SVP
Universal
Cosmology
A
Rosetta Stone for the New Science Paradigm
Version
2.3
Section
Parts and Addenda
Part 00 - Executive Summary
Part 01 - Overall
General View
Part 02 - Origin of Polar States
Part 03 - Polarity Creates
Rotating
Vortex
Part 04 - Rotation on Three
Planes
Part 05 - Three Rotating Planes
Become Spheres
Part 06 - Formation of Cubes
Part 07A - Origin and Formation
of
Matter
Part 07B - Origin and Formation
of
Matter
Part 08 - What Vibration Is. -
Part
1
Part 09 - What Vibration Is. -
Part
2
Part 10 - What Sympathy Is
Part 11 - SVP Music Model
Part 12 - Russell's
Locked
Potentials
Part 13 - Rotation from
Vibration/Oscillation
Part 14 - Keely's Mysterious
Thirds, Sixths and Ninths
Part 15 - Dissociating Water
Acoustically
Part 16 - Electricity and
Magnetism
Part 17 - Gravity
Part 18 - Mind as an
Engineerable
Force
Part 19 - Musical Dynasphere -
Historical
Part 20 - Musical Dynasphere - Current
Research
- - - - - - - - - - - -Addenda - - - - - - - - - - - -
01 - Bjerknes Effect
02 - Chart of Locked
Potentials
03 - Ether
04 - Origin of Matter
05 - Indig Numbers
06 - One Phase of Keely's
Discoveries...
07 - Pond's Original Notes on
the Scale of Infinite Ninths
08 - Laws of Being
09 - Table of the Elements
10 - Keely's Forty Laws
11 - Russell's Laws and
Principles
12 - What Electricity Is.
13 - Puharich, Water
Dissociation via AC
14 - As a Man Thinketh
15 - Genero-Radiative Concept
16 - The Action of Force is
Spiro-Vortex
17 - Russell's Optic
Dynamo-Generator
18 - Etheric Vibratory Scale
96 - Index of ebooks
97 - Disclaimer
98 - Footnotes
99 - Compendium and
Definitions
"A
truth's initial commotion is directly proportional to how deeply the
lie was believed. It wasn't the world being round that agitated people,
but that the world wasn't flat. When a well-packaged web of lies has
been sold gradually to the masses over generations, the truth will seem
utterly preposterous and its speaker a raving lunatic."
~~~Dresden James
[updated 06/02/09]
©Dale Pond, 2007, 2008, 2009
Copyright
Notice
All text, photos, graphics, artwork and
other material part of the SVP Cosmology documents are copyrighted and
may not be published, broadcast, rewritten or redistributed without
permission.
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If
you have any questions regarding copyright or use of these materials,
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your concerns.
|
Part
12 - Russell's Locked Potentials
12.00 - Reciprocating
Proportionality
12.01 - Scale of Locked Potentials
Figure 12.01 - 4++ Power Centered Scale
Figure
12.02 - 0 Inertia
Centered Scale
Figure
12.03 - Scale Showing
Relations of Light, Color and Tones (color added)
12.02 - Universal Energy Unit,
Constant or Impulse
Figure
12.04 - Locked Potential
Points, Relations and Descriptions
12.03 - The scale divisions
correspond to Keely's three-way division of currents
12.04 - Locked Potentials and the
Square Law
Table
12.01 - Indig Numbers -
The Divine Trinity
Locked Potentials - Phases of a Wave, Color and Elements
Figure
12.05 - Russell's Cosmic
Clock (color added)
12.05 - Three Main Parts of a Wave
12.06 - Mid-Tones and Neutral
Centers
12.07 - Keely's Thirds, Sixths and
Ninths
Figure
12.06 - Mind Centers and
Controls Motion (colors added)
12.08 - The PLUS side
Figure
12.07 - Plane of Inertia
showing Focalizing Action (colored notation added)
12.09 - The MINUS side
12.10 - Keely's Musical Constructs
of Increasing and Decreasing Vibratory States
Figure 12.08 - Plane of Inertia (center
lens) shown as an Optical or Focalizing Function
12.11 - Eighteen Attributes or
Dimensions
12.12 - Length (Distance, Radius)
12.13 - Breadth (Area, Square)
12.14 - Breadth (Area, Circle)
12.15 - Thickness (Volume, Cubic)
12.16 - Thickness - (Volume,
Sphere)
Figure
12.09 - Dimensions and
Their Relationships
Table
12.02 - Length, Area
& Volume Math
Table 12.02.01 -
Wavelengths and Frequencies - Octave Relations of Russell's Indig
Number System
12.17 - Note about Octave
Relationships in Russell's System
Figure
12.10 - Russell's Locked
Potential Wave as Function of Multiple Octaves
12.18 - Multiple Octave Progression
Figure
12.11 - Russell's Locked
Potential Full Ten Octave Gamut
12.19 - Fibonacci Relationships
12.20 - PHI
12.21 - Fibonacci Whole Numbers v.
Irrational Decimal near Equivalents
12.22 - The Continuing PI Rant
Figure
12.12 - Russell's
Multiple Octave Waves as Fibonacci Spirals
Figure
12.13 - Some
Multi-Dimensional as Inverse and Direct Reciprocal Relationships
12.23 - Time (orbit period)
12.24 - Time (spin period)
12.25 - sex (Polarity,
Polarization, Duality, dipole, bias)
12.26 - pressures
12.27 - potentials
12.28 - temperature (heat and cold)
12.29 - Origin and Nature of Heat
Figure
12.14 - Space Walk photos
showing no stars in the background
12.30 - Thermal Radiation and
Thermal Vacuum or Cold
12.31 - Heat Generated Through
Resistance to Compression
12.32 - ionization
12.33 - crystallization
12.34 - valence
12.35 - End of The Electron Theory
Figure
12.15 - Angles of
Incidence of Sympathetic Streams
12.36 - Angles of Incident of
Etheric Sympathetic Streams
12.37 - axial rotation (planet or
particle spin)
12.38 - orbital revolution (planet
or particle revolution of orbit)
12.39 - mass (weight)
12.40 - color
12.41 - plane (degree above or
below plane of ecliptic of primary)
12.42 - tone (sound, musical tones)
12.43 - ecliptic (above or below
plane of ecliptic of primary)
|
Russell's Scale of Locked
Potentials
12.00
- Reciprocating Proportionality - "The
underlying law of Creation is RHYTHMIC BALANCED INTERCHANGE in all
transactions in Nature. It is the one principle upon which the
continuity of the universe depends. Likewise, it is the one principle
upon which the continuity of man's transactions, his health and
happiness depend. It is the manifestation of God's two opposing desires
in all processes of creation.
BALANCE is the
principle of unity, of oneness. In it is the stability which lies in
CAUSE. BALANCE is the foundation of the universe.
BALANCED
INTERCHANGE simulates oneness by interchange between pairs of
opposites. It is the principle of equal giving between all moving pairs
of unbalanced opposites which constitute this dual electric universe.
In it is the instability of EFFECT. Instability is forever seeking to
find stability. It can never find it, but it can simulate it by
balancing its instability through equality of interchange.
RHYTHMIC
BALANCED INTERCHANGE is the principle of continuity of EFFECT. Balanced
interchange between opposites repeats simulaton of stability, and
rhythmic balanced interchange continues that repetition."
[Russell, The
Secret of Light, page 106-107]
The degree to which a
vibrating or oscillating system is either one polarity or the other
can be pictured or expressed in relative and accumulative numbers.
Using the + sign to indicate power accumulating (syntropic) quantities
and using a - sign to indicate dispersive (entropic) quantities.
Russell used his Scale of Locked Potentials to measure degrees of
polarity and this author believed Keely sometimes used his mysterious
thirds,
sixths and ninths as part of his referencing method based on
proportion
or parts of a whole. Also see Law
of Assimilation.
- 12.01
- Scale of Locked Potentials - Walter Russell, in his
book The
Universal One, presents a scale of devolving and
evolving
characteristics, parameters and powers. He called this scale The Scale
of Locked Potentials.
The orderliness and periodicity of this scale can be viewed in two main
ways: Power Centered and Zero Centered.
-
-
Figure 12.01 - 4++ Power
Centered
Scale

|
Figure 12.02 - 0 Inertia
Centered Scale
(courtesy
University
of Science and Philosophy)
Figure 12.03 - Scale Showing Relations of
Light, Color and Tones (color added)
(courtesy University
of Science and Philosophy)
12.02
- Universal
Energy Unit, Constant or Impulse - "Time marks the
periods between events. Man divides his time by the periodicities of
this planet's revolution around the sun and subdivides it by its
rotation upon its axis. These periods are again divided to act as man's
necessary time dimensions. The Universal One divides His time by the
periodicities of His inhalations and exhalations, which together make
one universal constant of energy, and subdivides it into four exactly
equal unit constants of energy. These
periodicities, and tonal and
mid-tonal subdivisions, measure the dimensions of His idea in the
illusion of form, space, time, sex, temperature and other periodicities.
Energy
accumulates during genero-active inhalation by rising potential, and is
dissipated during the radio-active exhalation by lowering potential.
The periodicities of inhalation and exhalation in all mass are
absolute." [Russell, The
Universal One]
Figure 12.04 -
Locked Potential Points, Relations and Descriptions
Showing structure, correspondences and relationships
of Locked
Potentials.
(courtesy University
of Science and
Philosophy)
12.03 - The
scale divisions correspond to Keely's three-way division of currents
- We can see both Russell and Keely adhered to the concept of
concentrating and decentrating forces.
"Charging systems are positive systems. Positive
systems
are male
systems. Male systems are 1+, 2+ and 3+. Discharging systems are
negative systems. Negative systems are female systems. Female systems
are 1-, 2- and 3-. Number four is equally a charging system and a
discharging system. It is male-female." [Russell]
"These threefold relations may be expressed with regard to
their results as,
I. Assimilative
II. Individualizing
III. Dominant or Resultant
"From these three actions are derived
the three fundamental LAWS OF BEING:
I. Law of Assimilation: every individualized object assimilates itself
to all other objects.
II. Law of Individualization: every such object tends to assimilate all
other objects to itself.
III. Law of the Dominant: every such object is such by virtue of the
higher or dominant force which controls these two tendencies."
[Brinton, Prof. Daniel, The
Laws
of Being]
12.04 -
Locked Potentials and the Square Law - In short this
scale is a representation of the well-known Square Law and its
reciprocal inverse. These two modes of motion-in-opposition are
presented as ONE MOTION or ONE FORCE behaving reciprocally and
rhythmically or periodically. The Minus
side radiates or dissipates energy as and according to The Square Law.
The other half of this cycle is syntropic (negentropic) in that energy
concentrates as a reciprocal of The Square Law or as is generally
known, the Inverse Square Law. The Scale of Locked Potentials
quantities are arithmetical and geometrical progressions and
regressions. See Figure
12.09
and Table
12.02. Science
has long recognized that energy radiates according
to the Square Law but science has totally ignored the accumulation of
force according to the inverse Square Law and it does not recognize
these two seemingly opposite dynamics operate concurrently. Likewise
science does not recognize that all matter, force and energy can be
placed or scaled at some point along this Scale of Locked Potentials
according to its type, concentrating (assimilating) or dissipating
(individualizing), and its relative
degree of same in relation to its respective octave and within the
total gamut of all matter and energy. See Chart of Matter and Energy.
-
-
Table 12.01
- Indig Numbers
- The Divine Trinity
-
Locked
Potentials - Phases of a Wave, Color and Elements
-
0
|
1+
|
2+
|
3+
|
4++
|
3-
|
2-
|
1-
|
0
|
Infra-red
|
Red
|
Orange
|
Yellow
|
White
|
Green
|
Blue
|
Indigo
|
Violet
|
Idea
|
|
|
|
Form
|
|
|
|
Idea
|
Keynote
|
Second
|
Third
|
Fourth
|
Fifth
|
Sixth
|
Seventh
|
Eighth
|
Ninth
|
Heaven
|
|
|
|
Earth
|
|
|
|
Heaven
|
Celestial
|
|
|
|
Terrestrial
|
|
|
|
Celestial
|
Alphanon
|
Irenon
|
Viajon
|
Marvaon
|
Tomion
|
Alberton
|
Blackton
|
Boston
|
Betanon
|
Betanon
|
Jamearnon
|
Erneston
|
Eykaon
|
Athenon
|
Barnardon
|
Delphanon
|
Romanon
|
Gammanon
|
Gammanon
|
Marconium
|
Penrynium
|
Vinton
|
Quentin
|
Tracion
|
Buzzeon
|
Helenon
|
Hydron
|
Hydron
|
Hydrogen
|
Ethlogen
|
Bebegen
|
Carbogen
|
Luminon
|
Halanon
|
Helionon
|
Helium
|
Helium
|
Lithium
|
Berylium
|
Boron
|
Carbon
|
Nitrogen
|
Oxygen
|
Fluorine
|
Neon
|
Neon
|
Sodium
|
Magnesium
|
Aluminum
|
Silicon
|
Phosphorus
|
Sulphur
|
Chlorine
|
Argon
|
Argon
|
Potassium
|
Calcium
|
Scandium
|
Cobalt
|
Arsenic
|
Selenium
|
Bromine
|
Krypton
|
Krypton
|
Rubidium
|
Strontium
|
Yttrium
|
Rhodium
|
Antimony
|
Tellurium
|
Iodine
|
Xenon
|
Xenon
|
Caesium
|
Barium
|
Lanthanum
|
Lutecium
|
Bismuth
|
Polonium
|
Mate to 1+
|
Niton
|
Niton
|
Mate to 1-
|
Radium
|
Actinium
|
Tomium
|
Alberton
|
Blackton
|
Boston
|
Alphanon
|
-
Motion-In-
-
Inertia
|
|
|
|
-
Motion-In-
-
Opposition
|
|
|
|
-
Motion-In-
-
Inertia
|
Cold
|
|
|
|
Hot
|
|
|
|
Cold
|
Discharged
|
|
|
|
Charged
|
|
|
|
Discharged
|
Expanded
|
|
|
|
Contracted
|
|
|
|
Expanded
|
Vacuum
|
|
|
|
Solid
|
|
|
|
Vacuum
|
Levity
|
|
|
|
Gravity
|
|
|
|
Levity
|
Magnetism
|
|
|
|
Electricity
|
|
|
|
Magnetism
|
Dispersed
|
|
|
|
Assimilated
|
|
|
|
Dispersed
|
Periphery
|
|
|
|
Centered
|
|
|
|
Periphery
|
Inharmonic
|
|
|
|
Harmonic
|
|
|
|
Inharmonic
|
Depolarized
|
|
|
|
Polarized
|
|
|
|
Depolarized
|
Tenuous
|
|
|
|
Dense
|
|
|
|
Tenuous
|
Sexless
|
|
Male
|
|
Bi-sexual
|
|
Female
|
|
Sexless
|
soul
|
|
coalesce
|
|
body
|
|
disperse
|
|
soul
|
vacuum
|
|
in
breathe
|
|
matter
|
|
out
breath
|
|
vacuum
|
actuality
|
|
|
|
reality
|
|
|
|
actuality
|
sanity
|
|
|
|
insanity
|
|
|
|
sanity
|
awake
|
|
|
|
ego
|
|
|
|
awake
|
nonaction
|
|
|
|
action
|
|
|
|
nonaction
|
0
|
1+
|
2+
|
3+
|
4++
|
3-
|
2-
|
1-
|
0
|
nighttime
|
|
|
|
daytime
|
|
|
|
nighttime
|
space
|
|
centripetal
|
|
form
|
|
centrifugal
|
|
space
|
heaven
|
|
absorb
|
|
earth
|
|
radiate
|
|
heaven
|
vapor
|
|
warm/heat
|
|
ice
|
|
cool/cold
|
|
vapor
|
idea
|
|
manifesting
|
|
thing
|
|
dissipating
|
|
idea
|
God
|
|
angels
|
|
Mankind
|
|
angels
|
|
God
|
quantum
|
etheric
|
atomic
|
|
molecular
|
|
atomic
|
etheric
|
quantum
|
thought
|
creating
|
thinking
|
decreating
|
thought
|
-
-
Table
12.01 - Indig Numbers and Scale of Locked Potentials
-
-
Figure 12.05 -
Russell's Cosmic Clock (color added)
Showing correspondences and relationships of
Locked Potentials as Indig numbers, colors and solfreggio music notes.
(courtesy University
of
Science and
Philosophy)
- 12.05
- Three Main Parts of a Wave - This scale has three main
parts:
-
- 1) The PLUS
(concentrating) side: 1+, 2+, 3+
-
- 2) The MINUS
(dissipating) side: 1-, 2-, 3-
-
- 3) The NEUTRAL points or
parts: 0 (Plus side), 4++ and 0
(Minus side).
- When a wave becomes
vortex motion and
the two mated pairs come together in balanced opposition at the 4++ or
fifth position there is
created a third condition of etheric vacuum. These three highly
dynamical states constitute the focal center about which "like
surrounding .. conditions are sympathetically subservient".
Notice how
a whirling tornado or hurricane dominates all air currents in its
immediate
environment. More on this later.
12.06 - Mid-Tones
and Neutral Centers
Mid-Tones
The Neutral Center Tones are the same as
Russell's mid-tones generated between the 4 and 3. This is the zone of
hyper-sex-activity wherein regeneration is initiated (mutual orgasms).
This intense action generates overtones (mid-tones) of increasing
discord. This process is explained in Keely's Law of Cycles:
"Coherent aggregates harmonically united
constitute centers of vibration bearing relation to the fundamental
pitch not multiples of the harmonic pitch, and the production of
secondary unions between themselves generate pitches that are discords,
either in their unisons, or overtones with the original pitch; from
harmony is generated discord, the inevitable cause of perpetual
transformation." Keely, 1894
|
12.07 -
Keely's Thirds, Sixths and Ninths - These three parts
correpond to Keely's "thirds, sixths and ninths " so often discussed
but not understood - and within context. Keely referred to the triune
flow in its entirety
as '100' which number represented the complete flow as in "100 parts of
a whole" as often used in recipes measured in PORTIONS or PARTS.
Further, Keely
viewed this flow in three distinct yet unseparated parts each part
considered as a third of the whole as in portions
of a whole. (See Part
14 - Keely's
Mysterious Thirds, Sixths and Ninths)
-
Figure 12.06 - Mind Centers and Controls
Motion (colors added)
(courtesy University
of
Science and
Philosophy)
12.08
- The
PLUS side - The Plus or Positive side of the Scale of Locked
Potentials has the major feature or attribute of concentrating or
aggregating (syntropic, negentropic) toward a center; i.e. electric
assimilation. This is Keely's HARMONIC or NINTHS side of the equation
and portion of the whole.
-
Figure 12.07 - Plane of Inertia showing
Focalizing Action (colored notation added)
(courtesy University
of
Science and
Philosophy)
12.09
- The
MINUS side - The Minus or Negative side of the Scale of
Locked
Potentials has the major feature or attribute of dissipating or
dissociation (entropy) from a center; i.e. magnetic dispersion. This
is Keely's ENHARMONIC or SIXTHS side of the equation and portion of the
whole. These seemingly opposite features or attributes have been paired
in groupings
in many of Russell's charts. There appears, at first glance, to be a
contradiction between Russell's Scale of Locked Potentials and Keely's
notion of Thirds, Sixths and Ninths. There is not a confusion as
Keely's Thirds, Sixths and Ninths are the three states or conditions of
force and energy while Russell's Scale of Locked Potentials is a scale
of measurement or degree of those forces and energies.
12.10
- Keely's Musical Constructs of Increasing and Decreasing Vibratory
States
- Keely was first and foremost a musician. He saw the universe and all
it contains as musical constructs thus he expressed the truths he found
in musical terms. Music is organized vibration and oscillation.
Unorganized vibration and oscillation is just noise. For instance a
Keely Sixth is the
dissipative (entropic) side of the equation and
depending on its state or degree of dissipation may be placed along the
MINUS side of Russell's scale at -1, -2, or -3. Likewise a Keely Third
is
the concentrating (syntropic) side of the equation and depending on
its state or degree of concentration may be placed along the PLUS side
of Russell's scale at +1, +2, or +3. Basically, a musical octave is
composed of four thirds going up in frequency to the octave position.
In standard music theory the INVERSE of a third is a called a SIXTH -
so increase by thirds and decrease by sixths, conceptually speaking.
Whether this holds arithmetically has not yet been worked out
(08/24/08). Keely's NINTHS corresponds to Russell's Zero Point of the
Infinite Octave which he says does not figure into numeration and
activities. This concentrating and dissipating
action is shown in Russell's painting below represented by the actions
of focalizing and defocalizing lens. The large lens in the center is,
at its vertical center line, pure vacuum or pure potential of full
neutrality-in-inertia. This point has what appears to be infinite
density because at this point all impinging energies from the center is
received, regenerated and returned much as an echo is an impacting
sound received, regenerated and returned to its source. The Principle
of Regeneration is illustrated here
and here.
Figure 12.08 - Plane of Inertia (center
lens) shown as an Optical or Focalizing Function
(courtesy University
of
Science and
Philosophy)
-
12.11
-
Eighteen Attributes or Dimensions - The Scale of Locked
Potentials can be applied to the eighteen attributes
or dimensions of matter and motion as presented by Russell.
See Part 9
for additional
information on these eighteen attributes/dimensions. These
attributes/dimensions are the descriptors of matter, force and energy.
By varying these attributes or dimensions matter, force and energy may
be modified. Or the
reverse can occur as these attributes/dimensions are changed so is the
matter, force and energy manifesting. (A few additional
attributes have been added by the author as it is deemed these would be
important and/or useful in certain calculations or considerations.)
-
NOTE: Russell's The
Universal One efforts to explain each of the following:
-
12.12
- Length
(Distance, Radius)
-
12.13
- Breadth (Area,
Square)
-
12.14
- Breadth
(Area, Circle)
-
12.15
- Thickness
(Volume, Cubic)
-
12.16
- Thickness - (Volume,
Sphere)
-
-
Figure
12.09 - Dimensions and
Their Relationships
(courtesy University
of Science and Philosophy)
-
Table 12.02 - Length, Area
& Volume Math
In
the above graphic it is clear:
Relative
Volume
Accumulating
Dispersing
4+
= 1/8 of 3+ or 3+ = 8 X 4+ or 8^1
3+
= 1/8 of 2+ or 2+ = 8 X 3+ or 8^2
2+
= 1/8 of 1+ or 1+ = 8 X 2+ or 8^3
Numeric
Progressions (units)
1st
Dimension = Linear = 1, 2, 4, 8..
(Doubling, nX2)
2nd
Dimension = Area = 1, 4, 8,
64.. (Squaring, n^2)
3rd
Dimension = Volume = 1, 8, 64, 512.. (Cubing, n^3)
Volumes
Cube
volume = 1 = 1^3
Cube
Volume = 2 = cube root of 2 = 1.259922 on side
Cube
Volume = 4 = cube root of 4 = 1.587403 on side
Cube
Volume = 8 = cube root of 8 = 2 on side
therefore
Table 12.02.01 - Wavelengths
and Frequencies - Octave
Relations of Russell's Indig Number System
Indig
|
Vol. Units
|
Vol. Calc
|
Wavelength
|
Example
|
Octave
|
Note
|
4
|
1
|
1^3
|
1
|
1 cps
|
4
|
G as 4th octave
|
3
|
8
|
2^3
|
2
|
1/2 cps
|
3
|
F as 3rd octave
|
2
|
64
|
4^3
|
4
|
1/4 cps
|
2
|
E as 2nd octave
|
1
|
512
|
8^3
|
8
|
1/8 cps
|
1
|
D as 1st octave
|
0
|
|
|
|
|
|
C## non-octave
|
|
-
- 12.17 -
Note about Octave Relationships
in Russell's System - Keep
in mind Russell claimed 'tone' (music notes) did not follow the
Locked
Potential pattern and nor do his Indig numbers match music notes in a
single
octave. His numbering system does not follow musical note progressions
as we understand musical notes as they occur within a single octave.
When considering Russell's Indig numbers as musical tones we are forced
to assign multi-octave values to the notes because of basic
physics
reasons. This
is because as volumes decrease so
does wavelength (as cube root of the volume) decrease which of course
is an
increase in frequency. These naturally occuring
arithmetical relations demands/stipulates these Indig numbers are octave
relationships when considered relative one to the others and
not fractions of octave relationships
(notes) as music
notes within a single octave would indicate as presented by Russell
(Figure
12.05).
Apparently Russell used this notation as a short-hand or
convention within the context of his ideas to show degrees of
relativity or harmony. Please
see Part 11 wherein music notes/intervals and Russell's Indig numbers
have been matched up.
For instance, a wave length of 8 (volume of 512 units at 1+, Figure 12.09)
corresponding to a volume that is decreased to
a
volume of 64 (at 2+) which divides the corresponding wavelength by two
and
thereby doubles
the frequency to the next octave and so forth for all
subsequent Indig
steps.
Therefore these are progressions from one octave to the next octave
because
length is halved in each step, thus doubling the frequency at each
Indig
step. This reveals what Russell labeled an octave is actually a gamut
or range of octaves where 0, 1-, 2-, 3-, 4++, 3+, 2+, 1+, 0 covers a
range
of four octaves (Table
12.02.01
and Figure
12.10)
of actual frequency progressions. This counting by multiple octaves is
all very interesting when we
realize Keely counted octaves in gamuts of seven octaves (these being
true musical octaves). In Figure
12.04 we see what Russell would call
two octaves in his system but in standard musical systems the chart
would be showing two times four octaves or eight full octaves of
vibratory movement as clearly shown in Figure 12.10.
Of course we know from the vibration
section, Part 9 the above octave progressions pertain to vibration
while oscillation is in reverse proportional
digression; i.e., when one increases the other decreases. For
instance, as speed is wound up into power going from 1+ to 4+ vibration
is actually decreased in
freqeuncy while oscillation is proportionately and
reciprocally increased in
opposite amount. This Principle of Reciprocity holds for all the other
Locked Potential relationships.
 |
-
Figure
12.10 - Russell's Locked Potential Wave as Function of Multiple Octaves
- 12.18 -
Multiple Octave Progression
- Having said all the above about multiple octave counting we must
admit when counting up four octaves then immediately counting back down
that this makes no sense. And it does not make sense because this is
not a linear and straight line progression as one would, say, count
keys on a piano keyboard from left to right. Russell is pointing out
with this pattern the concept that energy accumulates from the seeming
empty vacuum of space at 0 and condenses to a sphere at 4++, point of
Voiding two seeming opposite states, syntropic and entropic which he
sometimes calls Father and Mother.
"The supreme effort of this book (Atomic
Suicide?) is to have
you comprehend that Creation is a division of The Eternal One into
countless twos of sex-conditioned opposites, which eternally seek to
void their division by uniting as One." [Russell, Atomic
Suicide?] |
Within
Russell's discussion of octave relationships he maintains the entirety
of the Electromagnetic Scale is a vast gamut of ten octaves. Wherein,
for instance, Carbon sits at the center position in octave five at the
Perfect Fifth location of "G" or 4++. Thus within his system Carbon
would correspond to music note "G" at the center of a ten octave gamut.
All this is symbollic of course and not standard
musical notes as we know and categorize them. However, the principles
that are found in music such as relativity, reciprocity, additive
synthesis and many others are as much a part of his philosophy as that
of Keely's. More on these music relations can be seen in Part 11.
Figure 12.11 - Russell's Locked Potential Full Ten Octave Gamut
- 12.19 -
Fibonacci
Relationships - Fibonacci numbers constitute a
special relativity or relationship between themselves and are
an arithmetical
progression that is additive and accumulative.
Such functions become
part
of the next step in that going from 1+ to 2+ to 3+ to 4++ are steps
that progress with the first quantity added to the next quantity and so
on. This is a Fibonacci Progression of function of 1 + 2 = 3 and 2 + 3
= 4 (remembering these are steps and not numeric quantities). So the
power accumulation spirals inward while the power dissipation spirals
outward in reverse Fibonacci series. The Russell Indig
numbers
are as the Fibonacci Series in that they add and accummulate in a
specific and special relationship when syntropic. Of course the reverse
is true when entropic.
12.20 - PHI - 10/05/04.
edited 02/10/08: The Golden Spiral
or Golden Mean or PHI (1.618...) is a decimal approximation* to the
ratio of the Fibonacci Series expressed in Whole Numbers. While a ratio
of two values can be considered extremely accurate that same ratio
reduced to a decimal equivalent may not always be. Mathematicians have
an artificially instilled and non-thinking habit of reducing ratios to
decimals no matter what. Nature doesn't do this but respects that which
is. If mathematics is to understand by mirroring nature why to they do
it? In order of
increasing decimal equivalent value, as shown below, the music interval
equivalent oscillates between Minor and Major Sixths. As the PHI ratio
decreases a musical interval of Enharmonic Sixths is approached save
there is no Enharmonic Sixths in standard music and as such cannot
actually be reached any more than the approximation can resolve itself.
PHI is an irrational number just as PI is irrational; i.e., a reduced
ratio of two unlike entities. Which is to say should never be reduced
because to do so is dividing apples by oranges - a straight line
(diameter) is not the same as a curved line (circumference). The same
principle applies to PHI whole number ratios being composed of two
distinct entites; i.e., a lower quantity and a higher quantity. I admit
this sounds trivial but it is not as nature does not admit to a 0.9
pregnancy. Please review Hull's Quadrature
of the Circle
wherein he reviews Parker's original squaring of the circle by NOT
dividing unlike terms such as triangles, squares, circles and
components thereof such as straight and curved lines.
RATIO DECIMAL APPROXIMATION
1:1 =
1
= Unison
2:3 =
1.5
= Perfect Fifth
5:8 =
1.6
= Minor Sixths
13:21 = 1.61538... = Minor Sixths
∞:∞ =
∞
= Enharmonic Sixths
21:34 = 1.61904... = Major Sixths
8:13 =
1.625 =
Major Sixths
3:5 =
1.6667 = Major Sixths
1:2 =
2
= Octave
Nature,
especially music, works on a natural basis. The human tendency to
"round off" is never found in nature. The (in)human decimal (Metric)
system has naught to do with naturally occuring phenomena which seems
to prefer whole number ratios and proportions whether base 1, 2, 3, 5,
7 or
12 or other.
*APPROXIMATION: "something that is approximate
especially : a mathematical quantity that is close in value to but not
the same as a desired quantity" [Merriam-Webster]
- 12.21 -
Fibonacci Whole Numbers v. Irrational
Decimal near Equivalents - It
is acknowledged most
people have grown accustomed to resolving the discrete Fibonacci
numbers into an approximate decimal equivalent of
1.618... better known as PHI. This writer suggests the power and
meaning found in the Fibonacci Series is NOT in the resolved decimal
quantity but in the relationships between the discrete numbers, steps
or progression of same. To reduce the relationship to an approximate
decimal removes the individual quantities of each step thus
substituting the relationship of two distinct accurate quantities for a
less meaningful and less accurate decimal. The decimal PHI can be
useful in measuring spirals while the powers that created PHI and hence
the pattern were derived from two distinct numeric entities, part of a
powerful sequence.
- 12.22 -
The Continuing PI Rant - This
exact
same argument can be presented over the reduction of PI
(3.1415942692...) from 20612 parts of circumference divided by 6561
parts of diameter. The latter two source quantities are rational, whole
and natural while the reduced decimal is approximate, irrational,
unnatural and definitely not whole. The phenomenon of PI is well,
though not exhaustively, explored in Hull's book, Quadrature
of the Circle, an exploration of John Parker's
original Quadrature
of the Circle. The mathematical relation of a
circle's diameter to its circumference is usually taken to be
3.14159... This value however is an irrational number and contains an
error which is simple to see when one realizes a whole diameter exists
within a whole circumference. The true value of PI as given by Keely/Parker
is
20612 : 6561 which must remain an integer ratio of two whole numbers
and NEVER REDUCED to a decimal equivalent, which is where the error
comes in. These numbers are to be regarded as parts of a whole relative
to each other.
Whole numbers relative to each other is an accurate exemplification of
the Law
of One
in all three
of its
aspects.
 |
 |
Figure 12.12 - Russell's
Multiple Octave Waves as Fibonacci Spirals
- Figure 12.13 -
Some Multi-Dimensional as Inverse and Direct Reciprocal Relationships
12.23
- Time
(orbit period, see 12.37 below)
12.24
- Time
(spin period, see 12.38
below)
12.25
- sex (see Polarity, Polarization,
Duality, dipole, bias)
12.26
- pressures - Pressure is discordant and entropic.
Apparently is
caused (during matter dissociation) by liberated etheric substance in
an entropic state. Matter being energy captured and held in a syntropic
condition (harmony) waiting to be released or liberated under the
correct entropic conditions (discord).
12.27
- potentials
12.28 - temperature (heat and
cold)
- 12.29 - Origin
and Nature of Heat - In Keely's vibratory
philosophy heat exists on or within the fourth level or subdivision of
matter and energy:
-
- "No molecular
structure can contain and hold the ether of the seventh subdivision,
not even that lowest order - ether of the fourth subdivision - which is
liberated as heat in chemical action. " [Keely, Snell
Manuscript]
- "The origin of
heat and light is easily accounted for by the action of the sympathetic
celestial streams, when we consider the vibratory frequency of light as
say 500,000,000,000,000 per second. Heat and light belong to the
highest orders of the phenomenal and can only be accounted for by
considering sympathetic streams under high velocity as being
interchangeable both to and from focalized negative attractive centers."
[Snell
Manuscript]
- Further he claims heat
or thermal activity occurs when celestial streams collide with
coarse molecular or atomic matter - giving rise to a different kind of
vibration as light (infra-red) which we identify as a source of heat
when according
to Keely is not the source or cause but a participant and effect
in the
liberation of
thermal energies from another cause of a much higher frequency range.
"These conditions of luminosity
(luminiferous ether) have no thermal forces associated with them;
although, paradoxically, all thermal conditions emanate from that
source. The tenuity of this element accounts for it. It is only when
these sympathetic streams come in conflict with the cruder elementary
conditions, either the molecular or atomic, that heat is evolved from
its latent state, and a different order of light from the etheric
luminous is originated, which has all the high conditions of thermal
force associated with it; the sun being the intermediate transmitter.
Thus is shown the wonderful velocity of these sympathetic streams
emanating from the celestial." [pg 271 of Keely
and His Discoveries]
- In the above quote we see
why there are
no stars in photographs taken from outside of the atmosphere unless
taken under special conditions. Light travels as harmonic sympathetic
streams through space and not as light (photon flows). This stream of
sub-quantum harmonic etheric energy collides with focalized
negative attractive centers of
coarser quanta such as in atoms and molecules creating a reradiation
and demodulation (Principle
of Regeneration) into
frequency ranges suitable for our human narrow band-pass filters
(senses) to register.
 |
 |
-
Figure 12.14 - Space Walk
photos showing no stars in the background
- "Heat and
light do not exist in space. The percussion of the vibratory
sympathetic streams emanating from the neutral center of the sun,
evolves them from the earth's atmospheric envelope. The
interchangeability of light and heat, which are in a certain sense, one
and the same, has been a mystery. However, this is explained by the
sympathetic etheric stream bombarding the dense portion of the
molecular in seeking its sympathetic concordant focalized neutral
center in the planetary or molecular mass."
"There is no thermal accompaniment to
self-luminescence evolved by vibrational frequency of the ether
(seventh subdivision) and yet, paradoxically, all thermal conditions
emanate from those same etheric vibrations. This is accounted for by
the tenuity of the ether. Only when the streams come in contact with
crude matter is heat evolved from its latent state. Accompanying this
evolved heat is a different order of light from the luminiferous ether,
this being a translation through the neutral center of the molecule of
the sympathetic streams into radiations of heat and light."
See Principle
of Regeneration.
"The celestial current or etheric
dominant which is also the prime third of the triune electric flow
induces "aqueous disintegration" and "thermal concentration" and these
two "prime conductors" display a "coincident sympathetic chord" with
the celestial current. They are themselves the link between the
terrestrial and celestial. The absence of the sun on one side of the
earth and the absence of water on one side, would make terrestrial
magnetism and electricity static - the highest order of chaos."
(See illustration.)
"The heat generated by the electric
stream is caused by the velocity of the triple subdivision at its point
of dispersion as each component seeks its medium of affinity
(dissociation into constituent or aliquot parts)."
"Heat is a vibro-atomic element
with a frequency at its greatest intensity of not more than 14,000 per
second and is latent in all matter, visible and invisible. This element
in varying degrees of intensity, is liberated together with light by
the velocity of the sympathetic flow from the sun, the intensity
varying with the angle of this sympathetic projectment (refraction
or differentiation)
in the
terrestrial atmosphere."
12.30 -
Thermal Radiation and Thermal Vacuum or
Cold - "Thermal radiation (and
its
accompaniment, thermal vacuum or cold) comes below the first atomic"
(probably atomic). Since its vibratory frequency is so low and its
effects so considerable, it probably will be found to vibrate in the
dominant mode.
"Radiant heat" is that property of
the element heat, after its liberation from corpuscular imprisonment,
by means of which it reaches out for reabsorption and return to its
sympathetic environment.
All moving bodies of visible matter
produce heat according to their velocity. The flow of gases induces
"thermal reduction" (transmutation to the thermal element) from
molecular friction. The molecules never actually come in contact with,
or rub each other, and no pressure, however great, can cause molecular
contact. However, the molecular volume can be reduced by enormous
pressure and the tension on their rotating etheric envelopes induces
heat. This induction of heat is a positive proof of the wonderful
rotating frequency of the rotating envelope. Were the molecules dead to
sympathetic vibration and possessing no rotating etheric envelope, all
molecular volumes would be compressible and thermal change in the
slightest degree could not result from pressure."
[Keely, Snell
Manuscript]
12.31
-
Heat Generated Through Resistance to Compression
"Heat and
cold are opposites. Inwardly bound light rays (luminiferous
etheric vibratory
sympathetic streams) generate
heat from cold
by compressing cold. Outwardly bound light rays degenerate heat into
cold by expanding heat (radiation)."
[Russell, The
Secret
of Light]
"All moving bodies of visible
matter produce heat as according to their velocity. The flow of gases
only induces thermal reduction from molecular friction. By this term it
must not be understood that the molecules actually come in contact, and
rub against each other. There is no pressure, however great, that can
cause molecules contact. The area of the volume of the molecule can be
reduced by enormous pressure, and the tension thus brought to bear on
their rotating envelopes induces heat. The heat thus induced is a
positive proof of the wonderful velocity of the etheric envelope. If
the molecules were dead - which is an infinite impossibility - to
sympathetic vibration, and without a rotatory envelope if all the
pressure possible to conceive were brought to bear upon them, it would
not induce the slightest thermal change." [Keely
and His Discoveries]
"The
area of
the volume of the molecule can be reduced by enormous pressure, and the
tension thus brought to bear on their rotating envelopes induces heat."
[Keely, Snell
Manuscript]
- 12.32
- ionization - Deharmonized (repulsion, disintegration,
dissociation as per cavitation) See valence
- 12.33
- crystallization
- Juxtaposed, reciprocal
and proportional degrees of attraction as also differentiation
(refraction) due to/with angular offsets.
- 12.34
-
valence - Harmonized (affinity, attraction, aggregation)
See ionization
Russell's description of valency is short but packed
with meaning and consequence. In short, valency is
the degree of attraction or affinity, to use a Keely/Macvicar term.
This measurement, as presented in Russell's The
Universal One, page 245, shows discrete degrees or steps of
attraction/affinity as per each element. Each element is different but
varies according to arithmetical relations of reciprocal
proportionality as demonstrated in the Scale of Locked Potentials.
Should we combine this attribute with Keely's morphology of three
contracting and rotating shells
it is possible to address the "how" and "why" of attraction/affinity
variances between elements by virtue of angle/plane of spin and its
consequence: refraction or differentiation which
refraction/differentiation is the splitting of a One Whole Unit into
its constituent parts much like rainbow colors refracted from unseen
'white' sun
light. Hence, as in music, a scale's notes are 'split' or
mathematically derived from their keynote or fundamental. Just so, the
One Substance
permeating the universe is refracted or differentiated into the myriads
of elements of material appearance.
- 12.35 - End of
The Electron Theory
- This concept of deriving varying degrees of attraction by virtue of
angular impact and reradiation could be the end of the theory of the
discrete particularized electron. Which electron, by the way, was
originally defined to be the least QUANTITY (or quanta) of
electrical force and not a
thing. Therefore "electron" is a quantity of measurement (such as a
gallon or yard) and never was intended to be a thing, discrete and
individuated unto itself.
 |
-
Figure
12.15 - Angles of Incidence of Sympathetic Streams
- 12.36 -
Angles of Incident of Etheric Sympathetic
Streams - These
sympathetic streams are flows of harmonic or coincident overtones.
These compound harmonic overtone waveforms were discussed in Part 8 and 9
and the Bjerknes
Effect. These special waveforms bring in energy when
sympathetic wherein occurs additive amplitude synthesis. Thus showing a
0° incidence contributes the most to this syntropic process while at
higher angles the addition or summing of energy decreases
proportionately.
At 0° an incident Longitudinal Wave will generate, through the
Principle of Regeneration, and mirror or echo Longitudinal Wave.
At 45° an incident Longitudinal Wave will convert into a Transverse
Wave.
At 90° an incident Longitudinal Wave will convert into a Raleigh or
Love Wave (vortex).
- 12.37 -
axial
rotation (planet
or
particle spin)
- 12.38 - orbital
revolution (planet
or
particle
revolution of orbit)
- 12.39 -
mass
(weight)
- 12.40 -
color
- 12.41 -
plane
(degree above or below plane of ecliptic of primary)
- 12.42 -
tone (sound, musical tones)
- 12.43 -
ecliptic
(above or below plane of ecliptic of primary)
Section
Parts and Addenda
Part 00 - Executive Summary
Part 01 - Overall
General View
Part 02 - Origin of Polar States
Part 03 - Polarity Creates
Rotating
Vortex
Part 04 - Rotation on Three
Planes
Part 05 - Three Rotating Planes
Become Spheres
Part 06 - Formation of Cubes
Part 07A - Origin and Formation
of
Matter
Part 07B - Origin and Formation
of
Matter
Part 08 - What Vibration Is. -
Part
1
Part 09 - What Vibration Is. -
Part
2
Part 10 - What Sympathy Is
Part 11 - SVP Music Model
Part 12 - Russell's
Locked
Potentials
Part 13 - Rotation from
Vibration/Oscillation
Part 14 - Keely's Mysterious
Thirds, Sixths and Ninths
Part 15 - Dissociating Water
Acoustically
Part 16 - Electricity and
Magnetism
Part 17 - Gravity
Part 18 - Mind as an
Engineerable
Force
Part 19 - Musical Dynasphere -
Historical
Part 20 - Musical Dynasphere - Current
Research
- - - - - - - - - - - -Addenda - - - - - - - - - - - -
01 - Bjerknes Effect
02 - Chart of Locked
Potentials
03 - Ether
04 - Origin of Matter
05 - Indig Numbers
06 - One Phase of Keely's
Discoveries...
07 - Pond's Original Notes on
the Scale of Infinite Ninths
08 - Laws of Being
09 - Table of the Elements
10 - Keely's Forty Laws
11 - Russell's Laws and
Principles
12 - What Electricity Is.
13 - Puharich, Water
Dissociation via AC
14 - As a Man Thinketh
15 - Genero-Radiative Concept
16 - The Action of Force is
Spiro-Vortex
17 - Russell's Optic
Dynamo-Generator
18 - Etheric Vibratory Scale
96 - Index of ebooks
97 - Disclaimer
98 - Footnotes
99 - Compendium and
Definitions
"A
truth's initial commotion is directly proportional to how deeply the
lie was believed. It wasn't the world being round that agitated people,
but that the world wasn't flat. When a well-packaged web of lies has
been sold gradually to the masses over generations, the truth will seem
utterly preposterous and its speaker a raving lunatic."
~~~Dresden James
[updated 06/02/09]
©Dale Pond, 2007, 2008, 2009
Copyright
Notice
All text, photos, graphics, artwork and
other material part of the SVP Cosmology documents are copyrighted and
may not be published, broadcast, rewritten or redistributed without
permission.
SVP text, photo, graphic, audio and/or video
material shall not be published, broadcast, rewritten for broadcast or
publication or redistributed directly or indirectly in any medium.
Neither these SVP materials nor any portion thereof may be stored in a
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PSI or DSR will not be held liable for any delays, inaccuracies, errors
or omissions therefrom or in the transmission or delivery of all or any
part thereof or for any damages arising from any of the foregoing.
If
you have any questions regarding copyright or use of these materials,
contact Dale Pond at the Pond Science Institute by email at
dalesvp@centurytel.net, by telephone at 720-249-2731 or by mail at 921
Santa Fe Avenue, La Junta, Colorado 81050 and we will address
your concerns.
|
Part
12 - Russell's Locked Potentials
12.00 - Reciprocating
Proportionality
12.01 - Scale of Locked Potentials
Figure 12.01 - 4++ Power Centered Scale
Figure
12.02 - 0 Inertia
Centered Scale
Figure
12.03 - Scale Showing
Relations of Light, Color and Tones (color added)
12.02 - Universal Energy Unit,
Constant or Impulse
Figure
12.04 - Locked Potential
Points, Relations and Descriptions
12.03 - The scale divisions
correspond to Keely's three-way division of currents
12.04 - Locked Potentials and the
Square Law
Table
12.01 - Indig Numbers -
The Divine Trinity
Locked Potentials - Phases of a Wave, Color and Elements
Figure
12.05 - Russell's Cosmic
Clock (color added)
12.05 - Three Main Parts of a Wave
12.06 - Mid-Tones and Neutral
Centers
12.07 - Keely's Thirds, Sixths and
Ninths
Figure
12.06 - Mind Centers and
Controls Motion (colors added)
12.08 - The PLUS side
Figure
12.07 - Plane of Inertia
showing Focalizing Action (colored notation added)
12.09 - The MINUS side
12.10 - Keely's Musical Constructs
of Increasing and Decreasing Vibratory States
Figure 12.08 - Plane of Inertia (center
lens) shown as an Optical or Focalizing Function
12.11 - Eighteen Attributes or
Dimensions
12.12 - Length (Distance, Radius)
12.13 - Breadth (Area, Square)
12.14 - Breadth (Area, Circle)
12.15 - Thickness (Volume, Cubic)
12.16 - Thickness - (Volume,
Sphere)
Figure
12.09 - Dimensions and
Their Relationships
Table
12.02 - Length, Area
& Volume Math
Table 12.02.01 -
Wavelengths and Frequencies - Octave Relations of Russell's Indig
Number System
12.17 - Note about Octave
Relationships in Russell's System
Figure
12.10 - Russell's Locked
Potential Wave as Function of Multiple Octaves
12.18 - Multiple Octave Progression
Figure
12.11 - Russell's Locked
Potential Full Ten Octave Gamut
12.19 - Fibonacci Relationships
12.20 - PHI
12.21 - Fibonacci Whole Numbers v.
Irrational Decimal near Equivalents
12.22 - The Continuing PI Rant
Figure
12.12 - Russell's
Multiple Octave Waves as Fibonacci Spirals
Figure
12.13 - Some
Multi-Dimensional as Inverse and Direct Reciprocal Relationships
12.23 - Time (orbit period)
12.24 - Time (spin period)
12.25 - sex (Polarity,
Polarization, Duality, dipole, bias)
12.26 - pressures
12.27 - potentials
12.28 - temperature (heat and cold)
12.29 - Origin and Nature of Heat
Figure
12.14 - Space Walk photos
showing no stars in the background
12.30 - Thermal Radiation and
Thermal Vacuum or Cold
12.31 - Heat Generated Through
Resistance to Compression
12.32 - ionization
12.33 - crystallization
12.34 - valence
12.35 - End of The Electron Theory
Figure
12.15 - Angles of
Incidence of Sympathetic Streams
12.36 - Angles of Incident of
Etheric Sympathetic Streams
12.37 - axial rotation (planet or
particle spin)
12.38 - orbital revolution (planet
or particle revolution of orbit)
12.39 - mass (weight)
12.40 - color
12.41 - plane (degree above or
below plane of ecliptic of primary)
12.42 - tone (sound, musical tones)
12.43 - ecliptic (above or below
plane of ecliptic of primary)
|