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Poles in Harmonies

POLE in Harmonies of Tones and Colours [page numbers are of the pdf]

Mrs. F. Hughes writing "Tones and Colors", advances theories of her own, which correspond with Keely's. "I firmly believe that exactly the same laws as those which develop sound keep the heavenly bodies in their order. You can even trace the poles in sound." [Snell Manuscript - The Book, page 2]

• "Notice that F# is not a root to any major key-note, and how in the growth of keys and the meetings by fifths the use of the double pole is seen, G♭ becoming D♭." page 4

• The use of the two poles F# G♭ in tones and colours - page 18

• Minor key-notes developing by sevens, veering round and in musical clef below—The use of the two poles D#-E♭ is seen - page 19

• In a few remarks on "Tones and Colours," inserted in the Athenæum of February 24, 1877, I alluded to the great loss I had sustained by the sudden death of Dr. Gauntlett. I often retrace with grateful remembrance the kind manner in which he examined this scheme when it was but crude and imperfect; with a very capacious intellect, he had a warm and generous heart, causing him to think over with candour any new ideas placed before him. He was of the greatest use to me, by corroborating the points which I had gained. I remarked to him one day, "I find that, of the double tones, F is a key-note and G a root." He replied, "You must have a right foundation to work upon, or you would never have ascertained the necessity of the two poles; you have gained the double tones correctly, and the development of harmonies without limit. On this point I have always felt the failure of the laws followed by the musician." page 25

• In the musical clef, the sixth and seventh notes from the fundamental key-note C (F and F#) are repeated, so that the use of the two poles (F# and G♭ may be clearly seen, and that the notes and colours precisely agree. page 43

• The first circle are 7 Key-notes, their roots having been the last 7 Key-notes that have developed. The second circle is a continuation of the first, shewing the 7 previously developed Key-notes are the roots of the 7 higher Key-notes. Below, the 6th and 7th Key-notes are repeated, to shew the use of the poles F#, G♭. page 45

• The following table shows the regularity of each seven of the twelve key-notes ascending by fifths, and the use of the two poles is again seen. The key-notes and their trinities are closely linked into each other, the three highest notes of the lower fifth key becoming the three lowest of the higher fifth key, and the four lowest becoming the four highest in an octave higher. The twelve keys, rising in each note a tone higher and descending a tone lower, cause the meetings by fifths. page 57

• THE TWO POLES page 58

• THE TWO POLES page 59

• In the musical clef the sixth and seventh notes from A, the fundamental minor key-note, are repeated, in order to show the use of the poles D#-C♭, and that the colours agree. The use of the two poles, both in the major and minor series, is strikingly evident. page 73

• The first circle are 7 Minor Key-notes, their roots having been the last 7 Key-notes that have developed. The second circle is a continuation of the first, shewing the 7 previously developed Key-notes are the roots of the 7 higher Key-notes. Below, the D# and E♭ are repeated, to shew the use of the two poles. page 75

See Also


Book 02 - Chapter 07 - Instability, and the Illusion of Stability in Motion centering shaft Chapter VI - The Mentative Poles cyclone shaft Figure 13.23 - Three Actuators on Shaft and Black and White Coatings Figure 15.05 - Nine Pairs of Gravity Poles Figure 16.05 - Electric Centering Shaft around which dances Magnetic Vectors Figure 2.13 - Swirling Vortex around Neutral Centering Shaft Figure 4.11 - Six Planes and Three Shafts Coincide to Produce Spheres Figure 7B.17 - Multiplying Force to Poles of a Bar Magnet Figure 7B.18 - Four Poles of a Bar Magnet gravity extends to a shaft Gravity is a shaft of Mind-controlling stillness gravity shaft gravity shafts Instability and Stability 102 Instability and Stability 104 Instability and Stability 106 Intermediate Axis Theorem Magnetic poles of gravity Magnetic Shaft mate-pairs Neutral Center octave wave shaft primary shaft of gravity shaft shaft of gravity shaft of Magnetic stillness still Magnetic shafts three poles two dividing poles two poles wave shaft zero shaft 3.17 - Magnetic Electric Poles 3.20 - Poles within Poles 7.8 - Matter and Spirit are Opposite Poles

Created by Dale Pond. Last Modification: Tuesday January 12, 2021 04:19:24 MST by Dale Pond.