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Part 11 - SVP Music Model



11.01 - Introduction
11.02 - Attributes of the Scale of Infinite Ninths
11.03 - Development of the Scale of Infinite Ninths
11.04 - Nature Dances to a Natural Music Scale
11.05 - Something from Nothing
11.06 - Something from Idea and Will
11.07 - Idea plus Will plus Spirit - Manifestation
11.08 - Matter is an Effect of Will Force
11.09 - Matter is the Recording of Thinking
11.10 - Matter is the Recording of Sequential and Successive Steps of Polarized Thought
11.11 - Explanations of the Scale of Infinite Ninths
11.12 - Hidden Powers of Numbers
11.13 - Dominant Conditions are Mated Opposing Pairs as Fifths
11.14 - Indig Numbers (Fuller)
11.15 - Indig Numbers - Inert Gases and Octave Position
11.16 - Indig Numbers and the Power of the Powers of Two
11.17 - FOOT NOTES
11.18 - Keelys Dominant - Harmonic and Enharmonic
11.19 - Spirit is Dominant
11.20 - Scale of Infinite Ninths compared to Classic Scale
11.21 - Arithmetical Structure of Intervals
11.22 - Reciprocality of Dimensions and Music Intervals
11.23 - The Power of Two - Primes - Families and Differentiators
11.24 - Notes and Thoughts on Octave Structure
11.25 - Notes and Thoughts on Harmonic Scale of Ninths
11.26 - Definitions and notes useful in this section
11.27 - Origin of CsharpDbb note
11.28 - Ninths in the literature - Keely on Ninths
11.29 - Conventional or Standard Musical Ninths Intervals
11.30 - Russells Locked Potentials Numbers
11.31 - Egyptian Fractions and Measurements see Egyptian fraction expansion


Page last modified on Tuesday 24 of January, 2012 04:05:37 MST

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