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Table of Correspondences


Pituitary Heaven Interetheric 7th Order
B
-2
Pineal Name Interetheric 6th Order
A
-3
Thyroid Will Interetheric 5th Order
G
Thymus Evil Interetheric 4th Order
F
+3
Adrenals Debts Interetheric 3rd Order
E
+2
Lyden Temptation Interetheric 2nd Order
D
+1
Gonads Bread Interetheric 1st Order
C
-1
Lymph
C##
0

Table of Correspondences

These correspondences hold for any octave. The principles that generate music scales is the same principle that creates all other correspondences. See As Above So Below and Metaphor. For instance if "C" is taken as the fundamental all the other notes are derived when "C" is sounded as discrete developments of the Overtone Series. This breaking out process is called refraction of a One Whole stream such as the sunlight coming from the Sun and differentiating into a rainbow. See 1.21 - It Really Is a Musical Universe for a brief description of this progressive evolutionary process.

Refracted or differentiated white or non-observable (undifferentiated) light from the sun into observable color and matter. [See White Light, Full Harmonic Chord]

Rainbow is Differentiated White Light

Differentiated White (not visible) Light into Visible Light


Just as the relationship of hypotenuse of face/base to centre of the Great Pyramid is Phi/1 (angle of face is 51.82729237). Which is the angle of incidence of the secondary rainbow often observed in the aftermath of large storms.

Primary Arc: 40° - 42°
Secondary Arc: 52° 15'

Rainbow

Double Rainbow



Circular Glory Rainbow

12 types of rainbows

See Also

Ark of the Covenant
Differentiation
Refraction
Snells Law
Transverse Wave

Break-out of Colors, Tones and Attributes

Figure 4.16 - Break-out of Colors, Tones and Attributes.
(click to enlarge)


See Also

Color
Differentiation
Music


Image

Figure 12.03 - Scale Showing Relations of Light, Color and Tones (color added)



See Also

12.01 - Scale of Locked Potentials
12.04 - Locked Potentials and the Square Law



See Also

4plusplus
12.03 - Russell scale divisions correspond to Keelys three-way division of currents
12.40 - Color
As Above So Below
Chart of Locked Potentials important table
Color
Correspondence
Figure 12.03 - Scale Showing Relations of Light Color and Tones
Figure 4.16 - Break-out of Colors Tones and Attributes
Figure 4.17 - Musical Relationships of Colors Tones and Attributes
Figure 7B.01 - Colors Represent Relative Frequencies
Figure 7B.02 - Colors and Tones
Figure 12.03 - Scale Showing Relations of Light Color and Tones
Indig Numbers
Law of Correspondence
Metaphor
music note or sound colors
Octave Relationships
Table of Glands and Correspondences
Tables


Page last modified on Wednesday 28 of December, 2011 03:48:47 MST

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