial success than before. Major Seaver had to report to his company, Barnato Brothers of London, that until the moment arrived when Keely produced a mechanical device to take the place of his violin there could be no prospect of success of " the Keely Motor," from a commercial point of view.

And so things went on until Mrs. Bloomfield-Moore, under opposition from her family, could no longer remain as Keely's backer. Bills and writs for money came pouring in on the inventor's head, the press lost patience, papers denounced "the Keely Motor" as a failure and Keely as "one of the greatest swindlers that ever lived."

Perhaps it is that inventors, like poets, painters and writers, belong to an unusually sensitive class. They can only create by being encouraged in their visions and dreams.

So few realize that "dreams" have been so often the forerunners of reality that it is to "dreamers" that the world owes so much. Poor Keely became literally hounded to death by the press, under-paid reporters in search of copy made "wonderful revelations," editors in easy chairs wrote sarcastic comments.

"Man's inhumanity to man" crushed one more over-sensitive soul, and so a great discovery became lost, at least for the time being.

Alone, one night in the winter of 1898, after destroying all his papers, the records of over twenty years research, together with his machines, John Worrell Keely put an end to his own life.


* * * * *


Copy of final report of the investigations of W. Lascelles-Scott of the Physical and Chemical Laboratories, Forest Gate, England.

May 1st, 1896.
"From a lengthened personal examination of Mr. Keely's appliances, I am distinctly of the opinion that he has discovered a force hitherto absolutely unknown to science, and that he holds within his grasp a driving power, or means of performing mechanical work, which might be called illimitable.”
(Signed) W. Lascelles-Scott.


Editor’s note: It has not yet been substantiated why or how Keely died. Cheiro’s opinion is stated above. Other errors in his report cast doubt on this idea. Other stories attribute Keely’s death: by being run over by a street car, pneumonia, shot or pushed under a street car.

Section Parts and Addenda
Part 00 - Executive Summary
Part 01 - Overall General View
Part 02 - Origin of Polar States
Part 03 - Polarity Creates Rotating Vortex
Part 04 - Rotation on Three Planes
Part 05 - Three Rotating Planes Become Spheres
Part 06 - Formation of Cubes
Part 07A - Origin and Formation of Matter
Part 07B - Origin and Formation of Matter
Part 08 - What Vibration Is. - Part 1
Part 09 - What Vibration Is. - Part 2
Part 10 - What Sympathy Is
Part 11 - SVP Music Model
Part 12 - Russell's Locked Potentials
Part 13 - Rotation from Vibration/Oscillation
Part 14 - Keely's Mysterious Thirds, Sixths and Ninths
Part 15 - Dissociating Water Acoustically
Part 16 - Electricity and Magnetism
Part 17 - Gravity
Part 18 - Mind as an Engineerable Force
Part 19 - Musical Dynasphere - Historical

Part 20 - Musical Dynasphere - Current Research
- - - - - - - - - - - -Addenda - - - - - - - - - - - -
01 - Bjerknes Effect
02 - Chart of Locked Potentials
03 - Ether
04 - Origin of Matter
05 - Indig Numbers
06 - One Phase of Keely's Discoveries...
07 - Pond's Original Notes on the Scale of Infinite Ninths
08 - Laws of Being
09 - Table of the Elements
10 - Keely's Forty Laws
11 - Russell's Laws and Principles
12 - What Electricity Is.
13 - Puharich, Water Dissociation via AC
14 - As a Man Thinketh
15 - Genero-Radiative Concept
16 - The Action of Force is Spiro-Vortex
17 - Russell's Optic Dynamo-Generator
18 - Etheric Vibratory Scale
96 - Index of ebooks
97 - Disclaimer
98 - Footnotes
99 - Compendium and Definitions


"A truth's initial commotion is directly proportional to how deeply the lie was believed. It wasn't the world being round that agitated people, but that the world wasn't flat. When a well-packaged web of lies has been sold gradually to the masses over generations, the truth will seem utterly preposterous and its speaker a raving lunatic."
~~~Dresden James

[updated 06/02/09]

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La Junta, Colorado 81050
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©Dale Pond, 2007, 2008, 2009

Copyright Notice

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Part 13 - Rotation from Vibration/Oscillation

     Figure 13.00 - Keely's Provisional Engine showing oil splatter from rotation
13.00 - Universal Rotation
     Figure 13.01a - Countless Spinning Stars about their common Neutral Center.
     Figure 13.01b - Two Galaxies spinning near each other.
13.00.01 - Vibratory Rotation
     Figure 13.02a - Left: Etheric Vapor (2HO) Generator.
     Figure 13.02b - Center: Liberator or Ether Vivifier.
     Figure 13.02c - Right: Dynasphere Neutral Center
     Figure 13.03a - Showing "receptive concussion of Positive and Negative forces" at the Neutral Center
     Figure 13.03b - Expansion Away from Neutral Center "seeking level of coincidence".
     Figure 13.04 - Keely's Key to Vibratory Rotation.
13.01 - Math Structure, a Place to Start
     Table 13.01 - Suppositional Math and Symbolic Structure
13.02 -  Anatomy of Rotation
     Figure 13.05a - Complex Vortex Rotational Dynamics
     Figure 13.05b - Russell's Solar Rotation
13.03 - Voiding (seeming Neutralizing) Polarization
     Figure 13.06 - Atomic Subdivision
13.04 -  Atomic Subdivision
13.05 -  The Seven Levels, Subdivisions, Planes or Realms of Mind, Matter & Energy
     Table 13.02 - Vibratory and Oscillatory Triple Force Functions
     Figure 13.07 - Mind, Matter & Energy Chart
13.06 - Triple Currents of Electricity
     Figure 13.08 - Triple Streams of Electricity
13.07 - Keely’s Original Dynaspheric Neutral Center Concept
13.08 - Atlin’s Neutral Center Structure and Dynamics
     Figure 13.09 - Primary Emanations from within Dynaspheres
     Figure 13.10 - Convergence of Syntropic Forces within Dynaspheric Neutral Center as also Entropic Divergence from Accummulated Syntropic Force.
     Figure 13.11 - Russell's Ring of Motion Superimposed on Dynasphere Profile
13.09 - Sphere Rotated by Vibrations
13.10 - Rotation Quotes from "Keely and His Discoveries"
13.11 - Triple Currents and Streams
     Figure 13.12 - Triune Polar Stream Characteristics
     Figure 13.13 - Gravity (Syntropic) and Radiative (Entropic) Waves. The Third or Neutral is the Center of Voidance.
13.12 - Compound Equilibrium
13.13 - Principle of Regeneration
13.14 - Principle of Reciprocity
13.15 - Principle of Proportion
13.16 - Naturally Occuring Affinity
13.17 - Naturally Occuring Repulsion
13.18 - Naturaly Occuring Reciprocity and Proportionality
     Figure 13.14 - Equilibrium as Reciprocal Forces
     Figure 13.15 - Equilibrium as Musical Tonal Equivalents
     Figure 13.16 - Compound Equilibrium States
13.19 - Principle of Regeneration
     Figure 13.17 - Focalizing and Reradiating mode of Sympathetic Transmission
     Figure 13.18 - Russell's Gravity Motor where he takes Gravity as a Syntropic Force entering the Mechanism from the Left and Right of the image and accumulating at the Center. Power is taken off from eight pairs of Brushs placed along a large Copper Disk. This design is to mimick that of the planet Saturn.
13.20 - Principle of Reciprocity
13.21 - Principle of Proportion
13.22 - Contraction / Expansion
13.23 - Degree of Concord/Discord Determines
13.24 - Law of Cycles
13.25 - Etheric Negative Attractor
     Figure 13.19a - Hurricane. White indicates Aggregating Force, Dark indicates Dispersive Energy.
     Figure 13.19b - Galaxy.
13.26 - Hurricane Cloud Formations
     Figure 13.20a - Hurricane Polarities. - Polarization and Differentiation at root of Rotation.
     Figure 13.20b - Hurricane Temperature Differentials.
13.27 - Differentiation
13.28 - Differentiating Thirds
     Figure 13.21 - Differential Pressure Zones in Antagonism cause Rotation
13.29 - Polarization
13.30 -  Phoenix Bird, Resurrection, Re-Creation, Regeneration
     Figure 13.22 - Phoenix Bird. artist, Ken Howard, Australia, 1962
13.31 - Polarization Points
     Figure 13.23 - Three Actuators on Shaft and Black and White Coatings
13.32 - Ionization
     Table 13.03 - Photoelectric Effect (Ionization) of Elements
13.33 - Residual Ionization and Rotation
13.34 - Motion
13.35 - Clashing of Light & Dark
13.36 - Keely and His Discoveries
13.37 - Operation of the Vibratory Circuit
13.38 - Theory of the Induction of Sympathetic Chords to Excite Rotation by Vibraphonic Trajection to and from Centers of Neutrality on Revolving Globe
13.39 - Philosophy of Transmission and Rotation of Musical Sphere
13.40 - A Modern Wizard